The third Robin in mainstream comics is Tim Drake, who first appeared in 1989. He went on to star in his own comic series, and currently goes by Red Robin, a variation on the traditional Robin persona. In the first decade of the new millennium, Stephanie Brown served as the fourth in-universe Robin between stints as her self-made vigilante identity The Spoiler, and later as Batgirl.[103] After Stephanie Brown's apparent death, Drake resumed the role of Robin for a time. The role eventually passed to Damian Wayne, the ten-year-old son of Bruce Wayne and Talia al Ghul, in the late 2000s.[104] Damian's tenure as du jour Robin ended when the character was killed off in the pages of Batman Incorporated in 2013.[105] Batman's next young sidekick is Harper Row, a streetwise young woman who avoids the name Robin but followed the ornithological theme nonetheless; she debuted the codename and identity of Bluebird in 2014. Unlike the Robins, Bluebird is willing and permitted to use a gun, albeit non-lethal; her weapon of choice is a modified rifle that fires taser rounds.[106] In 2015, a new series began titled We Are Robin, focused on a group of teenagers using the Robin persona to fight crime in Gotham City.
A photographer/reporter, Vicki Vale was initially introduced as a woman smart enough to expose Batman's secret identity. In this quest, she became involved with Bruce Wayne, as she suspected him of being Batman and she was determined to find evidence. Her character has undergone few changes over the years, and many elements of her original characterization have remained.
Batman is an expert in interrogation techniques and his intimidating and frightening appearance alone is often all that is needed in getting information from suspects. Despite having the potential to harm his enemies, Batman's most defining characteristic is his strong commitment to justice and his reluctance to take a life. This unyielding moral rectitude has earned him the respect of several heroes in the DC Universe, most notably that of Superman and Wonder Woman.
Batman faces a variety of foes ranging from common criminals to outlandish supervillains. Many of them mirror aspects of the Batman's character and development, often having tragic origin stories that lead them to a life of crime.[98] These foes are commonly referred to as Batman's rogues gallery. Batman's "most implacable foe" is the Joker, a homicidal maniac with a clown-like appearance. The Joker is considered by critics to be his perfect adversary, since he is the antithesis of Batman in personality and appearance; the Joker has a maniacal demeanor with a colorful appearance, while Batman has a serious and resolute demeanor with a dark appearance. As a "personification of the irrational", the Joker represents "everything Batman [opposes]".[36] Other long time recurring foes that are part of Batman's rogues gallery include Catwoman (a cat burglar antiheroine who is an occasional ally and romantic interest), the Penguin, Ra's al Ghul, Two-Face, the Riddler, the Scarecrow, Mr. Freeze, Poison Ivy, Harley Quinn, Bane, Clayface, and Killer Croc among others. Many of Batman's adversaries are often psychiatric patients at Arkham Asylum.
Many fans of Batman seem to like this design from Frank Miller with it's simple gray and black color scheme, short ears, and bulky utility belt. It was worn by a Batman from a future time where he and many other staple DC heroes had gone into retirement. Of course Bruce Wayne had the hardest time with this. Wayne's reasons for waging a war on crime didn't come from a Boy Scout inspired directive to good. The motivations of Bruce Wayne were personal; it was his way of avenging the death of his parents at the hands of street criminals. At age 55, Wayne comes out of retirement to fight crime in a world that doesn't have the respect for him it once did.
One of the most iconic fictional characters in the world, Batman has dedicated his life to an endless crusade, a war on all criminals in the name of his murdered parents, who were taken from him when he was just a child. Since that tragic night, he has trained his body and mind to near physical perfection to be a self-made Super Hero. He's developed an arsenal of technology that would put most armies to shame. And he's assembled teams of his fellow DC Super Heroes, like the Justice League, the Outsiders and Batman, Incorporated.
In his series, Batman was made to be much more of a detective than the bruiser he could and would later be portrayed as. We’re not saying that this version couldn’t get into a fist fight -- he often would, with sound effects to match -- we’re saying he didn’t always have to throw down, let alone look like he always had to. And that is just fine by us. After all, the late Adam West became a cultural icon in this suit for very good reason.
Though not much had changed in regard to terms of costume between films, the difference of the slightly more sleek symbol and the armor makes us think that Batman has decided that he needs to up his game, both in terms of fashion and fighting, and keep up with the kind of criminals that Gotham seems to be producing at an increasingly alarming rate.

Creators associated with the character have expressed their own opinions. Writer Alan Grant has stated, "The Batman I wrote for 13 years isn't gay ... everybody's Batman all the way back to Bob Kane ... none of them wrote him as a gay character. Only Joel Schumacher might have had an opposing view."[204] Frank Miller views the character as sublimating his sexual urges into crimefighting so much so that he's "borderline pathological", concluding "He'd be much healthier if he were gay."[205] Grant Morrison said that "Gayness is built into Batman ... Obviously as a fictional character he's intended to be heterosexual, but the basis of the whole concept is utterly gay."[206]

When the supreme edition armored batman costume just doesn’t cut it for you, there’s the screen-accurate made-to-measure version from buyfullbodyarmors.com.  Made from polyurethane plastic and an aluminum framework, the armored Batsuit uses automotive grade paint and primer to give the plating that battle-ready look.  The detailed segments go on in pieces and take two people 30 mins to fully assemble.  The price increases to $2876 when bundled with optional extras like a voice-morpher and height increasing shoe pads.


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After a new supervillain called Mr. Bloom apparently killed Gordon and took over Gotham, Bruce learnt about his life as Batman and, after talking to a stranger, returned to the Batcave for the first time since his final encounter with Joker. However, unable to recover the skills required to fight Bloom and his underlings, he decided to use an experimental machine that would upload his memories and skills into a body, but at the cost of his new life. With help from Alfred and Julie (who had discovered the truth long ago), Bruce went through with the procedure and returned to Gotham as Batman. With help from Gordon and a street gang modeled after Robin, he was able to defeat Bloom and save the city once again.
The original suit worn by Michael Keaton in Tim Burton’s Batman was exactly what one would expect from the time period. Taking the darkness of Tim Burton’s mind, mixing it with Batman and then throwing in Jack Nicholson as the Joker sold the entire set-up. Michael Keaton wore the suit better than just about anyone else who has donned the cape and cowl, becoming the perfect mix of Bruce Wayne and Batman.
The 1993 "Knightfall" story arc introduced a new villain, Bane, who critically injures Batman after pushing him to the limits of his endurance. Jean-Paul Valley, known as Azrael, is called upon to wear the Batsuit during Bruce Wayne's convalescence. Writers Doug Moench, Chuck Dixon, and Alan Grant worked on the Batman titles during "Knightfall", and would also contribute to other Batman crossovers throughout the 1990s. 1998's "Cataclysm" storyline served as the precursor to 1999's "No Man's Land", a year-long storyline that ran through all the Batman-related titles dealing with the effects of an earthquake-ravaged Gotham City. At the conclusion of "No Man's Land", O'Neil stepped down as editor and was replaced by Bob Schreck.[59]

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