Batman has trained extensively in various martial arts, mastering many different types, making him one of the best hand-to-hand fighters in the DC Universe. Superman describes Batman as "the most dangerous man on Earth", able to defeat an entire team of superpowered extraterrestrials by himself in order to rescue his imprisoned teammates in Grant Morrison's first storyline in JLA.
At age 14, Bruce embarked on a journey that took him to every continent as he sought to learn all the skills he would need to keep his vow. He studied criminology, forensics, and criminal psychology, and learned from manhunters and martial artists, mastering every fighting style. In time, Bruce forged himself into a living weapon to wage war on crime and injustice. On his return to Gotham, Bruce stalked street thugs as a plainclothes vigilante. Beaten by the very people he intended to protect, he barely survived his first night out. As he sat bleeding in his study at Wayne Manor Bruce knew that he had to first strike fear in the hearts of his foes. Just then, a bat crashed through the study window, giving Bruce the inspiration he needed.

Jack, failed comedian, failed husband to a murdered wife, reluctantly dons the helmet? becoming the new Red Hood. Red Hood had a large domed red helmet [of course] with one way mirror lenses [like Spider-Man] to see through and a red cape. Oh yes.. he also wore a tuxedo. Very dapper was the Red Hood. While attempting to rob a chemical plant, the plant's security men spot the robbers, shooting the other criminals dead, narrowly missing the Red Hood. Cornered on a catwalk by Batman the [now terrified] Red Hood dives into a chemical basin to make his escape and swims to freedom by way of a venting pipe. He only survived via a special breathing apparatus that was built into his helmet. However, the chemicals in the basin permanently disfigured the an under the hood, turning his hair green, his skin white and his lips red.

Batman: The Animated Series and the DC animated universe not only made the childhoods of a generation so much cooler, they also gave birth to the voices in a lot of our heads. When people of this generation think of the caped crusader, they see an image in their minds of a black cape and cowl, grey shirt and a yellow and black Bat-symbol across the chest. They hear the words in that oh-so-familiar voice “I am vengeance, I am the night…I AM BATMAN!” and then they usually pass out.

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In the Modern Age of Comics until the present date, Batman has had numerous romantic relationships, in every different media, some of which have lasted long enough to set a "record" and others which were merely used for the sake of a story. Most of his relationships are with ladies from his own Rogues Gallery, and in recent years, his relationship with Catwoman has been given special attention; but the constant in every scenario is Batman's unwillingness or inability to maintain a relationship longer than the Batmobile's paint job.
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In his series, Batman was made to be much more of a detective than the bruiser he could and would later be portrayed as. We’re not saying that this version couldn’t get into a fist fight -- he often would, with sound effects to match -- we’re saying he didn’t always have to throw down, let alone look like he always had to. And that is just fine by us. After all, the late Adam West became a cultural icon in this suit for very good reason.
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Bruce Wayne goes on a date with Selina, who is unaware of the former's identity as Batman, much to the encouragement of his family. The two, along with Thomas Elliot, attend an opera when Harley Quinn arrives and attempts to kill Bruce. In the ensuing struggle, Dr. Elliot is apparently shot dead by Joker. An enraged Batman violently beats Joker who claims that he is innocent, and he is stopped short of killing him by Commissioner James Gordon. Bruce attends Elliot's funeral and deduces Joker's innocence as well that Hush must know his secret identity.
That year Dennis O'Neil took over as editor of the Batman titles and set the template for the portrayal of Batman following DC's status quo-altering miniseries Crisis on Infinite Earths. O'Neil operated under the assumption that he was hired to revamp the character and as a result tried to instill a different tone in the books than had gone before.[57] One outcome of this new approach was the "Year One" storyline in Batman #404–407 (Feb.–May 1987), in which Frank Miller and artist David Mazzucchelli redefined the character's origins. Writer Alan Moore and artist Brian Bolland continued this dark trend with 1988's 48-page one-shot Batman: The Killing Joke, in which the Joker, attempting to drive Commissioner Gordon insane, cripples Gordon's daughter Barbara, and then kidnaps and tortures the commissioner, physically and psychologically.
In Batman: Arkham City, although their love is not explored, Catwoman constantly flirts with the Dark Knight whenever they meet. Catwoman even gives up her sure escape from Arkham City to go back and help the injured Batman. A hidden radio reel reveals that Catwoman has a slight grudge towards Batman, though, since he knows her secret identity but she doesn't know his. However, by the time of the events of Batman: Arkham Knight, Selina is aware of Batman's identity as Bruce Wayne, addressing him as such after he rescues her from the Riddler.
The armor was a bit odd looking, but it is worth noting that designer Greg Capullo almost assuredly had that in mind, as the armor is supposed to look sort of alien-looking. It's supposed to be jarring to see. In addition, the comics with the armor in them even hung a lantern on the whole "rabbit ears" look, as Gordon himself commented that they looked like rabbit ears to him.

The Burton suit was almost completely black. This made a lot more sense for a character that's using darkness to his advantage. The Bat logo encircled in yellow hearkened back to classic costumes of the past. This suit also set a trend in films by making costumes out of more armor-like materials rather than spandex. Let's be real; spandex looks a little silly on screen.
After the introduction of DC Comics' multiverse in the 1960s, DC established that stories from the golden age star the Earth-Two Batman, a character from a parallel world. This version of Batman partners with and marries the reformed Earth-Two Catwoman, Selina Kyle. The two have a daughter, Helena Wayne, who becomes the Huntress. She assumes the position as Gotham's protector along with Dick Grayson, the Earth-Two Robin, once Bruce Wayne retires to become police commissioner. Wayne holds the position of police commissioner until he is killed during one final adventure as Batman. Batman titles however often ignored that a distinction had been made between the pre-revamp and post-revamp Batmen (since unlike The Flash or Green Lantern, Batman comics had been published without interruption through the 1950s) and would occasionally make reference to stories from the golden age.[132] Nevertheless, details of Batman's history were altered or expanded upon through the decades. Additions include meetings with a future Superman during his youth, his upbringing by his uncle Philip Wayne (introduced in Batman #208, Feb. 1969) after his parents' death, and appearances of his father and himself as prototypical versions of Batman and Robin, respectively.[133][134] In 1980 then-editor Paul Levitz commissioned the Untold Legend of the Batman limited series to thoroughly chronicle Batman's origin and history.
Back in the 90s comics were prone to some wild publicity stunts to sell issues. The most notable events were the Death of Superman and a villain known as Bane breaking Batman's back. This forced Bruce Wayne to pass the mantle of Batman on to a man named Jean-Paul Valley. Valley ended up going a little crazy. He did not adhere to Batman's rule of "no killing" and made a lot of deadly modifications to the Batsuit. When Wayne got word of Valley's methods and Bane's crime-spree, he went on a spirit journey similar to his first quest to become Batman.

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Following the 2016 DC Rebirth continuity reboot, Batman and Catwoman work together in the third volume of Batman. The two also have a romantic relationship, in which they are shown having a sexual encounter on a rooftop and sleeping together.[112][113][114] Bruce proposes to Selina in Batman vol. 3, #24 (2017),[115] and in issue #32, Selina asks Bruce to propose to her again. When he does so, she says, "Yes." [114]

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