The craftsman at Gotham City FX have made a name for themselves creating replicas of creatures and costumes from films and video games.  Their handmade batsuit based on Christopher Nolan’s Dark Knight franchise is the highest quality available and a perfect duplicate.  Made using only premium urethanes and silicones, the Dark Knight costume includes a powder coated carbon fiber imprint body suit with attached armor, gauntlets, cowl, belt, boots and a scalloped cape.  Customized for each customer’s measurements, the costume is so good it has been used in multiple Batman short films.
Following Infinite Crisis, Bruce Wayne, Dick Grayson (having recovered from his wounds), and Tim Drake retrace the steps Bruce had taken when he originally left Gotham City, to "rebuild Batman".[138] In the Face the Face storyline, Batman and Robin return to Gotham City after their year-long absence. Part of this absence is captured during Week 30 of the 52 series, which shows Batman fighting his inner demons.[139] Later on in 52, Batman is shown undergoing an intense meditation ritual in Nanda Parbat. This becomes an important part of the regular Batman title, which reveals that Batman is reborn as a more effective crime fighter while undergoing this ritual, having "hunted down and ate" the last traces of fear in his mind.[140][141] At the end of the "Face the Face" story arc, Bruce officially adopts Tim (who had lost both of his parents at various points in the character's history) as his son.[142] The follow-up story arc in Batman, Batman and Son, introduces Damian Wayne, who is Batman's son with Talia al Ghul. Although originally in Son of the Demon, Bruce's coupling with Talia was implied to be consensual, this arc ret-conned it into Talia forcing herself on Bruce.[143]
In my opinion, one thing that makes Batman so easy to relate to is the fact that he's human, and he doesn't have any powers. He gains the victory over most his adversaries through tactics and smarts. On the other hand, compare this to Superman. While he does have flaws, he's a lot less easy to relate to because he's nearly invulnerable, and only has one true weakness.

Batman reformed the Bat-Family with Batwoman and began training Duke to become another vigilante for Gotham. Whilst saving a falling airplane, Batman received help from two new heroes called Gotham and Gotham Girl, two metahumans with powers similar to Superman. Seeing them as a potential replacement for him, he took the duo under his wing and helped them on the path to becoming Gotham's new superheroes. However, after an encounter with Hugo Strange and the Psycho Pirate, the two were rendered mentally damaged and, when Gotham attacked the city, Batman was forced to fight him until his powers drained his body, killing him. Taking Claire under his wing, Batman, with the help of the rest of the Bat Family, stopped an attack orchestrated by Strange, similar to one of their earliest encounters.
Alex Ross is one of the best things to ever happen to art in comics. His fully painted portrayals of characters have the look of spandex and other fabric store materials, but takes just enough liberties with reality to keep them from looking silly. His images of characters like Superman, Spider-Man, and Batman are some of the greatest all-time artistic portrayals of these characters.
The driving force behind Bruce Wayne's character is his parents' murder and their absence. Bob Kane and Bill Finger discussed Batman's background and decided that "there's nothing more traumatic than having your parents murdered before your eyes".[87] Despite his trauma, he sets his mind on studying to become a scientist[88][89] and to train his body into physical perfection[88][89] to fight crime in Gotham City as Batman, an inspired idea from Wayne's insight into the criminal mind.[88][89]

Indomitable Will: He has no known superhuman powers, but he does have an almost superhuman "force of will". Batman's unstoppable determination, sense of discipline and morale, and strength of will make him an extremely formidable opponent. This makes him able to function while tolerating massive amounts of physical pain, and also allows him to resist telepathy or mind control. His willpower is strong enough to operate a Green Lantern Ring when necessary. He is also unshakably devoted to his solemn vow never to kill, in spite of his vicious inner temptation to do so - the latter of which factors is displayed prominently when facing the Joker.
Whether blue and gray, armored or classic black and yellow, the bat suit is used to strike fear into the hearts of the superstitious and cowardly lot of criminals that wander the streets of Gotham City at all times. Some of the suits have extra armor, others have none at all. Some even have nipples! But no matter what the suit or who is in the cape and cowl, everybody loves Batman. But which suit do we love the most? Read on and find out!
Later, Batman investigates the office of Thomas Elliot and discovers one of his patients was someone called Arthur Wynne who sought an operation for an inoperable brain tumor. Nightwing and Catwoman investigate a graveyard break-in and are attacked by the Scarecrow. Nightwing is overpowered by the fear toxin, but Catwoman defeats Scarecrow and gets Nightwing to safety. However, she is captured by Hush after Nightwing escapes.
In Blackest Night, the villain Black Hand is seen digging up Bruce Wayne's body, stealing his skull, and recruiting it into the Black Lantern Corps. Deadman, whose body has also become a Black Lantern, rushes to aid the new Batman and Robin, along with Red Robin against the Gotham villains who have been reanimated as Black Lanterns, as well as their own family members. The skull was briefly reanimated as a Black Lantern, reconstructing a body in the process by Black Hand's lord, Nekron, to move against the Justice League and the Titans. After the Black Lantern Batman created several black power rings to attach to and kill the majority of the Justice League, the skull was returned to normal after Nekron explained it served its purpose as an emotional tether. Nekron also referred to the skull as "Bruce Wayne", knowing that the body was not authentic.
After a new supervillain called Mr. Bloom apparently killed Gordon and took over Gotham, Bruce learnt about his life as Batman and, after talking to a stranger, returned to the Batcave for the first time since his final encounter with Joker. However, unable to recover the skills required to fight Bloom and his underlings, he decided to use an experimental machine that would upload his memories and skills into a body, but at the cost of his new life. With help from Alfred and Julie (who had discovered the truth long ago), Bruce went through with the procedure and returned to Gotham as Batman. With help from Gordon and a street gang modeled after Robin, he was able to defeat Bloom and save the city once again.
In an interview with IGN, Morrison detailed that having Dick Grayson as Batman and Damian Wayne as Robin represented a "reverse" of the normal dynamic between Batman and Robin, with, "a more light-hearted and spontaneous Batman and a scowling, badass Robin". Morrison explained his intentions for the new characterization of Batman: "Dick Grayson is kind of this consummate superhero. The guy has been Batman's partner since he was a kid, he's led the Teen Titans, and he's trained with everybody in the DC Universe. So he's a very different kind of Batman. He's a lot easier; He's a lot looser and more relaxed."[65]
In 1989, Warner Bros. released the live-action feature film Batman; directed by Tim Burton and starring Michael Keaton as the title character. The film was a huge success; not only was it the top-grossing film of the year, but at the time was the fifth highest-grossing film in history.[174] The film also won the Academy Award for Best Art Direction.[175] The film's success spawned three sequels: Batman Returns (1992), Batman Forever (1995) and Batman & Robin (1997); the latter two of which were directed by Joel Schumacher instead of Burton, and replaced Keaton as Batman with Val Kilmer and George Clooney, respectively. The second Schumacher film failed to outgross any of its predecessors and was critically panned; causing Warner Bros. to cancel the planned fourth sequel, Batman Unchained,[176] and end the initial film series.
Vicki disappeared from the Batman comics when Julius Schwartz took over the editorial office of Batman in 1964, but she was eventually reintroduced in the early 1980s, brought back by Gerry Conway. Unfortunately, this idea proved ill-advised as Vicki's character was not developed and instead, it was simply a modern take on the same old concept of learning Batman's secret identity. Writer Doug Moench was mainly responsible for slowly removing Vale from Batman's love life after he took over from Conway, but she has since been used as a recurrent love interest for Bruce Wayne by many other writers. Most recently, in Bruce Wayne: The Road Home, Vicki finally got proof of Batman's identity, but she kept it to herself and became a confidant and ally of the Batman family rather than a love interest of Bruce Wayne.
Batman refuses to fight his friends and allows himself to be captured. Scarecrow infects him with a mind control toxin, but Batman had already taken an antidote, so he pretends to be under Scarecrow's control in order to foil his plan. Scarecrow reveals he will spread his new toxin across the Eastern Seaboard with blimps, so Batman slips the counteragent he developed into Scarecrow's toxin. Everyone infected is cured and Batman takes Scarecrow to prison. Batman later talks with Catwoman about the relationship they shared while they were in Gothtopia. Although Catwoman wants to have a relationship with Batman, he is not interested.

For the most part, Batman's family and friends come to believe that Bruce Wayne is indeed dead. The only exception to this is Bruce's adopted son Tim Drake, who believes firmly that Bruce is still alive. After having the Robin identity taken from him by Dick Grayson, the new Batman, and giving it to Bruce's son, Damian, Tim takes on the identity of Red Robin, and begins searching the world for signs that Bruce Wayne is still alive. While searching in Baghdad, Tim finds a wall painting of the Bat emblem that was painted by Bruce upon the passing of Anthro. Tim realizes that Bruce is not dead, but rather lost in time.
All Batman origin stories tend to agree that the character was deeply wounded by witnessing the death of his parents at an early age. In many renditions the murderer was simply a mugger. Tim Burton’s film Batman differs in this respect to suggest it was the Joker who killed Batman’s parents. The loss of Bruce’s parents and the corrupt nature of Gotham City where Bruce lives, makes him seek a way of dispatching villains. Gotham City is often depicted as intensely corrupt in almost every aspect of its society. Not even the police force can be trusted, since many of them are on the take.
In 1992, Batman: The Animated Series premiered on the Fox television network; produced by Warner Bros. Animation and featuring Kevin Conroy as the voice of Batman. The series received considerable acclaim for its darker tone, mature writing, stylistic design, and thematic complexity compared to previous superhero cartoons,[165][166] in addition to multiple Emmy Awards.[167][168] The series' success led to the theatrical film Batman: Mask of the Phantasm (1993),[169] as well as various spin-off TV series; including Superman: The Animated Series, The New Batman Adventures, Justice League and Justice League Unlimited (each of which also featured Conroy as Batman's voice). The futuristic series Batman Beyond also took place in this same animated continuity and featured a newer, younger Batman voiced by Will Friedle, with the elderly Bruce Wayne (again voiced by Conroy) as a mentor.
In 2005, Batman Begins was released by Warner Bros. as a reboot of the film series; directed by Christopher Nolan and starring Christian Bale as Batman. Its sequel, The Dark Knight (2008), set the record for the highest grossing opening weekend of all time in the U.S., earning approximately $158 million,[177] and became the fastest film to reach the $400 million mark in the history of American cinema (eighteenth day of release).[178] These record-breaking attendances saw The Dark Knight end its run as the second-highest domestic grossing film (at the time) with $533 million, bested then only by Titanic.[179] The film also won two Academy Awards, including Best Supporting Actor for the late Heath Ledger.[180] It was eventually followed by The Dark Knight Rises (2012), which served as a conclusion to Nolan's film series.

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Many fans of Batman seem to like this design from Frank Miller with it's simple gray and black color scheme, short ears, and bulky utility belt. It was worn by a Batman from a future time where he and many other staple DC heroes had gone into retirement. Of course Bruce Wayne had the hardest time with this. Wayne's reasons for waging a war on crime didn't come from a Boy Scout inspired directive to good. The motivations of Bruce Wayne were personal; it was his way of avenging the death of his parents at the hands of street criminals. At age 55, Wayne comes out of retirement to fight crime in a world that doesn't have the respect for him it once did.
O'Neil and Adams first collaborated on the story "The Secret of the Waiting Graves" in Detective Comics #395 (Jan. 1970). Few stories were true collaborations between O'Neil, Adams, Schwartz, and inker Dick Giordano, and in actuality these men were mixed and matched with various other creators during the 1970s; nevertheless the influence of their work was "tremendous".[51] Giordano said: "We went back to a grimmer, darker Batman, and I think that's why these stories did so well ..."[52] While the work of O'Neil and Adams was popular with fans, the acclaim did little to improve declining sales; the same held true with a similarly acclaimed run by writer Steve Englehart and penciler Marshall Rogers in Detective Comics #471–476 (Aug. 1977 – April 1978), which went on to influence the 1989 movie Batman and be adapted for Batman: The Animated Series, which debuted in 1992.[53] Regardless, circulation continued to drop through the 1970s and 1980s, hitting an all-time low in 1985.[54]
Master of Disguise: Has mastered the art of disguise by the time he was 23. Has further learned Expanded Disguise techniques by the time he was 26. Batman has many aliases he uses to infiltrate the underworld or just to go undercover in public situations. His current aliases are: Matches Malone, Thomas Quigley, Ragman, Detective Hawke, Sir Hemingford Grey, Lester Krutz, Frank Dixon, Gordon Selkirk, and Mr. Fledermaus.

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The character became popular soon after his introduction in 1939 and gained his own comic book title, Batman, the following year. As the decades went on, different interpretations of the character emerged. The late 1960s Batman television series used a camp aesthetic, which continued to be associated with the character for years after the show ended. Various creators worked to return the character to his dark roots, culminating in 1986 with The Dark Knight Returns by Frank Miller. The success of Warner Bros. Pictures' live-action Batman feature films have helped maintain the character's prominence in mainstream culture.[7]

Diana and Bruce briefly dated[17] but nothing came of their relationship and the two decided it would be best to remain friends.[18] However, they still care deeply about one another, and this is evidenced by Wonder Woman's love for Batman allowing her to become a member of the Star Sapphire Corps in Blackest Night. Their relationship is echoed in the Justice League Animated Series, where producers decided to pair Diana with Bruce.
Lucius Fox, a technology specialist and Bruce Wayne's business manager who is well aware of his employer's clandestine vigilante activities; Dr. Leslie Thompkins, a family friend who like Alfred became a surrogate parental figure to Bruce Wayne after the deaths of his parents, and is also aware of his secret identity; Vicki Vale, an investigative journalist who often reports on Batman's activities for the Gotham Gazette; Ace the Bat-Hound, Batman's canine partner who was mainly active in the 1950s and 1960s;[99] and Bat-Mite, an extra-dimensional imp mostly active in the 1960s who idolizes Batman.[99]
Batman's history has undergone many retroactive continuity revisions, both minor and major. Elements of the character's history have varied greatly. Scholars William Uricchio and Roberta E. Pearson noted in the early 1990s, "Unlike some fictional characters, the Batman has no primary urtext set in a specific period, but has rather existed in a plethora of equally valid texts constantly appearing over more than five decades."[123]
Batman is at times a member of superhero teams such as the Justice League of America and the Outsiders. Batman has often been paired in adventures with his Justice League teammate Superman, notably as the co-stars of World's Finest and Superman/Batman series. In pre-Crisis continuity, the two are depicted as close friends; however, in current continuity, they are still close friends but an uneasy relationship, with an emphasis on their differing views on crime-fighting and justice. In Superman/Batman #3 (Dec. 2003), Superman observes, "Sometimes, I admit, I think of Bruce as a man in a costume. Then, with some gadget from his utility belt, he reminds me that he has an extraordinarily inventive mind. And how lucky I am to be able to call on him."[100]
Batman refuses to fight his friends and allows himself to be captured. Scarecrow infects him with a mind control toxin, but Batman had already taken an antidote, so he pretends to be under Scarecrow's control in order to foil his plan. Scarecrow reveals he will spread his new toxin across the Eastern Seaboard with blimps, so Batman slips the counteragent he developed into Scarecrow's toxin. Everyone infected is cured and Batman takes Scarecrow to prison. Batman later talks with Catwoman about the relationship they shared while they were in Gothtopia. Although Catwoman wants to have a relationship with Batman, he is not interested.

After a lengthy brawl through the skies of Gotham, March is trapped in an explosion intended to kill Bruce; no body is located. Bruce admits to Dick that although he is skeptical of March's claims and believes his parents would have told him had he had a brother, without March's body and a DNA test he is unable to conclusively prove or disprove March's claims. Still, Bruce says that even though the Court tried to destroy everything he believed in, there was one thing the Court could never break: his belief in his parents. Bruce knows that although the Court has been stoppe,d for now, it will return; and he will be ready.

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Writers of Batman and Superman stories have often compared and contrasted the two. Interpretations vary depending on the writer, the story, and the timing. Grant Morrison[81] notes that both heroes "believe in the same kind of things" despite the day/night contrast their heroic roles display. He notes an equally stark contrast in their real identities. Bruce Wayne and Clark Kent belong to different social classes: "Bruce has a butler, Clark has a boss." T. James Musler's book Unleashing the Superhero in Us All explores the extent to which Bruce Wayne's vast personal wealth is important in his life story, and the crucial role it plays in his efforts as Batman.[82]
Master of Disguise: Has mastered the art of disguise by the time he was 23. Has further learned Expanded Disguise techniques by the time he was 26. Batman has many aliases he uses to infiltrate the underworld or just to go undercover in public situations. His current aliases are: Matches Malone, Thomas Quigley, Ragman, Detective Hawke, Sir Hemingford Grey, Lester Krutz, Frank Dixon, Gordon Selkirk, and Mr. Fledermaus.
Intimidation: It is widely known that Batman has the ability to instill fear in others, even the people that know him best are intimidated by him. Even those who aren't afraid of the likes of Superman fear Batman. His ability to inspire great fear made him eligible for induction into the Sinestro Corps, although he was able to fight off the power ring's control.
DC Comics' 2005 limited series Identity Crisis reveals that JLA member Zatanna had edited Batman's memories to prevent him from stopping the Justice League from lobotomizing Dr. Light after he raped Sue Dibny. Batman later creates the Brother I satellite surveillance system to watch over and, if necessary, kill the other heroes after he remembered. The revelation of Batman's creation and his tacit responsibility for Blue Beetle's death becomes a driving force in the lead-up to the Infinite Crisis miniseries, which again restructures DC continuity. Batman and a team of superheroes destroy Brother Eye and the OMACs, though, at the very end, Batman reaches his apparent breaking point when Alexander Luthor Jr. seriously wounds Nightwing. Picking up a gun, Batman nearly shoots Luthor in order to avenge his former sidekick, until Wonder Woman convinces him to not pull the trigger.

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After the success of Batman Begins, Christopher Nolan introduced the world to his quintessential version of Batman in The Dark Knight. Here we initially see the same suit worn in Begins, but then after being mauled by a couple of dogs, Bruce decides he needs a bit more protection and movement. Lucius Fox then introduces him to a new type of armor he’d been working on that had separated plates which gave him greater mobility.
In 1989, Warner Bros. released the live-action feature film Batman; directed by Tim Burton and starring Michael Keaton as the title character. The film was a huge success; not only was it the top-grossing film of the year, but at the time was the fifth highest-grossing film in history.[174] The film also won the Academy Award for Best Art Direction.[175] The film's success spawned three sequels: Batman Returns (1992), Batman Forever (1995) and Batman & Robin (1997); the latter two of which were directed by Joel Schumacher instead of Burton, and replaced Keaton as Batman with Val Kilmer and George Clooney, respectively. The second Schumacher film failed to outgross any of its predecessors and was critically panned; causing Warner Bros. to cancel the planned fourth sequel, Batman Unchained,[176] and end the initial film series.
The third Robin in mainstream comics is Tim Drake, who first appeared in 1989. He went on to star in his own comic series, and currently goes by Red Robin, a variation on the traditional Robin persona. In the first decade of the new millennium, Stephanie Brown served as the fourth in-universe Robin between stints as her self-made vigilante identity The Spoiler, and later as Batgirl.[103] After Stephanie Brown's apparent death, Drake resumed the role of Robin for a time. The role eventually passed to Damian Wayne, the ten-year-old son of Bruce Wayne and Talia al Ghul, in the late 2000s.[104] Damian's tenure as du jour Robin ended when the character was killed off in the pages of Batman Incorporated in 2013.[105] Batman's next young sidekick is Harper Row, a streetwise young woman who avoids the name Robin but followed the ornithological theme nonetheless; she debuted the codename and identity of Bluebird in 2014. Unlike the Robins, Bluebird is willing and permitted to use a gun, albeit non-lethal; her weapon of choice is a modified rifle that fires taser rounds.[106] In 2015, a new series began titled We Are Robin, focused on a group of teenagers using the Robin persona to fight crime in Gotham City.
Harley Quinn: Best known as "The Joker's Girlfriend", Harley has had occasional romantic encounters with Batman, most notably her kiss with him in the episode Harley's Holiday from Batman: The Animated Series. Recently, in the The New 52, there have been a couple of stories in which Harley became infatuated either with Bruce Wayne or Batman. These attractions appear to be entirely one-sided and Batman has shown no signs of attraction towards Harley.

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One day I called Bill and said, 'I have a new character called the Bat-Man and I've made some crude, elementary sketches I'd like you to look at.' He came over and I showed him the drawings. At the time, I only had a small domino mask, like the one Robin later wore, on Batman's face. Bill said, 'Why not make him look more like a bat and put a hood on him, and take the eyeballs out and just put slits for eyes to make him look more mysterious?' At this point, the Bat-Man wore a red union suit; the wings, trunks, and mask were black. I thought that red and black would be a good combination. Bill said that the costume was too bright: 'Color it dark grey to make it look more ominous.' The cape looked like two stiff bat wings attached to his arms. As Bill and I talked, we realized that these wings would get cumbersome when Bat-Man was in action and changed them into a cape, scalloped to look like bat wings when he was fighting or swinging down on a rope. Also, he didn't have any gloves on, and we added them so that he wouldn't leave fingerprints.[17]

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