This also gave him the first bat suit which wasn’t hindered by the cowl being directly attached to the shoulders and could therefore move his head. Among other new improvements like being able to launch his triangle forearm blades, this version was a force to be reckoned with. Above all else, this is the perfect, most fully functional bat suit that there has been to date.
Batman's history has undergone many retroactive continuity revisions, both minor and major. Elements of the character's history have varied greatly. Scholars William Uricchio and Roberta E. Pearson noted in the early 1990s, "Unlike some fictional characters, the Batman has no primary urtext set in a specific period, but has rather existed in a plethora of equally valid texts constantly appearing over more than five decades."[123]
Peak Human Senses: Through meditation Batman's five senses are pushed at the highest limits of human perfection; meaning that his sense of sight, touch, hearing, smell and taste are very keen. At one time he was able to hear a sniper load his weapon from across the street a block over and allegedly has the sight of an eagle, allowing him to see even the slightest shifts in the air. His awareness, instincts, and senses combined make him extremely alert to danger, bordering a sixth sense. Even Commisisoner Gordon has commented saying "it's almost like he has a sixth sense".
Kane and Finger drew upon contemporary 1930s popular culture for inspiration regarding much of the Bat-Man's look, personality, methods, and weaponry. Details find predecessors in pulp fiction, comic strips, newspaper headlines, and autobiographical details referring to Kane himself.[18] As an aristocratic hero with a double identity, Batman had predecessors in the Scarlet Pimpernel (created by Baroness Emmuska Orczy, 1903) and Zorro (created by Johnston McCulley, 1919). Like them, Batman performed his heroic deeds in secret, averted suspicion by playing aloof in public, and marked his work with a signature symbol. Kane noted the influence of the films The Mark of Zorro (1920) and The Bat Whispers (1930) in the creation of the character's iconography. Finger, drawing inspiration from pulp heroes like Doc Savage, The Shadow, Dick Tracy, and Sherlock Holmes, made the character a master sleuth.[19][20]
Investigating the Talon, Batman discovers a mysterious room hidden at the Old Wayne Tower, which once served as the Owls' "nest". However, the building explodes with Batman inside. Escaping the explosion, Batman tracks the Talon down to a mysterious labyrinth that contains portraits of Gotham in the Wild West that also details Gotham's history. There, he is greeted by the Court of Owls.
Over the years, there have been numerous others to assume the name of Batman, or to officially take over for Bruce during his leaves of absence. Jean Paul Valley, also known as Azrael, assumed the cowl after the events of the Knightfall saga.[60] James Gordon donned a mech-suit after the events of Batman: Endgame, and served as Batman in 2015 and 2016.

The first Batman story, "The Case of the Chemical Syndicate", was published in Detective Comics #27 (May 1939). Finger said, "Batman was originally written in the style of the pulps",[24] and this influence was evident with Batman showing little remorse over killing or maiming criminals. Batman proved a hit character, and he received his own solo title in 1940 while continuing to star in Detective Comics. By that time, Detective Comics was the top-selling and most influential publisher in the industry; Batman and the company's other major hero, Superman, were the cornerstones of the company's success.[25] The two characters were featured side-by-side as the stars of World's Finest Comics, which was originally titled World's Best Comics when it debuted in fall 1940. Creators including Jerry Robinson and Dick Sprang also worked on the strips during this period.
Weapon Master: Through his martial arts training, he has become an expert on virtually all types of weaponry. He is an exceptional swordsman as evident in his fight with Ra's al Ghul, his proficiency in Jui Jitsu can proclaim his swordsmanship skill. Proficient with most melee weapons because of his mastery of Okinawan Kobudo. He was trained and became extremely proficient in all arms. He soon learned expanded melee weapon techniques and he has learned expanded weapon/device sciences. He still practices during his combat sessions to keep his skills intact, though he prefers unarmed combat.

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Joker, however, had discovered the ruse sooner than he expected and followed him to the pool. Having already retrieved samples to create a cure to the toxin, Batman fought his arch nemesis for what seemed to be the last time, during which he and Joker sustained several grave injuries. With the cave collapsing from explosives set off, Batman stopped Joker from escaping by holding him away from the pool, which was blocked with the falling rock. With Gotham once again saved, Batman accepted that he would die and sent one last message to Julia, during which he refused her help to escape his fate. He and the Joker would seemingly die as the cave collapsed upon them.
The early, pulp-inflected portrayal of Batman started to soften in Detective Comics #38 (April 1940) with the introduction of Robin, Batman's junior counterpart.[30] Robin was introduced, based on Finger's suggestion, because Batman needed a "Watson" with whom Batman could talk.[31] Sales nearly doubled, despite Kane's preference for a solo Batman, and it sparked a proliferation of "kid sidekicks".[32] The first issue of the solo spin-off series Batman was notable not only for introducing two of his most persistent enemies, the Joker and Catwoman, but for a pre-Robin inventory story, originally meant for Detective Comics #38, in which Batman shoots some monstrous giants to death.[33][34] That story prompted editor Whitney Ellsworth to decree that the character could no longer kill or use a gun.[35]

One day I called Bill and said, 'I have a new character called the Bat-Man and I've made some crude, elementary sketches I'd like you to look at.' He came over and I showed him the drawings. At the time, I only had a small domino mask, like the one Robin later wore, on Batman's face. Bill said, 'Why not make him look more like a bat and put a hood on him, and take the eyeballs out and just put slits for eyes to make him look more mysterious?' At this point, the Bat-Man wore a red union suit; the wings, trunks, and mask were black. I thought that red and black would be a good combination. Bill said that the costume was too bright: 'Color it dark grey to make it look more ominous.' The cape looked like two stiff bat wings attached to his arms. As Bill and I talked, we realized that these wings would get cumbersome when Bat-Man was in action and changed them into a cape, scalloped to look like bat wings when he was fighting or swinging down on a rope. Also, he didn't have any gloves on, and we added them so that he wouldn't leave fingerprints.[17] 

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