@Krunchyman - You do have a very good point. Also, add on the fact that Batman lost both of his parents at a very young age, and it affected him greatly. Parent or not, I'm sure that there are a lot of people who have lost someone very close to them, and that makes them able to relate to Bruce Wayne's tragedy. Going off of what you said about Superman, has he ever lost someone that was close to him? No, I don't think so.
Bat-Suit: Batman's costume is composed of Kevlar and a small percentage of titanium; it is bullet-proof and resistant to most forms of attack (explosions, blunt trauma, falls, etc.) It is also flame-retardant and insulated. The gloves and the boots are reinforced to nullify the impact of punches and kicks. Batman's gauntlets have retractable metallic blades on their sides. The cape is extremely light and can be used to glide long distances. The cowl is composed in small part by lead, which shields Batman's face from identification via x-rays. It has also an infrared viewer and auditory sensors. The cowl is outfitted with security systems (aggravating gas, electric blasts, etc.) like the utility belt. The mask is also a transmitter-receiver.
Few things in this world are more popular than Batman, and few things are more synonymous with Batman than his iconic costume. They say that the clothes make the man, and in Bruce Wayne’s case, that is definitely the case. Being a superhero who has no powers comes with its own set of challenges such as protecting his back from being broken in half or having something that’s able to come up with as many different tricks as the man himself. Grappling hooks, batarangs and sonar are all parts of the arsenal included in a multi-million dollar bat suit.
The suit itself is completely skin tight and black, only having some color in the form of the crimson insignia, white in the eyes and another blast of red whenever he extends the wings for flight and glide capabilities. The new suit also came complete with larger red and black batarangs, stealth capabilities and a remote linkup back to the Batcave and Bruce, who came to be the Alfred to Terry’s Batman.
Batman was one of the few superhero characters to be continuously published as interest in the genre waned during the 1950s. In the story "The Mightiest Team in the World" in Superman #76 (June 1952), Batman teams up with Superman for the first time and the pair discover each other's secret identity.[38] Following the success of this story, World's Finest Comics was revamped so it featured stories starring both heroes together, instead of the separate Batman and Superman features that had been running before.[39] The team-up of the characters was "a financial success in an era when those were few and far between";[40] this series of stories ran until the book's cancellation in 1986.

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A playboy billionaire by day, Bruce Wayne’s double life affords him the comfort of a life without financial worry, a loyal butler-turned-guardian and the perfect base of operations in the ancient network of caves beneath his family’s sprawling estate. By night, however, he sheds all pretense, dons his iconic scalloped cape and pointed cowl and takes to the shadowy streets, skies and rooftops of Gotham City.
After the apparent death of Superman, Batman saw an individual dressed like the Flash appear before him in the Batcave. Insisting that he knew him, the individual urged Batman meet with Barry Allen before disappearing. Urged by his suspicions, Batman uncovered a button in one of the walls and met with Allen. Deciding to investigate this together, they began to suspect that ramifications to the timeline might have not been caused by Barry, but another influence. At some point, he discovered the Joker was still alive and captured the Clown Prince of Crime, holding him in the Batcave to help investigate the truth of Nth.
Batman's body armored costume incorporates the imagery of a bat in order to frighten criminals.[120] The details of the Batman costume change repeatedly through various decades, stories, media and artists' interpretations, but the most distinctive elements remain consistent: a scallop-hem cape; a cowl covering most of the face; a pair of bat-like ears; a stylized bat emblem on the chest; and the ever-present utility belt. Finger and Kane originally conceptualized Batman as having a black cape and cowl and grey suit, but conventions in coloring called for black to be highlighted with blue.[120] Hence, the costume's colors have appeared in the comics as dark blue and grey;[120] as well as black and grey. In the Tim Burton's Batman and Batman Returns films, Batman has been depicted as completely black with a bat in the middle surrounded by a yellow background. Christopher Nolan's The Dark Knight Trilogy depicted Batman wearing high-tech gear painted completely black with a black bat in the middle. Ben Affleck's Batman in the DC Extended Universe films wears a suit grey in color with a black cowl, cape, and bat symbol.

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In Blackest Night, the villain Black Hand is seen digging up Bruce Wayne's body, stealing his skull, and recruiting it into the Black Lantern Corps. Deadman, whose body has also become a Black Lantern, rushes to aid the new Batman and Robin, along with Red Robin against the Gotham villains who have been reanimated as Black Lanterns, as well as their own family members. The skull was briefly reanimated as a Black Lantern, reconstructing a body in the process by Black Hand's lord, Nekron, to move against the Justice League and the Titans. After the Black Lantern Batman created several black power rings to attach to and kill the majority of the Justice League, the skull was returned to normal after Nekron explained it served its purpose as an emotional tether. Nekron also referred to the skull as "Bruce Wayne", knowing that the body was not authentic.

Gay interpretations of the character have been part of the academic study of Batman since psychologist Fredric Wertham asserted in Seduction of the Innocent in 1954 that "Batman stories are psychologically homosexual ... The Batman type of story may stimulate children to homosexual fantasies, of the nature of which they may be unconscious."[199] Andy Medhurst wrote in his 1991 essay "Batman, Deviance, and Camp" that Batman is interesting to gay audiences because "he was one of the first fictional characters to be attacked on the grounds of his presumed homosexuality".[200] Professor of film and cultural studies Will Brooker argues the validity of a queer reading of Batman, and that gay readers would naturally find themselves drawn to the lifestyle depicted within, whether the character of Bruce Wayne himself were explicitly gay or not. He also identifies a homophobic element to the vigor with which mainstream fandom rejects the possibility of a gay reading of the character.[201] In 2005, painter Mark Chamberlain displayed a number of watercolors depicting both Batman and Robin in suggestive and sexually explicit poses,[202] prompting DC to threaten legal action.[203]
Batman once again becomes a member of the Justice League during Grant Morrison's 1996 relaunch of the series, titled JLA. During this time, Gotham City faces catastrophe in the decade's closing crossover arc. In 1998's "Cataclysm" storyline, Gotham City is devastated by an earthquake and ultimately cut off from the United States. Deprived of many of his technological resources, Batman fights to reclaim the city from legions of gangs during 1999's "No Man's Land".

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Kathy Kane (Batwoman): First introduced as a female counterpart for Batman, Batwoman developed into a romantic partner in the Silver Age, where many Imaginary Stories featuring Kathy and Bruce getting married were published. Batwoman's love for Batman was never reciprocated and he only saw her as a good friend. On Earth-Two, Batwoman resigned to live without Batman's love, and in the Earth-One continuity, Kathy Kane was murdered by the League of Assassins. In the New Earth continuity, Kathy Kane was romantically interested in Batman in a couple of stories by Grant Morrison, who liked to use Silver Age content as reference in his works. 

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The daughter of the supervillain Ra's al Ghul, Talia's father has encouraged his daughter's relationship with the Dark Knight in hopes of recruiting Batman as the successor to his League of Assassins. Unlike Catwoman, Talia is more than willing to play second-fiddle to Bruce's mission. Talia is also notable as the mother of Bruce's son, Damian Wayne.
In the world of DC, there were really two Batmen if you think about it. One as "the world's greatest detective" who typically fought other non-powered street-level characters like the Joker. The other was a man who defied all odds as a human, and went toe-to-toe with super-powered villains and cosmic threats alongside the Justice League. Loeb and Lee balanced this duality into one series and did the same with the Batsuit as well. It's almost a combination of the classic blue and gray suit we know best from the Adam West series, mixed with a little bit of Frank Miller's Dark Knight Returns suit. The result is a colorful suit that looks at home in the dark alley's of Gotham.
The early, pulp-inflected portrayal of Batman started to soften in Detective Comics #38 (April 1940) with the introduction of Robin, Batman's junior counterpart.[30] Robin was introduced, based on Finger's suggestion, because Batman needed a "Watson" with whom Batman could talk.[31] Sales nearly doubled, despite Kane's preference for a solo Batman, and it sparked a proliferation of "kid sidekicks".[32] The first issue of the solo spin-off series Batman was notable not only for introducing two of his most persistent enemies, the Joker and Catwoman, but for a pre-Robin inventory story, originally meant for Detective Comics #38, in which Batman shoots some monstrous giants to death.[33][34] That story prompted editor Whitney Ellsworth to decree that the character could no longer kill or use a gun.[35]

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Batman has no inherent superhuman powers; he relies on "his own scientific knowledge, detective skills, and athletic prowess".[30] Batman's inexhaustible wealth gives him access to advanced technologies, and as a proficient scientist, he is able to use and modify these technologies to his advantage. In the stories, Batman is regarded as one of the world's greatest detectives, if not the world's greatest crime solver.[116] Batman has been repeatedly described as having a genius-level intellect, being one of the greatest martial artists in the DC Universe, and having peak human physical conditioning.[117] As a polymath, his knowledge and expertise in countless disciplines is nearly unparalleled by any other character in the DC Universe.[118] He has traveled the world acquiring the skills needed to aid him in his endeavors as Batman. In the Superman: Doomed story arc, Superman considers Batman to be one of the most brilliant minds on the planet.[119]

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Shondra Kinsolving: Shondra was a psychic and the half-sister of Benedict Asp. She had a brief love affair with Batman, having been brought in to help him when Bane broke his back. Before Bruce could officially commit to her, Benedict kidnapped her and turned her abilities to evil use. Batman eventually defeated Benedict, but the damage to Shondra's mind was too great. As she healed Bruce's lingering injuries, Shondra's psyche regressed back into childhood. Bruce paid for her care at a psychiatric institution, ensuring she received the best treatment for the rest of her life.[16]
It's funny, with how bad his costume ended up looking, it made the original Batman costume that Jean-Paul came up with for Batman look almost tame in comparison. However, it's still a pretty strange look. When Jean-Paul first took over as Batman, he just wore the traditional Batman costume. He then added some special claw gloves. However, when it came time to take on Bane one-on-one, Jean-Paul decided that he needed a lot more protection (after all, Bane had just broken the back of his predecessor).
After spending some time in Arkham, Batman breaks out of his cell and help Ivy escape. Batman investigates Crane's lab and discovers Crane has created a new kind of toxin that creates the illusion of a perfect world, which he plans to release it into Gotham. Knowing Ivy is naturally immune to toxins, Batman uses a sample of her blood and some of her leaves to create an antidote. As soon as they are about to escape Arkham, however, Scarecrow ambushes them, having brainwashed Batman's allies.
With the amount of costumes he has now worn, we are primed for a ranking of Batman's comic book costumes. As a note on structure, we're only talking costumes he's worn in the "main" continuity, so no alternate reality costumes or possible future costumes. Also, no temporary one-off costumes, but we will count costumes worn by other people who have filled in for Bruce Wayne as Batman.

When Bob Kane first designed Batman's costume, his idea behind Batman was more similar to Hawkman than anything else, in the sense that he saw the character as literally flying like a bat via Bat-like wings. Incidentally, Kane was influenced by some of Leonardo Da Vinci's designs of a theoretical flying machine. Kane's collaborator, Bill Finger, told Kane that he should make the wings a cape instead. In addition, while Kane was thinking a red costume, Finger told him to go darker instead.
In various incarnations, most notably the 1960s Batman TV series, Commissioner Gordon also has a dedicated phone line, dubbed the Bat-Phone, connected to a bright red telephone (in the TV series) which sits on a wooden base and has a transparent top. The line connects directly to Batman's residence, Wayne Manor, specifically both to a similar phone sitting on the desk in Bruce Wayne's study and the extension phone in the Batcave.
Lorna Shore: In the Batman Confidential story Lovers & Madmen, Bruce met museum curator Lorna Shore during the beginning of his career. It was love at first sight as Bruce was able to find peace when he was with her for the first time since his parents' murder. However, after his encounter with the Joker and realizing that there would be more enemies like him, he broke off their relationship to protect Lorna. Lorna later left the city, feeling that Gotham wasn't safe anymore because of Batman and The Joker.

To speak more specifically, as mentioned before, the suit looks to be more easily maneuverable with the separated plates of armor shown on the abs and arms. This makes us think that it will be used for some form of stealth mission where the goggles will probably be used as kind of night or thermal vision and the suit be used to crawl around. Either way, it might be divisive, but its function may yet prove the value of its form.
The movie which a young Bruce and his parents were seeing on the night of their murder is generally stated to be "Mark of Zorro" (the exact version varies). This is important because Bob Kane stated that he drew inspiration for Batman from seeing a screening of that very movie. He also drew inspiration from images of Leonardo da Vinci's flying machine.
Finger did not receive the same recognition. While he had received credit for other DC work since the 1940s, he began, in the 1960s, to receive limited acknowledgment for his Batman writing; in the letters page of Batman #169 (February 1965) for example, editor Julius Schwartz names him as the creator of the Riddler, one of Batman's recurring villains. However, Finger's contract left him only with his writing page rate and no byline. Kane wrote, "Bill was disheartened by the lack of major accomplishments in his career. He felt that he had not used his creative potential to its fullest and that success had passed him by."[16] At the time of Finger's death in 1974, DC had not officially credited Finger as Batman co-creator.
Since 1986, Batman has starred in multiple video games, most of which were adaptations of the various cinematic or animated incarnations of the character. Among the most successful of these games is the Batman: Arkham series. The first installment, Batman: Arkham Asylum (2009), was released by Rocksteady Studios to critical acclaim; review aggregator Metacritic reports it as having received 92% positive reviews.[193] It was followed by the sequel Batman: Arkham City (2011), which also received widespread acclaim and holds a Metacritic ranking of 94%.[194] A prequel game titled Batman: Arkham Origins (2013) was later released by WB Games Montréal.[195] A fourth game titled Batman: Arkham Knight (2015) has also been released by Rocksteady.[196] As with most animated Batman productions, Kevin Conroy has provided the voice of the character for these games; excluding Arkham Origins, in which the younger Batman is voiced by Roger Craig Smith. In 2016, Telltale Games released Batman: The Telltale Series adventure game, which changed the Wayne Family's history as it is depicted in the Batman mythos.[197] A sequel, titled Batman: The Enemy Within, was released in 2017.[198]
Utility Belt: Batman keeps most of his personal field equipment in his iconic yellow utility belt. Over the years, it has produced plastic explosives, nerve toxins, batarangs, smoke bombs, a fingerprint kit, a cutting tool, a grappling line-launcher, and a re-breather. Superman also entrusted Batman with a ring made of Kryptonite, should the Man of Steel ever need to be reined in (because of mind-control by a super-villain, etc.).
Through unknown means, Batman and his allies found themselves in an alternate reality where Gotham City has become the safest city on Earth, where crime was non-existent. The city was under the protection of Batman and his partner/lover Catbird. Poison Ivy wreaked havoc across the city, saying that there was something wrong with the city, but Batman and Catbird stop her. Later, a man named Clayton Parker commits suicide despite Batman's efforts. At the Batcave, Bruce investigates Gotham's suicide rate, which is higher than any other place in America. Later, Bruce finds one of Ivy's thorns embedded on the back of his head. Then, he sees his parents' graves and returns to the cave. After analyzing his blood, Batman finds a drug in his system but he is ambushed by Catbird, who has brought his entire group of allies, Bluebelle and the Wings of Truth, Flying Fox, the Gothamite and, Brightbat. Batman attempts to reason with them, but they attack him. Not wanting to hurt his allies, Batman is forced to throw the fight. Later, Batman is outfitted with a straitjacked ant brought to a mental hospital headed by Jonathan Crane, who he believes is responsible for the mystery.
The movie which a young Bruce and his parents were seeing on the night of their murder is generally stated to be "Mark of Zorro" (the exact version varies). This is important because Bob Kane stated that he drew inspiration for Batman from seeing a screening of that very movie. He also drew inspiration from images of Leonardo da Vinci's flying machine.
So Jean-Paul came up with the armored look, which, to be frank, is not all that bad of a costume in general. It's just not a good costume for Batman. That said, it also served as a strong excuse for what happened to Batman so that people would not guess that there was a new Batman patrolling Gotham. In other words, everyone saw Bane throw Batman to the ground after breaking his back, so it made some sense for him to return wearing a suit of armor and beating up Bane.
Few things in this world are more popular than Batman, and few things are more synonymous with Batman than his iconic costume. They say that the clothes make the man, and in Bruce Wayne’s case, that is definitely the case. Being a superhero who has no powers comes with its own set of challenges such as protecting his back from being broken in half or having something that’s able to come up with as many different tricks as the man himself. Grappling hooks, batarangs and sonar are all parts of the arsenal included in a multi-million dollar bat suit.
The armor was a bit odd looking, but it is worth noting that designer Greg Capullo almost assuredly had that in mind, as the armor is supposed to look sort of alien-looking. It's supposed to be jarring to see. In addition, the comics with the armor in them even hung a lantern on the whole "rabbit ears" look, as Gordon himself commented that they looked like rabbit ears to him.
Writers of Batman and Superman stories have often compared and contrasted the two. Interpretations vary depending on the writer, the story, and the timing. Grant Morrison[81] notes that both heroes "believe in the same kind of things" despite the day/night contrast their heroic roles display. He notes an equally stark contrast in their real identities. Bruce Wayne and Clark Kent belong to different social classes: "Bruce has a butler, Clark has a boss." T. James Musler's book Unleashing the Superhero in Us All explores the extent to which Bruce Wayne's vast personal wealth is important in his life story, and the crucial role it plays in his efforts as Batman.[82]
As he tells everyone this, a voice begins demanding Wayne to cease because he is 'disturbing father'. The voice is the Sanction, father being Darkseid, found within the netherworld of gods, observing the final stages of his plan as a voice repeats to him that something is wrong. Superman, Hal Jordan, Booster Gold, and Rip Hunter return from the end of time to find Hunter's stolen time sphere that the Architect/Bruce Wayne took from them. With help from Superman, Bruce ultimately breaks free of the architect AI and imprisons it within the sphere. Bruce Wayne's 'Plan A' turns out to be stealing Hunter's time sphere deliberately to capture the AI/Sanction so Bruce could activate its self-destruct sequence in present day- voiding its existence within time and ending Darkseid's plan-, noting that, by luring it to the present rather than allowing it to proceed to the end times, he turned a creature that could destroy existence into just another monster for his friends and allies to defeat. The plan succeeds, and Bruce falls into a coma. While the JLA members purge Bruce's body from the Omega energy, Bruce has a vision of himself, bloody and beaten, sitting in a chair in Wayne Manor commenting that if he rings his bell, Alfred will come and patch him up. Darkseid appeals to Wayne one last time to embrace the finality of Anti-Life, to which Bruce rings the bell- creating a metaphorical reverberation of the note that defeated Darkseid during Final Crisis. Wayne awakens from the coma, purged of the radiation. He dons his cape and cowl once again, commenting that Gotham's disease has spread beyond its borders. And that once again, Batman is needed.
One day I called Bill and said, 'I have a new character called the Bat-Man and I've made some crude, elementary sketches I'd like you to look at.' He came over and I showed him the drawings. At the time, I only had a small domino mask, like the one Robin later wore, on Batman's face. Bill said, 'Why not make him look more like a bat and put a hood on him, and take the eyeballs out and just put slits for eyes to make him look more mysterious?' At this point, the Bat-Man wore a red union suit; the wings, trunks, and mask were black. I thought that red and black would be a good combination. Bill said that the costume was too bright: 'Color it dark grey to make it look more ominous.' The cape looked like two stiff bat wings attached to his arms. As Bill and I talked, we realized that these wings would get cumbersome when Bat-Man was in action and changed them into a cape, scalloped to look like bat wings when he was fighting or swinging down on a rope. Also, he didn't have any gloves on, and we added them so that he wouldn't leave fingerprints.[17]
Various modern stories have portrayed the extravagant, playboy image of Bruce Wayne as a facade.[77] This is in contrast to the post-Crisis Superman, whose Clark Kent persona is the true identity, while the Superman persona is the facade.[78][79] In Batman Unmasked, a television documentary about the psychology of the character, behavioral scientist Benjamin Karney notes that Batman's personality is driven by Bruce Wayne's inherent humanity; that "Batman, for all its benefits and for all of the time Bruce Wayne devotes to it, is ultimately a tool for Bruce Wayne's efforts to make the world better". Bruce Waynes principles include the desire to prevent future harm and a vow not to kill. Bruce Wayne believes that our actions define us, we fail for a reason and anything is possible.[80]

In those days it was like, one artist and he had his name over it [the comic strip] — the policy of DC in the comic books was, if you can't write it, obtain other writers, but their names would never appear on the comic book in the finished version. So Bill never asked me for it [the byline] and I never volunteered — I guess my ego at that time. And I felt badly, really, when he [Finger] died.[23]

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