As Batman became less of a neck-breaking type of guy, his costume slowly began to look more and more like a typical superhero costume and less like something worn by a guy who was going to break into your house (and maybe break your neck while doing so). Interestingly enough, the cowl took on its standard look within only a few issues after the original costume debuted (roughly around the time that Batman's origin was revealed for the first time in "Detective Comics" #33). The colors then also slowly got bluer over time, until the costume was definitely mostly blue.
Batman met juvenile delinquent and presumed orphan, Jason Todd, when the boy literally tried to steal the tires right off the Batmobile. With original partner Dick Grayson having given up the role of Robin, Batman decided to take Jason in and offer him both a home and a purpose. Jason began the same training regimen Grayson once undertook to become the Dark Knight's partner. However, Jason was a troubled soul who lacked maturity and was quick to anger.
Batman comics were among those criticized when the comic book industry came under scrutiny with the publication of psychologist Fredric Wertham's book Seduction of the Innocent in 1954. Wertham's thesis was that children imitated crimes committed in comic books, and that these works corrupted the morals of the youth. Wertham criticized Batman comics for their supposed homosexual overtones and argued that Batman and Robin were portrayed as lovers.[41] Wertham's criticisms raised a public outcry during the 1950s, eventually leading to the establishment of the Comics Code Authority, a code that is no longer in use by the comic book industry. The tendency towards a "sunnier Batman" in the postwar years intensified after the introduction of the Comics Code.[42] Scholars have suggested that the characters of Batwoman (in 1956) and the pre-Barbara Gordon Bat-Girl (in 1961) were introduced in part to refute the allegation that Batman and Robin were gay, and the stories took on a campier, lighter feel.[43]

Batman was one of the few superhero characters to be continuously published as interest in the genre waned during the 1950s. In the story "The Mightiest Team in the World" in Superman #76 (June 1952), Batman teams up with Superman for the first time and the pair discover each other's secret identity.[38] Following the success of this story, World's Finest Comics was revamped so it featured stories starring both heroes together, instead of the separate Batman and Superman features that had been running before.[39] The team-up of the characters was "a financial success in an era when those were few and far between";[40] this series of stories ran until the book's cancellation in 1986.
The character of Batman has appeared in various media aside from comic books, such as newspaper syndicated comic strips, books, radio dramas, television, a stage show, and several theatrical feature films. The first adaptation of Batman was as a daily newspaper comic strip which premiered on October 25, 1943.[161] That same year the character was adapted in the 15-part serial Batman, with Lewis Wilson becoming the first actor to portray Batman on screen. While Batman never had a radio series of his own, the character made occasional guest appearances in The Adventures of Superman starting in 1945 on occasions when Superman voice actor Bud Collyer needed time off.[162] A second movie serial, Batman and Robin, followed in 1949, with Robert Lowery taking over the role of Batman. The exposure provided by these adaptations during the 1940s "helped make [Batman] a household name for millions who never bought a comic book".[162]
After a lengthy brawl through the skies of Gotham, March is trapped in an explosion intended to kill Bruce; no body is located. Bruce admits to Dick that although he is skeptical of March's claims and believes his parents would have told him had he had a brother, without March's body and a DNA test he is unable to conclusively prove or disprove March's claims. Still, Bruce says that even though the Court tried to destroy everything he believed in, there was one thing the Court could never break: his belief in his parents. Bruce knows that although the Court has been stoppe,d for now, it will return; and he will be ready.

During their first encounters, Talia showed a devotion to the Dark Knight as strong as her love for her father, often saving Batman, but always choosing to remain by her father's side. After several encounters with Ra's, Talia and Bruce eventually had a sexual encounter, from which their son Damian Wayne was born.[8] Over time, Talia became more antagonistic towards Batman, seeking to fulfil her father's goals and rule the world with Batman at her side, and declaring war against him after his refusal.
The movie which a young Bruce and his parents were seeing on the night of their murder is generally stated to be "Mark of Zorro" (the exact version varies). This is important because Bob Kane stated that he drew inspiration for Batman from seeing a screening of that very movie. He also drew inspiration from images of Leonardo da Vinci's flying machine.
After the Commissioner Gordon Batman armor experiment ended (with Gordon doing quite well, really, just not quite the same levels as the main man), Bruce Wayne returned as Batman, wearing a brand-new costume designed by Capullo. The best thing about the costume is that it really looks like the type of outfit that a superhero can move in, which was a marked improvement over the last two outfits. It looks like something an actual person could wear. 

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Batman is often treated as a vigilante by other characters in his stories. Frank Miller views the character as "a dionysian figure, a force for anarchy that imposes an individual order".[92] Dressed as a bat, Batman deliberately cultivates a frightening persona in order to aid him in crime-fighting,[93] a fear that originates from the criminals' own guilty conscience.[94] Miller is often credited with reintroducing anti-heroic traits into Batman's characterization,[95] such as his brooding personality, willingness to use violence and torture, and increasingly alienated behavior. Batman, shortly a year after his debut and the introduction of Robin, was changed in 1940 after DC editor Whitney Ellsworth felt the character would be tainted by his lethal methods and DC established their own ethical code, subsequently he was retconned as having a stringent moral code.[35][96] Miller's Batman was closer to the original pre-Robin version, who was willing to kill criminals if necessary.[97]

While the Crime Syndicate imprisons the Justice Leagues inside the Firestorm Matrix, Batman, Catwoman and a critically injured Cyborg escape in a sewer system and go to S.T.A.R. Labs. There, they find Doctors Silas Stone and Thomas Morrow. As Batman and Catwoman explain their situation, they discover the Crime Syndicate has taken over the world and revealed Nightwing's identity. Batman decides to find Nightwing.
Kane and Finger drew upon contemporary 1930s popular culture for inspiration regarding much of the Bat-Man's look, personality, methods, and weaponry. Details find predecessors in pulp fiction, comic strips, newspaper headlines, and autobiographical details referring to Kane himself.[18] As an aristocratic hero with a double identity, Batman had predecessors in the Scarlet Pimpernel (created by Baroness Emmuska Orczy, 1903) and Zorro (created by Johnston McCulley, 1919). Like them, Batman performed his heroic deeds in secret, averted suspicion by playing aloof in public, and marked his work with a signature symbol. Kane noted the influence of the films The Mark of Zorro (1920) and The Bat Whispers (1930) in the creation of the character's iconography. Finger, drawing inspiration from pulp heroes like Doc Savage, The Shadow, Dick Tracy, and Sherlock Holmes, made the character a master sleuth.[19][20]

Peak Human Stamina: Bruce's highly trained and developed body generates considerably less fatigue toxins and is much more resistant to fatigue toxins than normal humans, granting him exceptional endurance and lung capacity. His lung capacity is so great that he can hold his breath underwater for over 7 minutes with little strain. In his early days ,he once fought in a gauntlet for 28 hours straight before collapsing from exhaustion. Batman has demonstrated exercising extensively with a rigorous training regime that lasted 1 hour, yet wasn't nearly satisfied. He can exert himself at peak capacity without slowing down for several hours before showing signs of fatigue or began tiring.
Although Kane initially rebutted Finger's claims at having created the character, writing in a 1965 open letter to fans that "it seemed to me that Bill Finger has given out the impression that he and not myself created the ''Batman, t' [sic] as well as Robin and all the other leading villains and characters. This statement is fraudulent and entirely untrue." Kane himself also commented on Finger's lack of credit. "The trouble with being a 'ghost' writer or artist is that you must remain rather anonymously without 'credit'. However, if one wants the 'credit', then one has to cease being a 'ghost' or follower and become a leader or innovator."[22]
Batman is strongly disciplined, and he has the ability to function under great physical pain and resist most forms of telepathy and mind control. He is a master of disguise, multilingual, and an expert in espionage, often gathering information under the identity of a notorious gangster named Matches Malone. Batman is highly skilled in stealth movement and escapology, which allows him to appear and disappear at will and to break free of nearly inescapable deathtraps with little to no harm.
A playboy billionaire by day, Bruce Wayne’s double life affords him the comfort of a life without financial worry, a loyal butler-turned-guardian and the perfect base of operations in the ancient network of caves beneath his family’s sprawling estate. By night, however, he sheds all pretense, dons his iconic scalloped cape and pointed cowl and takes to the shadowy streets, skies and rooftops of Gotham City.
In his series, Batman was made to be much more of a detective than the bruiser he could and would later be portrayed as. We’re not saying that this version couldn’t get into a fist fight -- he often would, with sound effects to match -- we’re saying he didn’t always have to throw down, let alone look like he always had to. And that is just fine by us. After all, the late Adam West became a cultural icon in this suit for very good reason.
Finger suggested giving the character a cowl instead of a simple domino mask, a cape instead of wings, and gloves; he also recommended removing the red sections from the original costume.[12][13][14][15] Finger said he devised the name Bruce Wayne for the character's secret identity: "Bruce Wayne's first name came from Robert Bruce, the Scottish patriot. Wayne, being a playboy, was a man of gentry. I searched for a name that would suggest colonialism. I tried Adams, Hancock ... then I thought of Mad Anthony Wayne."[16] He later said his suggestions were influenced by Lee Falk's popular The Phantom, a syndicated newspaper comic-strip character with which Kane was also familiar.[17]

The boy suddenly re-appears wearing a domino mask of ash and a shield with a bat on it. He frees Bruce and gives him back his belt. From his utility belt, Bruce takes a medicine capsule and dons the pelt of a giant bat to wear on his body. Using the contents of his utility belt to stave off an attack by Savage and his mob, operating on instinct more than actual knowledge of various fighting techniques, Bruce defeats Vandal Savage returning the necklace to the boy just as an unexpected solar eclipse appears in the sky which Bruce reacts to and flees with the boy. Bruce jumps over a waterfall with his young partner, only to vanish at the bottom, somehow turning up in Puritan Era Gotham City. After he has vanished, Superman, Green Lantern, and Booster Gold appear in the past via Rip Hunter's time sphere, having tracked Bruce to the past. Superman confirms with his super-hearing that Batman isn't in this time. As they depart, Superman states that they have to catch up with Batman before he can return to the present on his own or the world will be in great danger. In the new era he arrives in, Bruce surfaces from the water and finds a woman, when they are suddenly attacked by a large, tentacled creature. Bruce raises his sword to defend himself and the woman.

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