In an interview with IGN, Morrison detailed that having Dick Grayson as Batman and Damian Wayne as Robin represented a "reverse" of the normal dynamic between Batman and Robin, with, "a more light-hearted and spontaneous Batman and a scowling, badass Robin". Morrison explained his intentions for the new characterization of Batman: "Dick Grayson is kind of this consummate superhero. The guy has been Batman's partner since he was a kid, he's led the Teen Titans, and he's trained with everybody in the DC Universe. So he's a very different kind of Batman. He's a lot easier; He's a lot looser and more relaxed."[65]
April Clarkson (Midnight): April was a GCPD officer who briefly dated Bruce Wayne and assisted him as Batman in tracking down the criminal known as Midnight, who had begun terrorizing Gotham and gruesomely murdering the city's most corrupt. Bruce developed strong feelings for April and was devastated to eventually discover that she was in fact the deranged murderer all along.
DC Comics' 2005 limited series Identity Crisis reveals that JLA member Zatanna had edited Batman's memories to prevent him from stopping the Justice League from lobotomizing Dr. Light after he raped Sue Dibny. Batman later creates the Brother I satellite surveillance system to watch over and, if necessary, kill the other heroes after he remembered. The revelation of Batman's creation and his tacit responsibility for Blue Beetle's death becomes a driving force in the lead-up to the Infinite Crisis miniseries, which again restructures DC continuity. Batman and a team of superheroes destroy Brother Eye and the OMACs, though, at the very end, Batman reaches his apparent breaking point when Alexander Luthor Jr. seriously wounds Nightwing. Picking up a gun, Batman nearly shoots Luthor in order to avenge his former sidekick, until Wonder Woman convinces him to not pull the trigger.

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In 1988's "Batman: A Death in the Family" storyline from Batman #426-429 Jason Todd, the second Robin, is killed by the Joker. Subsequently, Batman takes an even darker, often excessive approach to his crime-fighting. Batman works solo until the decade's close, when Tim Drake becomes the new Robin. In 2005 writers resurrected the Jason Todd character and have pitted him against his former mentor.

Pamela Isley (Poison Ivy): Poison Ivy is a villain who often relies on seduction and the manipulation of pheromones to drive men around her to obey. This is no different with Batman, who initially confused the lust and desire caused by Ivy's methods for love.[13][14] Ivy has a somewhat love/hate relationship with Batman; on some occasions she claims to love him and desires his affection, while on others she is more than willing to kill him. Bruce and Pamela had a brief but genuine romantic relationship after he helped to cure her of her condition, but this came to an end when Pamela seemingly died in an attempt to turn herself back into Poison Ivy.[15]
@Krunchyman - You do have a very good point. Also, add on the fact that Batman lost both of his parents at a very young age, and it affected him greatly. Parent or not, I'm sure that there are a lot of people who have lost someone very close to them, and that makes them able to relate to Bruce Wayne's tragedy. Going off of what you said about Superman, has he ever lost someone that was close to him? No, I don't think so.
Using a mixture of physical and psychological attacks, the Black Glove tests Batman's resolve, forcing him to temporarily adopt the crazed persona of the "Batman of Zur-En-Arrh." He is then led to Arkham Asylum to face the Joker. Seemingly defeated, Batman is buried alive by the Black Glove, a group that includes Bruce Wayne's girlfriend, Jezebel Jet, who has betrayed him. With the assistance of Robin and Nightwing, he turns the tables on his foes. In a final confrontation with Dr. Hurt, Batman is caught in a helicopter crash.

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The informal name "Batman family" is used for a group of characters closely allied with Batman, generally masked vigilantes who either have been trained by Batman or operate in Gotham City with his tacit approval. They include: Barbara Gordon, Commissioner Gordon's daughter, who has fought crime under the vigilante identity of Batgirl and, during a period in which she was confined to a wheelchair due to a gunshot wound inflicted by the Joker, the computer hacker Oracle; Helena Bertinelli, the sole surviving member of a mob family turned vigilante, who has worked with Batman on occasion, primarily as the Huntress and as Batgirl for a brief stint; Cassandra Cain, the daughter of professional assassins David Cain, and Lady Shiva, who succeeded Bertinelli as Batgirl.
Batman faces a variety of foes ranging from common criminals to outlandish supervillains. Many of them mirror aspects of the Batman's character and development, often having tragic origin stories that lead them to a life of crime.[98] These foes are commonly referred to as Batman's rogues gallery. Batman's "most implacable foe" is the Joker, a homicidal maniac with a clown-like appearance. The Joker is considered by critics to be his perfect adversary, since he is the antithesis of Batman in personality and appearance; the Joker has a maniacal demeanor with a colorful appearance, while Batman has a serious and resolute demeanor with a dark appearance. As a "personification of the irrational", the Joker represents "everything Batman [opposes]".[36] Other long time recurring foes that are part of Batman's rogues gallery include Catwoman (a cat burglar antiheroine who is an occasional ally and romantic interest), the Penguin, Ra's al Ghul, Two-Face, the Riddler, the Scarecrow, Mr. Freeze, Poison Ivy, Harley Quinn, Bane, Clayface, and Killer Croc among others. Many of Batman's adversaries are often psychiatric patients at Arkham Asylum.
Batman: The Animated Series and the DC animated universe not only made the childhoods of a generation so much cooler, they also gave birth to the voices in a lot of our heads. When people of this generation think of the caped crusader, they see an image in their minds of a black cape and cowl, grey shirt and a yellow and black Bat-symbol across the chest. They hear the words in that oh-so-familiar voice “I am vengeance, I am the night…I AM BATMAN!” and then they usually pass out.

1994's company-wide crossover Zero Hour changes aspects of DC continuity again, including those of Batman. Noteworthy among these changes is that the general populace and the criminal element now considers Batman an urban legend rather than a known force. Similarly, the Waynes' killer is never caught or identified, effectively removing Joe Chill from the new continuity, rendering stories such as "Year Two" non-canon.
The character became popular soon after his introduction in 1939 and gained his own comic book title, Batman, the following year. As the decades went on, different interpretations of the character emerged. The late 1960s Batman television series used a camp aesthetic, which continued to be associated with the character for years after the show ended. Various creators worked to return the character to his dark roots, culminating in 1986 with The Dark Knight Returns by Frank Miller. The success of Warner Bros. Pictures' live-action Batman feature films have helped maintain the character's prominence in mainstream culture.[7]
In early 1939, the success of Superman in Action Comics prompted editors at National Comics Publications (the future DC Comics) to request more superheroes for its titles. In response, Bob Kane created "the Bat-Man".[9] Collaborator Bill Finger recalled that "Kane had an idea for a character called 'Batman,' and he'd like me to see the drawings. I went over to Kane's, and he had drawn a character who looked very much like Superman with kind of ... reddish tights, I believe, with boots ... no gloves, no gauntlets ... with a small domino mask, swinging on a rope. He had two stiff wings that were sticking out, looking like bat wings. And under it was a big sign ... BATMAN".[10] The bat-wing-like cape was suggested by Bob Kane, inspired as a child by Leonardo Da Vinci's sketch of an ornithopter flying device.[11]

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While most of Batman's romantic relationships tend to be short in duration, Catwoman has been his most enduring romance throughout the years.[110] The attraction between Batman and Catwoman, whose real name is Selina Kyle, is present in nearly every version and medium in which the characters appear. Although Catwoman is typically portrayed as a villain, Batman and Catwoman have worked together in achieving common goals and are usually depicted as having a romantic connection.
The popularity of the Batman TV series also resulted in the first animated adaptation of Batman in The Batman/Superman Hour;[164] the Batman segments of the series were repackaged as The Adventures of Batman and Batman with Robin the Boy Wonder which produced thirty-three episodes between 1968 and 1977. From 1973 until 1986, Batman had a starring role in ABC's Super Friends series; which was animated by Hanna-Barbera. Olan Soule was the voice of Batman in all these shows, but was eventually replaced during Super Friends by Adam West, who also voiced the character in Filmation's 1977 series The New Adventures of Batman.
With a menacing glare built into the mask, and a complete full body sculpt to show the bad guys how ripped Batman is supposed to be, the costumes were not the worst thing about this movie in any way shape or form. To go along with the normal bat suit in Batman and Robin, there was also sets later on with an almost chrome finish, as well as the fact that we had matching suits for Robin and Batgirl.
In 2016, Batman celebrated his 50th year on the screen. Starting humbly from the 1966 television series, the caped crusader now occupies the silver screen in million dollar blockbusters. To celebrate, Costume SuperCenter created these printable posters comparing the Gotham vigilante from then and now. Check out these 50th Anniversary Batman Posters and decorate your room, office, or anywhere!
They make the rest of the walk to the Bridge of Bones in silence. At the edge, they are attacked once by the darts of the Bat-People. And on the other side of the bridge, he appears - the Black Pirate. Blackbeard takes aim, but somehow misses, and the two men begin their duel in earnest. Meanwhile, the First Mate, Hands, grabs "Loggins" and crosses the Bridge of Bones.
Frank Miller's limited series The Dark Knight Returns (February–June 1986) returned the character to his darker roots, both in atmosphere and tone. The comic book, which tells the story of a 55-year-old Batman coming out of retirement in a possible future, reinvigorated interest in the character. The Dark Knight Returns was a financial success and has since become one of the medium's most noted touchstones.[55] The series also sparked a major resurgence in the character's popularity.[56]
Broken Bat - Bane will forever be remembered as the man who broke the Bat! More than three decades ago, Bane's father received a life sentence from the Satna Priscan government for his role in a failed revolution. He fled the country, but Santa Priscan law demanded that his son take his place. The child that would become Bane was raised inside Pena Duro prison (mostly in a pit called the Cavidad Oscuro). Bane killed dozens of inmates and engineered a jailbreak when experiments with the drug Venom gave him monstrous strength.

In Tim Burton's Batman Returns, Selina (played by Michelle Pfeiffer) seems to be the true love of Bruce's life, as not only their costumed identities but also their disturbed psyches are described as similar. Their relationship becomes intensely dramatic toward the end of the movie, to the point where Bruce actually implores her to abandon her vendetta against Max Shreck and come and live with him in Wayne Manor, to no avail.
Writers have varied in the approach over the years to the "playboy" aspect of Bruce Wayne's persona. Some writers show his playboy reputation as a manufactured illusion to support his mission as Batman, while others have depicted Bruce Wayne as genuinely enjoying the benefits of being "Gotham's most eligible bachelor". Bruce Wayne has been portrayed as being romantically linked with many women throughout his various incarnations. The most significant relationships occurred with Selina Kyle, who is also Catwoman[109] and Talia al Ghul, as both women gave birth to his biological offsprings, Helena Wayne and Damian Wayne, respectively.

The end result was a character who looked like he would fit right along famous pulp heroes like the Shadow, with a distinct-looking cowl and a cape that still managed to maintain some of its wing-like approach. This was the type of character that you would take one glance at and think, "Yeah, this dude wouldn't mind snapping a neck or two to get the job done." That fit the early style of Batman stories perfectly.
Back in the 90s comics were prone to some wild publicity stunts to sell issues. The most notable events were the Death of Superman and a villain known as Bane breaking Batman's back. This forced Bruce Wayne to pass the mantle of Batman on to a man named Jean-Paul Valley. Valley ended up going a little crazy. He did not adhere to Batman's rule of "no killing" and made a lot of deadly modifications to the Batsuit. When Wayne got word of Valley's methods and Bane's crime-spree, he went on a spirit journey similar to his first quest to become Batman.
Finger suggested giving the character a cowl instead of a simple domino mask, a cape instead of wings, and gloves; he also recommended removing the red sections from the original costume.[12][13][14][15] Finger said he devised the name Bruce Wayne for the character's secret identity: "Bruce Wayne's first name came from Robert Bruce, the Scottish patriot. Wayne, being a playboy, was a man of gentry. I searched for a name that would suggest colonialism. I tried Adams, Hancock ... then I thought of Mad Anthony Wayne."[16] He later said his suggestions were influenced by Lee Falk's popular The Phantom, a syndicated newspaper comic-strip character with which Kane was also familiar.[17]

Wealthy entrepreneur Bruce Wayne and his ward Dick Grayson lead a double life: they are actually the crime-fighting duo Batman and Robin. A secret Batpole in the Wayne mansion leads to the Batcave, where Police Commissioner Gordon summons the Dynamic Duo on the Batphone with the latest emergency threatening Gotham City. Racing to the scene of the crime in the jet-powered Batmobile, Batman and Robin must (with the help of their trusty utility-belts) thwart the efforts of a rogues gallery of flamboyant arch-villains, including the Joker, the Penguin, the Riddler and the Catwoman. Written by Murray Chapman
The central fixed event in the Batman stories is the character's origin story.[85] As a young boy, Bruce Wayne was horrified and traumatized when he watched his parents, the physician Dr. Thomas Wayne and his wife Martha, murdered with a gun by a mugger named Joe Chill. Batman refuses to utilize any sort of gun on the principle that a gun was used to murder his parents. This event drove him to train his body to its peak condition and fight crime in Gotham City as Batman. Pearson and Uricchio also noted beyond the origin story and such events as the introduction of Robin, "Until recently, the fixed and accruing and hence, canonized, events have been few in number",[85] a situation altered by an increased effort by later Batman editors such as Dennis O'Neil to ensure consistency and continuity between stories.[124]
The popularity of the Batman TV series also resulted in the first animated adaptation of Batman in The Batman/Superman Hour;[164] the Batman segments of the series were repackaged as The Adventures of Batman and Batman with Robin the Boy Wonder which produced thirty-three episodes between 1968 and 1977. From 1973 until 1986, Batman had a starring role in ABC's Super Friends series; which was animated by Hanna-Barbera. Olan Soule was the voice of Batman in all these shows, but was eventually replaced during Super Friends by Adam West, who also voiced the character in Filmation's 1977 series The New Adventures of Batman.
This also gave him the first bat suit which wasn’t hindered by the cowl being directly attached to the shoulders and could therefore move his head. Among other new improvements like being able to launch his triangle forearm blades, this version was a force to be reckoned with. Above all else, this is the perfect, most fully functional bat suit that there has been to date.

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