It's funny, with how bad his costume ended up looking, it made the original Batman costume that Jean-Paul came up with for Batman look almost tame in comparison. However, it's still a pretty strange look. When Jean-Paul first took over as Batman, he just wore the traditional Batman costume. He then added some special claw gloves. However, when it came time to take on Bane one-on-one, Jean-Paul decided that he needed a lot more protection (after all, Bane had just broken the back of his predecessor).
At the end of the issue, the archivist is revealed to be an older version of Batman himself, who steals Rip Hunter's time bubble and leaves the heroes to experience the death of the universe, Superman pleading with him to stop. Superman reveals that, when Darkseid sent Batman back in time, he erased Bruce's memories but turned him into an unspecified 'doomsday weapon', knowing that Batman's powerful survival instincts would lead him back to the twenty-first century, at which point Darkseid's 'trap' will be triggered.
Expert Acrobat: Proficient in gymnastics and acrobatics, to the peak of human ability. He is particularly skilled in parkour and free running. He can perform impeccably precise acrobatic moves instinctively in combat, or whilst escaping a catastrophe, and can even dodge a superhuman individual's blows and sword-swings. He regularly practices his gymnastics and acrobatics blindfolded.
Batman quickly goes to the GCPD headquarters, where the Joker's latest attack took place. Previously, he had defeated the Joker and sent him to prison, where an unnamed person surgically removed his face. Later at the Batcave, Batman runs several traces for on previously collected samples of Joker Venom to see if any was found on the scene at police headquarters. As several of Batman's allies call, offering assistance in taking down the Joker, Batman declines, saying that whatever the Joker is planning, it is between him and Batman. In that moment, the Joker broadcasts a message on live TV, saying that he will kill Mayor Hady. The GCPD reinforces the City Hall to protect the Mayor, but the Joker poisons all the cops and security guards, leaving Batman, Commissioner Gordon and the Mayor as the only survivors. Batman investigates the chemical compounds used on the cops and finds three additional non-active chemicals: Aspirin, Chlorine, and Ethane. A, C, E. Batman realizes that the Joker is sending him back where it all started; to A.C.E. Chemicals. There, he finds a person dressed as the Red Hood. Batman is aware that the mysterious stranger is not the Joker, but suddenly, he is knocked aside by a giant wooden mallet. Batman falls into an empty chemical vat, while the stranger reveals herself as Harley Quinn. A chemical bath begins to pour into the vat, while Harley proclaims that the Joker is planning something not even she can comprehend.

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The 1993 "Knightfall" story arc introduced a new villain, Bane, who critically injures Batman after pushing him to the limits of his endurance. Jean-Paul Valley, known as Azrael, is called upon to wear the Batsuit during Bruce Wayne's convalescence. Writers Doug Moench, Chuck Dixon, and Alan Grant worked on the Batman titles during "Knightfall", and would also contribute to other Batman crossovers throughout the 1990s. 1998's "Cataclysm" storyline served as the precursor to 1999's "No Man's Land", a year-long storyline that ran through all the Batman-related titles dealing with the effects of an earthquake-ravaged Gotham City. At the conclusion of "No Man's Land", O'Neil stepped down as editor and was replaced by Bob Schreck.[59]

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He then decided to form an international group of Bat-operatives called Batman Incorporated. While he was busy setting this up, he let Dick Grayson (who had taken over when he thought Bruce was dead) remain as Batman in Gotham City. He also got a new costume to differentiate himself from Dick's costume. It had a lot of piping and a protruding, glowing yellow oval; future artists tended to tone down almost all of its elements.
After another battle Scarecrow, Batman returned to one of his safe-houses to recover, only for it to be attacked by Wonder Woman, the Flash, Aquaman and Superman. Using his Justice Buster armor, he was able to defeat the group, though was almost killed by Superman. Whilst observing them, he discovered that they had been infected with a new toxin created by the Joker. Investigating the Clown Prince of Crime's former cell in Arkham, Batman was locked up within it by the criminal, who had been posing as a former orderly. Joker revealed that he had grown "bored" of the games with Batman and intended to kill the Dark Knight. Paralyzed by the gas, he was helpless whilst the Joker released an airborne form of the toxin used on the Justice League.
Vicki disappeared from the Batman comics when Julius Schwartz took over the editorial office of Batman in 1964, but she was eventually reintroduced in the early 1980s, brought back by Gerry Conway. Unfortunately, this idea proved ill-advised as Vicki's character was not developed and instead, it was simply a modern take on the same old concept of learning Batman's secret identity. Writer Doug Moench was mainly responsible for slowly removing Vale from Batman's love life after he took over from Conway, but she has since been used as a recurrent love interest for Bruce Wayne by many other writers. Most recently, in Bruce Wayne: The Road Home, Vicki finally got proof of Batman's identity, but she kept it to herself and became a confidant and ally of the Batman family rather than a love interest of Bruce Wayne.
While examining Doctor Light's body, Zatanna states that there is no magical way of knowing if he triggered Superman's heat vision. The Phantom Stranger arrives and warns of Wonder Woman recruiting the Justice League Dark to help her locate Pandora, warning if they succeed, it will be the death of all. Batman, Flash, Aquaman, Shazam, Steve Trevor, the Justice League of America, Zatanna and the Phantom Stranger. Batman's group catches up to Wonder Woman and the Justice League Dark at the House of Mystery. Wonder Woman states that they need to find Pandora to find out what her box really is. Phantom Stranger reveals that the box has nothing to do with the way Superman is acting, angering Wonder Woman, who uses her lasso on him. He states that he does not know what caused Superman's condition, making Wonder Woman state that she is going after Pandora. She asks who wants to join her and the Justice League Dark, and recruits Hawkman, Aquaman, Stargirl, and Zatanna. As Wonder Woman and her group take their leave, Batman states that they should go after Wonder Woman, but the Phantom Stranger says they should talk to Doctor Light to get some answers.
Expert Acrobat: Proficient in gymnastics and acrobatics, to the peak of human ability. He is particularly skilled in parkour and free running. He can perform impeccably precise acrobatic moves instinctively in combat, or whilst escaping a catastrophe, and can even dodge a superhuman individual's blows and sword-swings. He regularly practices his gymnastics and acrobatics blindfolded.
The Burton suit was almost completely black. This made a lot more sense for a character that's using darkness to his advantage. The Bat logo encircled in yellow hearkened back to classic costumes of the past. This suit also set a trend in films by making costumes out of more armor-like materials rather than spandex. Let's be real; spandex looks a little silly on screen.
In early 1939, the success of Superman in Action Comics prompted editors at National Comics Publications (the future DC Comics) to request more superheroes for its titles. In response, Bob Kane created "the Bat-Man".[9] Collaborator Bill Finger recalled that "Kane had an idea for a character called 'Batman,' and he'd like me to see the drawings. I went over to Kane's, and he had drawn a character who looked very much like Superman with kind of ... reddish tights, I believe, with boots ... no gloves, no gauntlets ... with a small domino mask, swinging on a rope. He had two stiff wings that were sticking out, looking like bat wings. And under it was a big sign ... BATMAN".[10] The bat-wing-like cape was suggested by Bob Kane, inspired as a child by Leonardo Da Vinci's sketch of an ornithopter flying device.[11]

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Batman: The Animated Series and the DC animated universe not only made the childhoods of a generation so much cooler, they also gave birth to the voices in a lot of our heads. When people of this generation think of the caped crusader, they see an image in their minds of a black cape and cowl, grey shirt and a yellow and black Bat-symbol across the chest. They hear the words in that oh-so-familiar voice “I am vengeance, I am the night…I AM BATMAN!” and then they usually pass out.

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The Burton suit was almost completely black. This made a lot more sense for a character that's using darkness to his advantage. The Bat logo encircled in yellow hearkened back to classic costumes of the past. This suit also set a trend in films by making costumes out of more armor-like materials rather than spandex. Let's be real; spandex looks a little silly on screen.
Frank Miller's limited series The Dark Knight Returns (February–June 1986) returned the character to his darker roots, both in atmosphere and tone. The comic book, which tells the story of a 55-year-old Batman coming out of retirement in a possible future, reinvigorated interest in the character. The Dark Knight Returns was a financial success and has since become one of the medium's most noted touchstones.[55] The series also sparked a major resurgence in the character's popularity.[56]
As Batman became less of a neck-breaking type of guy, his costume slowly began to look more and more like a typical superhero costume and less like something worn by a guy who was going to break into your house (and maybe break your neck while doing so). Interestingly enough, the cowl took on its standard look within only a few issues after the original costume debuted (roughly around the time that Batman's origin was revealed for the first time in "Detective Comics" #33). The colors then also slowly got bluer over time, until the costume was definitely mostly blue.
Finger did not receive the same recognition. While he had received credit for other DC work since the 1940s, he began, in the 1960s, to receive limited acknowledgment for his Batman writing; in the letters page of Batman #169 (February 1965) for example, editor Julius Schwartz names him as the creator of the Riddler, one of Batman's recurring villains. However, Finger's contract left him only with his writing page rate and no byline. Kane wrote, "Bill was disheartened by the lack of major accomplishments in his career. He felt that he had not used his creative potential to its fullest and that success had passed him by."[16] At the time of Finger's death in 1974, DC had not officially credited Finger as Batman co-creator.

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Comic book companies often look at costume design as "the more changes, the better." Batman is a character who had one of the most famous costume changes in comic book history (albeit just by adding a simply yellow oval), but otherwise managed to only go through a handful of looks in the 20th Century. In the 21st Century, though, Batman has gone through as many costumes as he had in the first 50 years of his existence, and more new looks are undoubtedly coming in the future!
At Arkham Asylum, Batman interrogates Riddler who reveals that he has been Wynne as well as Hush. He had used a Lazarus Pit to cure himself of his brain tumor and during his time in the Lazarus Pit, he figured out Batman's identity as Bruce Wayne and formed a plan involving several villains to destroy both the personal life and the crime-fighting career of Batman. Batman deduces that Riddler is actually Clayface mimicking his identity while the latter communicated via satellite. After defeating Clayface, Batman finds Riddler's location and the two engage in a final confrontation. Riddler is nearly killed, but is saved by Batman with his grapnel. However, Catwoman cuts the line and allows Riddler to fall to his death.
That year Dennis O'Neil took over as editor of the Batman titles and set the template for the portrayal of Batman following DC's status quo-altering miniseries Crisis on Infinite Earths. O'Neil operated under the assumption that he was hired to revamp the character and as a result tried to instill a different tone in the books than had gone before.[57] One outcome of this new approach was the "Year One" storyline in Batman #404–407 (Feb.–May 1987), in which Frank Miller and artist David Mazzucchelli redefined the character's origins. Writer Alan Moore and artist Brian Bolland continued this dark trend with 1988's 48-page one-shot Batman: The Killing Joke, in which the Joker, attempting to drive Commissioner Gordon insane, cripples Gordon's daughter Barbara, and then kidnaps and tortures the commissioner, physically and psychologically.
Joker hosts a mock dinner in the caves leading to the Batcave. Alongside a bound Batman, his allies are also bound at the table with their faces bandaged, and Batman is warned that escaping will agitate flints and ignite his gasoline-doused allies. Alfred, who has been gassed by the Joker, serves all but Batman with a cloche containing their severed faces. When Joker threatens to ignite the gasoline himself, Batman escapes and triggers a blaze, but uses an explosive and his knowledge of the cave system to blow open the cave roof, allowing water to rush in from above and douse the flames. Batman pursues Joker to the edge of a large drop. Batman claims that he knows Joker's true identity, but to prevent him from saying it, Joker purposefully knocks himself over the edge and falls out of sight. Batman reads Joker's book which he claimed contained the real identities of the Bat-family but it is blank. Meanwhile, the Bat-family are gassed and attack each other but manage to fight off the gas's influence. Later, in Wayne Manor, Batman tells a recovering Alfred that after finding the joker playing card in the cave, he confronted Joker about it in Arkham Asylum as Bruce Wayne. Joker failed to acknowledge him and Batman realized that he did not care who Batman was under his mask. In the present, Batman receives excuses from the Bat-family for them not coming to meet with him. Later, Batman studies the chemical makeup of the gas Joker used on the Bat-family and finds an inert isotope; the chemical compound "Ha".
One day I called Bill and said, 'I have a new character called the Bat-Man and I've made some crude, elementary sketches I'd like you to look at.' He came over and I showed him the drawings. At the time, I only had a small domino mask, like the one Robin later wore, on Batman's face. Bill said, 'Why not make him look more like a bat and put a hood on him, and take the eyeballs out and just put slits for eyes to make him look more mysterious?' At this point, the Bat-Man wore a red union suit; the wings, trunks, and mask were black. I thought that red and black would be a good combination. Bill said that the costume was too bright: 'Color it dark grey to make it look more ominous.' The cape looked like two stiff bat wings attached to his arms. As Bill and I talked, we realized that these wings would get cumbersome when Bat-Man was in action and changed them into a cape, scalloped to look like bat wings when he was fighting or swinging down on a rope. Also, he didn't have any gloves on, and we added them so that he wouldn't leave fingerprints.[17]

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