Comic book companies often look at costume design as "the more changes, the better." Batman is a character who had one of the most famous costume changes in comic book history (albeit just by adding a simply yellow oval), but otherwise managed to only go through a handful of looks in the 20th Century. In the 21st Century, though, Batman has gone through as many costumes as he had in the first 50 years of his existence, and more new looks are undoubtedly coming in the future!
In the early Golden Age comics, Batman often flirted with Catwoman, as he was charmed by her beauty - although not so much by her methods. Their history on the Earth-Two continuity developed to the point where Catwoman reformed and Batman admitted his love for her, formally marrying shortly after and having a daughter, Helena Wayne, who later became the Huntress.[6]
Various modern stories have portrayed the extravagant, playboy image of Bruce Wayne as a facade.[77] This is in contrast to the post-Crisis Superman, whose Clark Kent persona is the true identity, while the Superman persona is the facade.[78][79] In Batman Unmasked, a television documentary about the psychology of the character, behavioral scientist Benjamin Karney notes that Batman's personality is driven by Bruce Wayne's inherent humanity; that "Batman, for all its benefits and for all of the time Bruce Wayne devotes to it, is ultimately a tool for Bruce Wayne's efforts to make the world better". Bruce Waynes principles include the desire to prevent future harm and a vow not to kill. Bruce Wayne believes that our actions define us, we fail for a reason and anything is possible.[80]
In March 2019, it was announced that Jason O'Mara, Jerry O'Connell, Rebecca Romijn, Rainn Wilson, Sean Maher, Bruce Thomas, Vanessa Williams, and Stuart Allan would reprise their roles from previous DCAMU films with the new additions of Jennifer Morrison, Peyton R. List, Maury Sterling, Geoffrey Arend, Jason Spisak, Adam Gifford, Peyton List, and Dachie Alessio.[1]
In 2010, the storyline Batman: The Return of Bruce Wayne saw Bruce travel through history, eventually returning to the present day. Although he reclaimed the mantle of Batman, he also allowed Grayson to continue being Batman as well. Bruce decided to take his crime-fighting cause globally, which is the central focus of Batman Incorporated. DC Comics would later announce that Grayson would be the main character in Batman, Detective Comics, and Batman and Robin, while Wayne would be the main character in Batman Incorporated. Also, Bruce appeared in another ongoing series, Batman: The Dark Knight.
Oddly enough, Batman was out of touch for a few months when things got really bad (also on our list of the worst things he's ever done), but when he returned, he was now rocking a much more down-to-Earth costume that included giant pouches on his utility belt, as Batman had to take a much more low tech approach to crime-fighting during "No Man's Land," as he was cut off from much of his Bat-technology.
With the amount of costumes he has now worn, we are primed for a ranking of Batman's comic book costumes. As a note on structure, we're only talking costumes he's worn in the "main" continuity, so no alternate reality costumes or possible future costumes. Also, no temporary one-off costumes, but we will count costumes worn by other people who have filled in for Bruce Wayne as Batman.
Batman's primary vehicle is the Batmobile, which is usually depicted as an imposing black car, often with tailfins that suggest a bat's wings. Batman also has an aircraft called the Batplane (later called the "Batwing"), along with various other means of transportation. In proper practice, the "bat" prefix (as in Batmobile or batarang) is rarely used by Batman himself when referring to his equipment, particularly after some portrayals (primarily the 1960s Batman live-action television show and the Super Friends animated series) stretched the practice to campy proportions. For example, the 1960s television show depicted a Batboat, Bat-Sub, and Batcycle, among other bat-themed vehicles. The 1960s television series Batman has an arsenal that includes such "bat-" names as the bat-computer, bat-scanner, bat-radar, bat-cuffs, bat-pontoons, bat-drinking water dispenser, bat-camera with polarized bat-filter, bat-shark repellent bat-spray, and bat-rope. The storyline "A Death in the Family" suggests that given Batman's grim nature, he is unlikely to have adopted the "bat" prefix on his own. In The Dark Knight Returns, Batman tells Carrie Kelley that the original Robin came up with the name "Batmobile" when he was young, since that is what a kid would call Batman's vehicle. The Batmobile was redesigned in 2011 when DC Comics relaunched its entire line of comic books, with the batmobile being given heavier armor and new aesthetics.
In Batman and Psychology: A Dark and Stormy Knight, Travis Langley argues that the concept of archetypes as described by psychologists Carl Jung and Joseph Campbell is present in the Batman mythos, such that the character represents the "shadow archetype". This archetype, according to Langley, represents a person's own dark side; it is not necessarily an evil one, but rather one that is hidden from the outside and concealed from both the world and oneself. Langley argues that Bruce Wayne confronts his own darkness early in life; he chooses to use it to instill fear in wrongdoers, with his bright and dark sides working together to fight evil. Langley uses the Jungian perspective to assert that Batman appeals to our own need to face our "shadow selves".[207][208] Dr. Travis Langley also taught a class called Batman, a title he was adamant about. "I could have called it something like the Psychology of Nocturnal Vigilantism, but no. I called it Batman," Langley says.[209]
The "Batman: Hush" storyline introduced Tommy Elliot, a childhood friend of Bruce Wayne's. As Hush, the bandaged villain, Elliot secretly orchestrates constant attacks on the Batman by manipulates many of the Batman's Rogues Gallery's villains. As the manipulations and orchestrations grow so does the sexual tension between Batman and Catwoman, to the point where they actually become romantically involved? to a certain degree. Ultimately, Batman's distrust in Catwoman ends the doomed relationship. Hush tricks Batman into believing that Jason Todd, the second Robin who was killed by the Joker, is actually alive. An angry Jason fights Batman but he is later revealed to be none other than Clayface. In a bizarre twist of writing, the DC creators decided to go ahead and let Jason Todd actually become alive, imagine that, but he arrives in the guise of ? the Red Hood.
Just as the Black Pirate defeats Blackbeard, Hands puts up the shout - surrender or the boy dies. However, within seconds of the challenge, two of the pirates are dead by Miagani darts, leaving only Blackbeard and Hands. The Black Pirate demands that the two retreat. Then Jack Valor introduces the Black Pirate to the last of the Miagani Tribe. They recognize him, and let into the most sacred part of their cave, which is guarded by a statue of their patron spirit, "the Lord of Night and the Dark Sun", who is supposed to guard them against the day they call the "All-Over". At the back of the cave is the cape of the Lord of Night - the cape that Batman was wearing when he came back in time. The Black Pirate is struck by his memories.

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Batman and Luthor's group infiltrate the Justice League's destroyed Watchtower in order to confront the Crime Syndicate. There, they find Nightwing strapped to a Murder Machine, a containment device originally built to contain Doomsday. In that moment, the Crime Syndicate attacks them. Batman and Luthor attempt to free Nightwing from the machine as the others take on the Syndicate; however, they discover the machine is a detonator for a bomb, which can only be stopped if Nightwing's heart stops. Choosing to save the group's lives over Nightwing's, Luthor apparently kills him and the bomb is stopped. Angry, Batman attacks Luthor; however, the Syndicate's prisoner is revealed to be Alexander Luthor, who has the power of Mazahs.

Batman once again becomes a member of the Justice League during Grant Morrison's 1996 relaunch of the series, titled JLA. While Batman contributes greatly to many of the team's successes, the Justice League is largely uninvolved as Batman and Gotham City face catastrophe in the decade's closing crossover arc. In 1998's "Cataclysm" storyline, Gotham City is devastated by an earthquake. Deprived of many of his technological resources, Batman fights to reclaim the city from legions of gangs during 1999's "No Man's Land." While Lex Luthor rebuilds Gotham at the end of the "No Man's Land" storyline, he then frames Bruce Wayne for murder in the "Bruce Wayne: Murderer?" and "Bruce Wayne: Fugitive" story arcs; Wayne is eventually acquitted.


In 1989, Warner Bros. released the live-action feature film Batman; directed by Tim Burton and starring Michael Keaton as the title character. The film was a huge success; not only was it the top-grossing film of the year, but at the time was the fifth highest-grossing film in history.[174] The film also won the Academy Award for Best Art Direction.[175] The film's success spawned three sequels: Batman Returns (1992), Batman Forever (1995) and Batman & Robin (1997); the latter two of which were directed by Joel Schumacher instead of Burton, and replaced Keaton as Batman with Val Kilmer and George Clooney, respectively. The second Schumacher film failed to outgross any of its predecessors and was critically panned; causing Warner Bros. to cancel the planned fourth sequel, Batman Unchained,[176] and end the initial film series.
Robin, Batman's vigilante partner, has been a widely recognized supporting character for many years.[101] Bill Finger stated that he wanted to include Robin because "Batman didn't have anyone to talk to, and it got a little tiresome always having him thinking."[102] The first Robin, Dick Grayson, was introduced in 1940. In the 1970s he finally grew up, went off to college and became the hero Nightwing. A second Robin, Jason Todd, appeared in the 1980s. In the stories he was eventually badly beaten and then killed in an explosion set by the Joker, but was later revived. He used the Joker's old persona, the Red Hood, and became an antihero vigilante with no qualms about using firearms or deadly force. Carrie Kelley, the first female Robin to appear in Batman stories, was the final Robin in the continuity of Frank Miller's graphic novels The Dark Knight Returns and The Dark Knight Strikes Again, fighting alongside an aging Batman in stories set out of the mainstream continuity.
The cybernetic Batman is a hybrid of Bruce Wayne and the 'architects' infused with Omega Sanction radiation. As a result, the architect's AI allows Wayne to adapt his weapons and suit to each of the Justice League members that attack him- immobilizing everyone quickly. With most of the League incapacitated, Tim Drake locks himself in with Wayne and tries to reason with him. Wayne subconsciously begins remembering every aspect of his life, including Drake, acknowledging him as 'Robin'. When Drake informs him of events that have occurred in his absence (Grayson taking over as Batman, Damian Wayne becoming the new Robin), Wayne demands he stop trying to force him to remember as this is what Darkseid wants. Wonder Woman appears and uses her lasso to contain Bruce and force him into revealing everything that's going on- namely Darkseid's true plan. Bruce explains that he knew of Darkseid's plan to use the Omega Sanction to send him slowly forward through time, and that his solution was to simply forget his existence. Every clue left to maintain the Wayne legacy was his 'Plan B'. Once Wayne would return to present time and subdue the Sanction/Architects from trying to destroy the universe, he would use every foundation he laid through time to regain the memories he forced himself to forget.
Utility Belt: Batman keeps most of his personal field equipment in his iconic yellow utility belt. Over the years, it has produced plastic explosives, nerve toxins, batarangs, smoke bombs, a fingerprint kit, a cutting tool, a grappling line-launcher, and a re-breather. Superman also entrusted Batman with a ring made of Kryptonite, should the Man of Steel ever need to be reined in (because of mind-control by a super-villain, etc.).
The Burton suit was almost completely black. This made a lot more sense for a character that's using darkness to his advantage. The Bat logo encircled in yellow hearkened back to classic costumes of the past. This suit also set a trend in films by making costumes out of more armor-like materials rather than spandex. Let's be real; spandex looks a little silly on screen.
Starting in 1969, writer Dennis O'Neil and artist Neal Adams made a deliberate effort to distance Batman from the campy portrayal of the 1960s TV series and to return the character to his roots as a "grim avenger of the night".[49] O'Neil said his idea was "simply to take it back to where it started. I went to the DC library and read some of the early stories. I tried to get a sense of what Kane and Finger were after."[50]

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Seeking retaliation for Ivy's manipulation, Catwoman offers information on her whereabouts to Batman in exchange for a kiss and a tenuous romance blooms between them. Batman and Catwoman follow Poison Ivy to Metropolis. Batman finds Lex Luthor, now a probationary member of the Justice League, and asks for information on a delivery list of an ethylene compound to track down Ivy's location. There they find Ivy has taken control of Superman and she commands the Man of Steel to kill Batman and Catwoman. Batman observes that Superman is subconsciously resisting Ivy's influence, holding back on his attempts to kill both of them. Using knuckledusters made from Kryptonite, Batman stalls Superman while Catwoman lets Lois Lane fall from the Daily Planet building. Superman breaks free of Ivy's control to save Lois. Batman, Superman, and Catwoman work together to capture Ivy, who reveals that she was being manipulated by a mysterious foe called Hush.

Attaching a protective mask, Batman creates a propulsion tunnel to blast through the vat. The propulsion blast allows Batman to escape, but the corrosion heavily damages his suit. Returning home, Batman sends a message to his allies to warn them that the Joker might be targeting them individually. At the manor, Bruce finds a cassette tape, in which the Joker reveals he has kidnapped Alfred. Batman later visits Gordon, who was designated as Joker's next victim. Gordon begins to bleed uncontrollably, so Batman sends him to the hospital. Knowing that the Joker is re-enacting his previous crimes, Batman goes to the Gotham Reservoir, the first place he faced the Joker in his current identity. There, the Joker traps Batman with cables, immobilizing. The Joker says that Batman's care for his allies has made him weak, so he plans to kill them all in the next 72 hours.
The boy suddenly re-appears wearing a domino mask of ash and a shield with a bat on it. He frees Bruce and gives him back his belt. From his utility belt, Bruce takes a medicine capsule and dons the pelt of a giant bat to wear on his body. Using the contents of his utility belt to stave off an attack by Savage and his mob, operating on instinct more than actual knowledge of various fighting techniques, Bruce defeats Vandal Savage returning the necklace to the boy just as an unexpected solar eclipse appears in the sky which Bruce reacts to and flees with the boy. Bruce jumps over a waterfall with his young partner, only to vanish at the bottom, somehow turning up in Puritan Era Gotham City. After he has vanished, Superman, Green Lantern, and Booster Gold appear in the past via Rip Hunter's time sphere, having tracked Bruce to the past. Superman confirms with his super-hearing that Batman isn't in this time. As they depart, Superman states that they have to catch up with Batman before he can return to the present on his own or the world will be in great danger. In the new era he arrives in, Bruce surfaces from the water and finds a woman, when they are suddenly attacked by a large, tentacled creature. Bruce raises his sword to defend himself and the woman.

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