In those days it was like, one artist and he had his name over it [the comic strip] — the policy of DC in the comic books was, if you can't write it, obtain other writers, but their names would never appear on the comic book in the finished version. So Bill never asked me for it [the byline] and I never volunteered — I guess my ego at that time. And I felt badly, really, when he [Finger] died.[23]

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Batman: The Animated Series and the DC animated universe not only made the childhoods of a generation so much cooler, they also gave birth to the voices in a lot of our heads. When people of this generation think of the caped crusader, they see an image in their minds of a black cape and cowl, grey shirt and a yellow and black Bat-symbol across the chest. They hear the words in that oh-so-familiar voice “I am vengeance, I am the night…I AM BATMAN!” and then they usually pass out.

With a menacing glare built into the mask, and a complete full body sculpt to show the bad guys how ripped Batman is supposed to be, the costumes were not the worst thing about this movie in any way shape or form. To go along with the normal bat suit in Batman and Robin, there was also sets later on with an almost chrome finish, as well as the fact that we had matching suits for Robin and Batgirl.
Jack, failed comedian, failed husband to a murdered wife, reluctantly dons the helmet? becoming the new Red Hood. Red Hood had a large domed red helmet [of course] with one way mirror lenses [like Spider-Man] to see through and a red cape. Oh yes.. he also wore a tuxedo. Very dapper was the Red Hood. While attempting to rob a chemical plant, the plant's security men spot the robbers, shooting the other criminals dead, narrowly missing the Red Hood. Cornered on a catwalk by Batman the [now terrified] Red Hood dives into a chemical basin to make his escape and swims to freedom by way of a venting pipe. He only survived via a special breathing apparatus that was built into his helmet. However, the chemicals in the basin permanently disfigured the an under the hood, turning his hair green, his skin white and his lips red.
In the Modern Age of Comics until the present date, Batman has had numerous romantic relationships, in every different media, some of which have lasted long enough to set a "record" and others which were merely used for the sake of a story. Most of his relationships are with ladies from his own Rogues Gallery, and in recent years, his relationship with Catwoman has been given special attention; but the constant in every scenario is Batman's unwillingness or inability to maintain a relationship longer than the Batmobile's paint job.
In 2010, the storyline Batman: The Return of Bruce Wayne saw Bruce travel through history, eventually returning to the present day. Although he reclaimed the mantle of Batman, he also allowed Grayson to continue being Batman as well. Bruce decided to take his crime-fighting cause globally, which is the central focus of Batman Incorporated. DC Comics would later announce that Grayson would be the main character in Batman, Detective Comics, and Batman and Robin, while Wayne would be the main character in Batman Incorporated. Also, Bruce appeared in another ongoing series, Batman: The Dark Knight.
Peak Human Agility: His agility is greater than that of a Chinese acrobat and superior to an Olympic-gold athlete gymnast. He can flawlessly coordinate his body with perfect balance, flexibility, and dexterity. His main phase of movement is Parkour which he learned in France and uses it to scale the cities rooftops in an acrobatic manner. He is capable of completing a triple somersault, running across thin wire cable which showcased his balance. Bruce regularly practices his agility by practicing gymnastics blindfolded.

The debut of the Batman television series in 1966 had a profound influence on the character. The success of the series increased sales throughout the comic book industry, and Batman reached a circulation of close to 900,000 copies.[47] Elements such as the character of Batgirl and the show's campy nature were introduced into the comics; the series also initiated the return of Alfred. Although both the comics and TV show were successful for a time, the camp approach eventually wore thin and the show was canceled in 1968. In the aftermath, the Batman comics themselves lost popularity once again. As Julius Schwartz noted, "When the television show was a success, I was asked to be campy, and of course when the show faded, so did the comic books."[48]
Batman's body armored costume incorporates the imagery of a bat in order to frighten criminals.[120] The details of the Batman costume change repeatedly through various decades, stories, media and artists' interpretations, but the most distinctive elements remain consistent: a scallop-hem cape; a cowl covering most of the face; a pair of bat-like ears; a stylized bat emblem on the chest; and the ever-present utility belt. Finger and Kane originally conceptualized Batman as having a black cape and cowl and grey suit, but conventions in coloring called for black to be highlighted with blue.[120] Hence, the costume's colors have appeared in the comics as dark blue and grey;[120] as well as black and grey. In the Tim Burton's Batman and Batman Returns films, Batman has been depicted as completely black with a bat in the middle surrounded by a yellow background. Christopher Nolan's The Dark Knight Trilogy depicted Batman wearing high-tech gear painted completely black with a black bat in the middle. Ben Affleck's Batman in the DC Extended Universe films wears a suit grey in color with a black cowl, cape, and bat symbol.

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