By 1942, the writers and artists behind the Batman comics had established most of the basic elements of the Batman mythos.[36] In the years following World War II, DC Comics "adopted a postwar editorial direction that increasingly de-emphasized social commentary in favor of lighthearted juvenile fantasy". The impact of this editorial approach was evident in Batman comics of the postwar period; removed from the "bleak and menacing world" of the strips of the early 1940s, Batman was instead portrayed as a respectable citizen and paternal figure that inhabited a "bright and colorful" environment.[37]
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Batman's primary vehicle is the Batmobile, which is usually depicted as an imposing black car, often with tailfins that suggest a bat's wings. Batman also has an aircraft called the Batplane (later called the "Batwing"), along with various other means of transportation. In proper practice, the "bat" prefix (as in Batmobile or batarang) is rarely used by Batman himself when referring to his equipment, particularly after some portrayals (primarily the 1960s Batman live-action television show and the Super Friends animated series) stretched the practice to campy proportions. For example, the 1960s television show depicted a Batboat, Bat-Sub, and Batcycle, among other bat-themed vehicles. The 1960s television series Batman has an arsenal that includes such "bat-" names as the bat-computer, bat-scanner, bat-radar, bat-cuffs, bat-pontoons, bat-drinking water dispenser, bat-camera with polarized bat-filter, bat-shark repellent bat-spray, and bat-rope. The storyline "A Death in the Family" suggests that given Batman's grim nature, he is unlikely to have adopted the "bat" prefix on his own. In The Dark Knight Returns, Batman tells Carrie Kelley that the original Robin came up with the name "Batmobile" when he was young, since that is what a kid would call Batman's vehicle. The Batmobile was redesigned in 2011 when DC Comics relaunched its entire line of comic books, with the batmobile being given heavier armor and new aesthetics.
Finger suggested giving the character a cowl instead of a simple domino mask, a cape instead of wings, and gloves; he also recommended removing the red sections from the original costume.[12][13][14][15] Finger said he devised the name Bruce Wayne for the character's secret identity: "Bruce Wayne's first name came from Robert Bruce, the Scottish patriot. Wayne, being a playboy, was a man of gentry. I searched for a name that would suggest colonialism. I tried Adams, Hancock ... then I thought of Mad Anthony Wayne."[16] He later said his suggestions were influenced by Lee Falk's popular The Phantom, a syndicated newspaper comic-strip character with which Kane was also familiar.[17]
Later, Batman investigates the office of Thomas Elliot and discovers one of his patients was someone called Arthur Wynne who sought an operation for an inoperable brain tumor. Nightwing and Catwoman investigate a graveyard break-in and are attacked by the Scarecrow. Nightwing is overpowered by the fear toxin, but Catwoman defeats Scarecrow and gets Nightwing to safety. However, she is captured by Hush after Nightwing escapes.

After the 12-issue limited series Crisis on Infinite Earths, DC Comics rebooted the stories of some major characters in an attempt at updating them for contemporary audiences. Frank Miller retold Batman's origin in the storyline Year One from Batman #404-407, which emphasizes a grittier tone in the character. Though the Earth-Two Batman is erased from history, many stories of Batman's Silver Age/Earth-One career (along with an amount of Golden Age ones) remain canonical in the post-Crisis universe, with his origins remaining the same in essence, despite alteration.
They make the rest of the walk to the Bridge of Bones in silence. At the edge, they are attacked once by the darts of the Bat-People. And on the other side of the bridge, he appears - the Black Pirate. Blackbeard takes aim, but somehow misses, and the two men begin their duel in earnest. Meanwhile, the First Mate, Hands, grabs "Loggins" and crosses the Bridge of Bones.
Batman's secret identity is Bruce Wayne, a wealthy American industrialist. As a child, Bruce witnessed the murder of his parents, Dr. Thomas Wayne and Martha Wayne, which ultimately led him to craft the Batman persona and seek justice against criminals. He resides on the outskirts of Gotham City in his personal residence, Wayne Manor. Wayne averts suspicion by acting the part of a superficial playboy idly living off his family's fortune and the profits of Wayne Enterprises, his inherited conglomerate.[73][74] He supports philanthropic causes through his nonprofit Wayne Foundation, but is more widely known as a celebrity socialite.[75] In public, he frequently appears in the company of high-status women, which encourages tabloid gossip. Although Bruce Wayne leads an active romantic life, his vigilante activities as Batman account for most of his time.[76]
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The "Batman: Hush" storyline introduced Tommy Elliot, a childhood friend of Bruce Wayne's. As Hush, the bandaged villain, Elliot secretly orchestrates constant attacks on the Batman by manipulates many of the Batman's Rogues Gallery's villains. As the manipulations and orchestrations grow so does the sexual tension between Batman and Catwoman, to the point where they actually become romantically involved? to a certain degree. Ultimately, Batman's distrust in Catwoman ends the doomed relationship. Hush tricks Batman into believing that Jason Todd, the second Robin who was killed by the Joker, is actually alive. An angry Jason fights Batman but he is later revealed to be none other than Clayface. In a bizarre twist of writing, the DC creators decided to go ahead and let Jason Todd actually become alive, imagine that, but he arrives in the guise of ? the Red Hood.
Expert Acrobat: Proficient in gymnastics and acrobatics, to the peak of human ability. He is particularly skilled in parkour and free running. He can perform impeccably precise acrobatic moves instinctively in combat, or whilst escaping a catastrophe, and can even dodge a superhuman individual's blows and sword-swings. He regularly practices his gymnastics and acrobatics blindfolded.
While very similar to the original version shown in Batman, the Batman Returns bat suit shows us an updated version which shows obvious armor on the chest and full torso area. This suit was used against characters like Danny DeVito’s Penguin and Michelle Pfeiffer’s Catwoman during a storyline where Penguin was running to become the mayor of Gotham City and Selena Kyle was a lowly secretary who was just trying to do right by her boss… up until he murders her and she gets cat powers.
Another example of a costume design that ended up working better when other artists drew it, if only because they toned down the odder elements of the design, is Jim Lee's design for Batman in the New 52. A lot of Lee's designs for New 52 characters involved the use of armor, even on characters who otherwise wouldn't seem to be prone to wearing armor (like Superman). Lee used a lot of the piping approach of the Batman Incorporated costume, but included it in the armor design and a utility "belt" that was just individual patches on the armor.
In those days it was like, one artist and he had his name over it [the comic strip] — the policy of DC in the comic books was, if you can't write it, obtain other writers, but their names would never appear on the comic book in the finished version. So Bill never asked me for it [the byline] and I never volunteered — I guess my ego at that time. And I felt badly, really, when he [Finger] died.[23]
Initially, the concept was that it was just a big black body suit with the yellow oval in the middle. The big change, then, was that the "underwear" was no longer featured on the costume (something that Superman did not get rid of until 2011). By the end of the story, the costume added gloves and boots to the look. Few artists, though, seemed to know how to draw it correctly.
During their first encounters, Talia showed a devotion to the Dark Knight as strong as her love for her father, often saving Batman, but always choosing to remain by her father's side. After several encounters with Ra's, Talia and Bruce eventually had a sexual encounter, from which their son Damian Wayne was born.[8] Over time, Talia became more antagonistic towards Batman, seeking to fulfil her father's goals and rule the world with Batman at her side, and declaring war against him after his refusal.

Batman once again becomes a member of the Justice League during Grant Morrison's 1996 relaunch of the series, titled JLA. While Batman contributes greatly to many of the team's successes, the Justice League is largely uninvolved as Batman and Gotham City face catastrophe in the decade's closing crossover arc. In 1998's "Cataclysm" storyline, Gotham City is devastated by an earthquake. Deprived of many of his technological resources, Batman fights to reclaim the city from legions of gangs during 1999's "No Man's Land." While Lex Luthor rebuilds Gotham at the end of the "No Man's Land" storyline, he then frames Bruce Wayne for murder in the "Bruce Wayne: Murderer?" and "Bruce Wayne: Fugitive" story arcs; Wayne is eventually acquitted.


After the Commissioner Gordon Batman armor experiment ended (with Gordon doing quite well, really, just not quite the same levels as the main man), Bruce Wayne returned as Batman, wearing a brand-new costume designed by Capullo. The best thing about the costume is that it really looks like the type of outfit that a superhero can move in, which was a marked improvement over the last two outfits. It looks like something an actual person could wear.

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In Batman and Psychology: A Dark and Stormy Knight, Travis Langley argues that the concept of archetypes as described by psychologists Carl Jung and Joseph Campbell is present in the Batman mythos, such that the character represents the "shadow archetype". This archetype, according to Langley, represents a person's own dark side; it is not necessarily an evil one, but rather one that is hidden from the outside and concealed from both the world and oneself. Langley argues that Bruce Wayne confronts his own darkness early in life; he chooses to use it to instill fear in wrongdoers, with his bright and dark sides working together to fight evil. Langley uses the Jungian perspective to assert that Batman appeals to our own need to face our "shadow selves".[207][208] Dr. Travis Langley also taught a class called Batman, a title he was adamant about. "I could have called it something like the Psychology of Nocturnal Vigilantism, but no. I called it Batman," Langley says.[209]
This also gave him the first bat suit which wasn’t hindered by the cowl being directly attached to the shoulders and could therefore move his head. Among other new improvements like being able to launch his triangle forearm blades, this version was a force to be reckoned with. Above all else, this is the perfect, most fully functional bat suit that there has been to date.

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