Bob made him more insecure, because while he slaved working on Batman, he wasn't sharing in any of the glory or the money that Bob began to make, which is why ... [he was] going to leave [Kane's employ]. ... [Kane] should have credited Bill as co-creator, because I know; I was there. ... That was one thing I would never forgive Bob for, was not to take care of Bill or recognize his vital role in the creation of Batman. As with Siegel and Shuster, it should have been the same, the same co-creator credit in the strip, writer, and artist.[21]
A young Bruce Wayne can also be seen in his bedroom praying, strongly hinting him to be a Christian just like his Mother. Pearson and Uricchio also noted beyond the origin story and such events as the introduction of Robin, "Until recently, the fixed and occurring and hence, canonized, events have been few in number," a situation altered by an increased effort by later Batman editors such as Dennis O'Neil to ensure consistency and continuity between stories.
This also gave him the first bat suit which wasn’t hindered by the cowl being directly attached to the shoulders and could therefore move his head. Among other new improvements like being able to launch his triangle forearm blades, this version was a force to be reckoned with. Above all else, this is the perfect, most fully functional bat suit that there has been to date.

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When Bob Kane first designed Batman's costume, his idea behind Batman was more similar to Hawkman than anything else, in the sense that he saw the character as literally flying like a bat via Bat-like wings. Incidentally, Kane was influenced by some of Leonardo Da Vinci's designs of a theoretical flying machine. Kane's collaborator, Bill Finger, told Kane that he should make the wings a cape instead. In addition, while Kane was thinking a red costume, Finger told him to go darker instead.
Pamela Isley (Poison Ivy): Poison Ivy is a villain who often relies on seduction and the manipulation of pheromones to drive men around her to obey. This is no different with Batman, who initially confused the lust and desire caused by Ivy's methods for love.[13][14] Ivy has a somewhat love/hate relationship with Batman; on some occasions she claims to love him and desires his affection, while on others she is more than willing to kill him. Bruce and Pamela had a brief but genuine romantic relationship after he helped to cure her of her condition, but this came to an end when Pamela seemingly died in an attempt to turn herself back into Poison Ivy.[15]
In early 1939, the success of Superman in Action Comics prompted editors at National Comics Publications (the future DC Comics) to request more superheroes for its titles. In response, Bob Kane created "the Bat-Man".[9] Collaborator Bill Finger recalled that "Kane had an idea for a character called 'Batman,' and he'd like me to see the drawings. I went over to Kane's, and he had drawn a character who looked very much like Superman with kind of ... reddish tights, I believe, with boots ... no gloves, no gauntlets ... with a small domino mask, swinging on a rope. He had two stiff wings that were sticking out, looking like bat wings. And under it was a big sign ... BATMAN".[10] The bat-wing-like cape was suggested by Bob Kane, inspired as a child by Leonardo Da Vinci's sketch of an ornithopter flying device.[11]

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Batman sired a child with Talia al Ghul during their marriage, named Ibn al Xu'ffasch.[8] Dennis O'Neil mentioned that this story was ignored from continuity around Zero Hour because it did not fit in well with the rest of the mythos.[9] Infinite Crisis brings most of this back into continuity with the story Batman and Son by introducing Damian Wayne and stating that Batman was drugged and pretty much raped.[10]
Batman is often treated as a vigilante by other characters in his stories. Frank Miller views the character as "a dionysian figure, a force for anarchy that imposes an individual order".[92] Dressed as a bat, Batman deliberately cultivates a frightening persona in order to aid him in crime-fighting,[93] a fear that originates from the criminals' own guilty conscience.[94] Miller is often credited with reintroducing anti-heroic traits into Batman's characterization,[95] such as his brooding personality, willingness to use violence and torture, and increasingly alienated behavior. Batman, shortly a year after his debut and the introduction of Robin, was changed in 1940 after DC editor Whitney Ellsworth felt the character would be tainted by his lethal methods and DC established their own ethical code, subsequently he was retconned as having a stringent moral code.[35][96] Miller's Batman was closer to the original pre-Robin version, who was willing to kill criminals if necessary.[97]

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