Blackbeard was reported hanged two months later. According to Jack's diary, he continued with the Black Pirate identity for many years, saving lives, including the woman who became his wife. They moved to Philadelphia and he left the costume behind. However, he did not visit the Wayne family until years later. They took his diary and placed it in a capsule, along with something he swore never to tell another living soul about.
During the 1950s, the "Batman" titles were very much the second-class citizens of the DC Comics line of superhero books. In fact, the "DC" aspect of the company's name (which was named after "Detective Comics," where Batman debuted) was rarely as de-emphasized as it was in this era, when the "DC Bullet" featured DC in the center of the logo circle but Superman at the top of the circle and National Comics on the bottom (talk about a cluttered logo). Batman's stories were mostly just riffs on ideas used in Superman comics of the era (Vicki Vale as their Lois Lane, Bat-Mite was their Mr. Mxyzptlk, etc.)
Winding up in Gotham City, Bane exhausted Batman by freeing all the villains from Arkham Asylum. He then crippled the Dark Knight by snapping his spine. Jean Paul Valley (Azrael) donned the Batman garb ? wile Bruce recuperated from his injuries. This interim Batman was more violent and unstable; Bruce returned to action as soon as his body had healed and he had regained his fighting spirit, with the help of ruthless martial-arts mistress Lady Shiva. Bruce took back the mantle of the Bat by force.
Shondra Kinsolving: Shondra was a psychic and the half-sister of Benedict Asp. She had a brief love affair with Batman, having been brought in to help him when Bane broke his back. Before Bruce could officially commit to her, Benedict kidnapped her and turned her abilities to evil use. Batman eventually defeated Benedict, but the damage to Shondra's mind was too great. As she healed Bruce's lingering injuries, Shondra's psyche regressed back into childhood. Bruce paid for her care at a psychiatric institution, ensuring she received the best treatment for the rest of her life.[16]
Pamela Isley (Poison Ivy): Poison Ivy is a villain who often relies on seduction and the manipulation of pheromones to drive men around her to obey. This is no different with Batman, who initially confused the lust and desire caused by Ivy's methods for love.[13][14] Ivy has a somewhat love/hate relationship with Batman; on some occasions she claims to love him and desires his affection, while on others she is more than willing to kill him. Bruce and Pamela had a brief but genuine romantic relationship after he helped to cure her of her condition, but this came to an end when Pamela seemingly died in an attempt to turn herself back into Poison Ivy.[15]
Jillian Maxwell: In Batman: Legends of the Dark Knight Halloween Special #1, during the beginning of his career, Bruce found himself attracted to a woman who called herself Jillian Maxwell after meeting her at a costume party. However, he later discovered the criminal record of a woman who had used many aliases to seduce young, wealthy men, then later arranged events that led to their deaths so she could claim their wealth. After Alfred told Bruce of this, he was heartbroken, but he kept an eye on the woman. When she used the identity Audrey Marguerite in Brazil, Bruce, as Batman, sent her a note, ordering her to confess all her crimes.
Peak Human Strength: Batman engages in an intensive exercise regimen, and because of this his strength, like all other physical attributes, are at the peak of human perfection. He can casually overhead press lift 1000 lbs, bench-press 1 ton (more or less), and has in some cases demonstrated enough strength to easily rip steel bars from their moorings, and snap high-strength handcuffs with ease.
In various incarnations, most notably the 1960s Batman TV series, Commissioner Gordon also has a dedicated phone line, dubbed the Bat-Phone, connected to a bright red telephone (in the TV series) which sits on a wooden base and has a transparent top. The line connects directly to Batman's residence, Wayne Manor, specifically both to a similar phone sitting on the desk in Bruce Wayne's study and the extension phone in the Batcave.

After a lengthy brawl through the skies of Gotham, March is trapped in an explosion intended to kill Bruce; no body is located. Bruce admits to Dick that although he is skeptical of March's claims and believes his parents would have told him had he had a brother, without March's body and a DNA test he is unable to conclusively prove or disprove March's claims. Still, Bruce says that even though the Court tried to destroy everything he believed in, there was one thing the Court could never break: his belief in his parents. Bruce knows that although the Court has been stoppe,d for now, it will return; and he will be ready.
During the 1950s, the "Batman" titles were very much the second-class citizens of the DC Comics line of superhero books. In fact, the "DC" aspect of the company's name (which was named after "Detective Comics," where Batman debuted) was rarely as de-emphasized as it was in this era, when the "DC Bullet" featured DC in the center of the logo circle but Superman at the top of the circle and National Comics on the bottom (talk about a cluttered logo). Batman's stories were mostly just riffs on ideas used in Superman comics of the era (Vicki Vale as their Lois Lane, Bat-Mite was their Mr. Mxyzptlk, etc.)
In the world of DC, there were really two Batmen if you think about it. One as "the world's greatest detective" who typically fought other non-powered street-level characters like the Joker. The other was a man who defied all odds as a human, and went toe-to-toe with super-powered villains and cosmic threats alongside the Justice League. Loeb and Lee balanced this duality into one series and did the same with the Batsuit as well. It's almost a combination of the classic blue and gray suit we know best from the Adam West series, mixed with a little bit of Frank Miller's Dark Knight Returns suit. The result is a colorful suit that looks at home in the dark alley's of Gotham.
One day I called Bill and said, 'I have a new character called the Bat-Man and I've made some crude, elementary sketches I'd like you to look at.' He came over and I showed him the drawings. At the time, I only had a small domino mask, like the one Robin later wore, on Batman's face. Bill said, 'Why not make him look more like a bat and put a hood on him, and take the eyeballs out and just put slits for eyes to make him look more mysterious?' At this point, the Bat-Man wore a red union suit; the wings, trunks, and mask were black. I thought that red and black would be a good combination. Bill said that the costume was too bright: 'Color it dark grey to make it look more ominous.' The cape looked like two stiff bat wings attached to his arms. As Bill and I talked, we realized that these wings would get cumbersome when Bat-Man was in action and changed them into a cape, scalloped to look like bat wings when he was fighting or swinging down on a rope. Also, he didn't have any gloves on, and we added them so that he wouldn't leave fingerprints.[17]

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