One day I called Bill and said, 'I have a new character called the Bat-Man and I've made some crude, elementary sketches I'd like you to look at.' He came over and I showed him the drawings. At the time, I only had a small domino mask, like the one Robin later wore, on Batman's face. Bill said, 'Why not make him look more like a bat and put a hood on him, and take the eyeballs out and just put slits for eyes to make him look more mysterious?' At this point, the Bat-Man wore a red union suit; the wings, trunks, and mask were black. I thought that red and black would be a good combination. Bill said that the costume was too bright: 'Color it dark grey to make it look more ominous.' The cape looked like two stiff bat wings attached to his arms. As Bill and I talked, we realized that these wings would get cumbersome when Bat-Man was in action and changed them into a cape, scalloped to look like bat wings when he was fighting or swinging down on a rope. Also, he didn't have any gloves on, and we added them so that he wouldn't leave fingerprints.[17]

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Alex Ross is one of the best things to ever happen to art in comics. His fully painted portrayals of characters have the look of spandex and other fabric store materials, but takes just enough liberties with reality to keep them from looking silly. His images of characters like Superman, Spider-Man, and Batman are some of the greatest all-time artistic portrayals of these characters.
After a lengthy brawl through the skies of Gotham, March is trapped in an explosion intended to kill Bruce; no body is located. Bruce admits to Dick that although he is skeptical of March's claims and believes his parents would have told him had he had a brother, without March's body and a DNA test he is unable to conclusively prove or disprove March's claims. Still, Bruce says that even though the Court tried to destroy everything he believed in, there was one thing the Court could never break: his belief in his parents. Bruce knows that although the Court has been stoppe,d for now, it will return; and he will be ready.

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Bruce subsequently returned in Morrison's miniseries Batman: The Return of Bruce Wayne, which depicted his travels through time from prehistory to present-day Gotham.[156][157][158] Bruce's return set up Batman Incorporated, an ongoing series which focused on Wayne franchising the Batman identity across the globe, allowing Dick and Damian to continue as Gotham's Dynamic Duo. Bruce publicly announced that Wayne Enterprises will aid Batman on his mission, known as "Batman, Incorporated". However, due to rebooted continuity that occurred as part of DC Comics' 2011 relaunch of all of its comic books, the New 52, Dick Grayson was restored as Nightwing with Wayne serving as the sole Batman once again. The relaunch also interrupted the publication of Batman, Incorporated, which resumed its story in 2012–2013 with changes to suit the new status quo.

The Silver Age of Comic Books in DC Comics is sometimes held to have begun in 1956 when the publisher introduced Barry Allen as a new, updated version of The Flash. Batman is not significantly changed by the late 1950s for the continuity which would be later referred to as Earth-One. The lighter tone Batman had taken in the period between the golden and silver ages led to the stories of the late 1950s and early 1960s that often feature many science-fiction elements, and Batman is not significantly updated in the manner of other characters until Detective Comics #327 (May 1964), in which Batman reverts to his detective roots, with most science-fiction elements jettisoned from the series.


There are eleven theatrical Batman movies: Batman - 1943 (serial) Batman and Robin - 1949 (serial) Batman - 1966 Batman - 1989 Batman: Mask of the Phantasm - 1993 (animated) Batman Returns - 1992 Batman Forever - 1995 Batman and Robin - 1997 Batman Begins - 2005 The Dark Knight - 2008 The Dark Knight Rises - 2012 More: toprater.com/en/movies/objects/2829761-the-dark-knight-rises-2012 There are six Batman direct to video animated films: Batman & Mr. Freeze: SubZero…
In 1969, Dick Grayson attends college as part of DC Comics' effort to revise the Batman comics. Additionally, Batman also moves from his mansion, Wayne Manor into a penthouse apartment atop the Wayne Foundation building in downtown Gotham City, in order to be closer to Gotham City's crime. Batman spends the 1970s and early 1980s mainly working solo, with occasional team-ups with Robin and/or Batgirl. Batman's adventures also become somewhat darker and more grim during this period, depicting increasingly violent crimes, including the first appearance (since the early golden age) of the Joker as a homicidal psychopath, and the arrival of Ra's al Ghul, a centuries-old terrorist who knows Batman's secret identity. In the 1980s, Dick Grayson becomes Nightwing.[6]
The Silver Age of Comic Books in DC Comics is sometimes held to have begun in 1956 when the publisher introduced Barry Allen as a new, updated version of The Flash. Batman is not significantly changed by the late 1950s for the continuity which would be later referred to as Earth-One. The lighter tone Batman had taken in the period between the golden and silver ages led to the stories of the late 1950s and early 1960s that often feature many science-fiction elements, and Batman is not significantly updated in the manner of other characters until Detective Comics #327 (May 1964), in which Batman reverts to his detective roots, with most science-fiction elements jettisoned from the series.

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By 1964, sales of Batman titles had fallen drastically. Bob Kane noted that, as a result, DC was "planning to kill Batman off altogether".[45] In response to this, editor Julius Schwartz was assigned to the Batman titles. He presided over drastic changes, beginning with 1964's Detective Comics #327 (May 1964), which was cover-billed as the "New Look". Schwartz introduced changes designed to make Batman more contemporary, and to return him to more detective-oriented stories. He brought in artist Carmine Infantino to help overhaul the character. The Batmobile was redesigned, and Batman's costume was modified to incorporate a yellow ellipse behind the bat-insignia. The space aliens, time travel, and characters of the 1950s such as Batwoman, Ace, and Bat-Mite were retired. Bruce Wayne's butler Alfred was killed off (though his death was quickly reversed) while a new female relative for the Wayne family, Aunt Harriet, came to live with Bruce Wayne and Dick Grayson.[46]

The driving force behind Bruce Wayne's character is his parents' murder and their absence. Bob Kane and Bill Finger discussed Batman's background and decided that "there's nothing more traumatic than having your parents murdered before your eyes".[87] Despite his trauma, he sets his mind on studying to become a scientist[88][89] and to train his body into physical perfection[88][89] to fight crime in Gotham City as Batman, an inspired idea from Wayne's insight into the criminal mind.[88][89]
Few things in this world are more popular than Batman, and few things are more synonymous with Batman than his iconic costume. They say that the clothes make the man, and in Bruce Wayne’s case, that is definitely the case. Being a superhero who has no powers comes with its own set of challenges such as protecting his back from being broken in half or having something that’s able to come up with as many different tricks as the man himself. Grappling hooks, batarangs and sonar are all parts of the arsenal included in a multi-million dollar bat suit.
In 2005, Batman Begins was released by Warner Bros. as a reboot of the film series; directed by Christopher Nolan and starring Christian Bale as Batman. Its sequel, The Dark Knight (2008), set the record for the highest grossing opening weekend of all time in the U.S., earning approximately $158 million,[177] and became the fastest film to reach the $400 million mark in the history of American cinema (eighteenth day of release).[178] These record-breaking attendances saw The Dark Knight end its run as the second-highest domestic grossing film (at the time) with $533 million, bested then only by Titanic.[179] The film also won two Academy Awards, including Best Supporting Actor for the late Heath Ledger.[180] It was eventually followed by The Dark Knight Rises (2012), which served as a conclusion to Nolan's film series.

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The Silver Age of Comic Books in DC Comics is sometimes held to have begun in 1956 when the publisher introduced Barry Allen as a new, updated version of The Flash. Batman is not significantly changed by the late 1950s for the continuity which would be later referred to as Earth-One. The lighter tone Batman had taken in the period between the golden and silver ages led to the stories of the late 1950s and early 1960s that often feature many science-fiction elements, and Batman is not significantly updated in the manner of other characters until Detective Comics #327 (May 1964), in which Batman reverts to his detective roots, with most science-fiction elements jettisoned from the series.

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When Jason discovered clues that his long-lost mother was alive, he secretly traveled to Africa to find her. Tragically, the trail also led him straight into the clutches of the Joker, who savagely beat the second Boy Wonder within an inch of his life. The Clown Prince of Crime left Jason and his mother to die in a booby-trapped warehouse wired from floor to ceiling with high-explosive charges. Jason courageously tried to shield his mother from the brunt of the devastating blast. She survived the explosion just long enough to tell a grief-stricken Batman that his reckless young partner had died a hero.
Rachel Caspian: In Batman: Year Two, Bruce Wayne fell in love with Rachel. Unfortunately, Rachel's father moonlighted as a murderous vigilante who committed suicide. Discovery of her father's evils drove Rachel to pay her father's penance on his behalf by enrolling in a nunnery and breaking off her engagement with Bruce Wayne, who had prepared to end his crimefighting career to marry her.
A playboy billionaire by day, Bruce Wayne’s double life affords him the comfort of a life without financial worry, a loyal butler-turned-guardian and the perfect base of operations in the ancient network of caves beneath his family’s sprawling estate. By night, however, he sheds all pretense, dons his iconic scalloped cape and pointed cowl and takes to the shadowy streets, skies and rooftops of Gotham City.

Gay interpretations of the character have been part of the academic study of Batman since psychologist Fredric Wertham asserted in Seduction of the Innocent in 1954 that "Batman stories are psychologically homosexual ... The Batman type of story may stimulate children to homosexual fantasies, of the nature of which they may be unconscious."[199] Andy Medhurst wrote in his 1991 essay "Batman, Deviance, and Camp" that Batman is interesting to gay audiences because "he was one of the first fictional characters to be attacked on the grounds of his presumed homosexuality".[200] Professor of film and cultural studies Will Brooker argues the validity of a queer reading of Batman, and that gay readers would naturally find themselves drawn to the lifestyle depicted within, whether the character of Bruce Wayne himself were explicitly gay or not. He also identifies a homophobic element to the vigor with which mainstream fandom rejects the possibility of a gay reading of the character.[201] In 2005, painter Mark Chamberlain displayed a number of watercolors depicting both Batman and Robin in suggestive and sexually explicit poses,[202] prompting DC to threaten legal action.[203]


Batman goes to the Willowwood Home for Children, a place that housed children suffering from mental illnesses. Suddenly, he is captured in a net, and Lincoln March stands over him. Batman deduces that Lincoln March does not exist, he is just a paper man set up by the Court. The man in front of him is the Court's betrayer, and he took the Talons' serum to survive death. March is aware of Batman's dual life and reveals himself to be Thomas Jr., Bruce Wayne's brother. Although Bruce believes he does not have a brother, Thomas says that an accident had caused him to be born early, and Thomas and Martha Wayne had hid him away at Willowwood to heal. When Thomas and Martha died, Willowwood lost its funding and the place began treating its children cruelly. Blaming Bruce for their parents' deaths, Thomas puts on an owl suit of armor and frees Batman so that the brothers can have a final fight.
A product from the future of the DC animated universe, Batman Beyond took everything we all loved about Batman: The Animated Series and put a new spin on it. Here we were able to see an old Bruce Wayne who had to give up being Batman once he realized his age was becoming a factor. We soon meet a character by the name of Terry McGinnis who would come to don the flashy new cape and cowl.

As Batman became less of a neck-breaking type of guy, his costume slowly began to look more and more like a typical superhero costume and less like something worn by a guy who was going to break into your house (and maybe break your neck while doing so). Interestingly enough, the cowl took on its standard look within only a few issues after the original costume debuted (roughly around the time that Batman's origin was revealed for the first time in "Detective Comics" #33). The colors then also slowly got bluer over time, until the costume was definitely mostly blue.
During the 1950s, the "Batman" titles were very much the second-class citizens of the DC Comics line of superhero books. In fact, the "DC" aspect of the company's name (which was named after "Detective Comics," where Batman debuted) was rarely as de-emphasized as it was in this era, when the "DC Bullet" featured DC in the center of the logo circle but Superman at the top of the circle and National Comics on the bottom (talk about a cluttered logo). Batman's stories were mostly just riffs on ideas used in Superman comics of the era (Vicki Vale as their Lois Lane, Bat-Mite was their Mr. Mxyzptlk, etc.)
When we were recently counting down the worst things that Batman has ever done, one of the very top spots was devoted to the fact that he allowed Jean-Paul Valley to take over as Batman while he was recovering from a broken back. The reason that it was so particularly egregious is the fact that Batman first met Jean-Paul Valley when Valley was brainwashed into becoming the assassin known as Azrael. Batman helped him defeat his programming, and then took it upon himself to train Jean-Paul as a vigilante, sans the programming.
Though not much had changed in regard to terms of costume between films, the difference of the slightly more sleek symbol and the armor makes us think that Batman has decided that he needs to up his game, both in terms of fashion and fighting, and keep up with the kind of criminals that Gotham seems to be producing at an increasingly alarming rate.
Natalya Trusevich: A Ukrainian concert pianist and girlfriend of Bruce Wayne, Natalya grew frustrated with Bruce's closed-off demeanour, until he was urged by Alfred to reveal to her his secret identity. Shortly after, Natalya was abducted by the Mad Hatter who attempted to torture her into revealing the identity of Batman. Natalya refused to divulge Bruce's secret and was thrown by the Mad Hatter from a helicopter to her death. 

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