A young Bruce Wayne can also be seen in his bedroom praying, strongly hinting him to be a Christian just like his Mother. Pearson and Uricchio also noted beyond the origin story and such events as the introduction of Robin, "Until recently, the fixed and occurring and hence, canonized, events have been few in number," a situation altered by an increased effort by later Batman editors such as Dennis O'Neil to ensure consistency and continuity between stories.
Finger did not receive the same recognition. While he had received credit for other DC work since the 1940s, he began, in the 1960s, to receive limited acknowledgment for his Batman writing; in the letters page of Batman #169 (February 1965) for example, editor Julius Schwartz names him as the creator of the Riddler, one of Batman's recurring villains. However, Finger's contract left him only with his writing page rate and no byline. Kane wrote, "Bill was disheartened by the lack of major accomplishments in his career. He felt that he had not used his creative potential to its fullest and that success had passed him by." At the time of Finger's death in 1974, DC had not officially credited Finger as Batman co-creator.
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In the current Prime Earth continuity, Julie is an artist and her father is Mallory Madison, an arms dealer who sold the gun that was used to kill Bruce's parents. Julie first dated Bruce Wayne during their teenage years, but met him again after his mind had been erased and he had forgotten ever being Batman. The two fell passionately in love, with Bruce being prepared to settle down and marry Julie. However, things got so bad in Gotham that Alfred realized Batman was needed and he and Julie were forced to give Bruce his old memories back, erasing his mind of the relationship.
In an interview with IGN, Morrison detailed that having Dick Grayson as Batman and Damian Wayne as Robin represented a "reverse" of the normal dynamic between Batman and Robin, with, "a more light-hearted and spontaneous Batman and a scowling, badass Robin". Morrison explained his intentions for the new characterization of Batman: "Dick Grayson is kind of this consummate superhero. The guy has been Batman's partner since he was a kid, he's led the Teen Titans, and he's trained with everybody in the DC Universe. So he's a very different kind of Batman. He's a lot easier; He's a lot looser and more relaxed."
Peak Human Strength: In terms of brute strength, Batman is one of the strongest non-metahumans alive. He can break steel chains and cuffs with ease, support a ceiling that weighed 1000 lbs over his head, and rip metal prison bars with his bare hands. Batman has demonstrated enough strength to easily overpower dozens of men at once, effortlessly lifting a full grown man in the air with one arm and throwing him several meters, tear off an airplane door in mid-flight with one arm, and even punch a SWAT officer through a brick wall with no strain, giving the officer internal injuries. Deathstroke a near-metahuman once stated that Batman "hits harder than most beings with superhuman strength." Batman also has more than strong enough to kick a concrete pillar in half while his legs were damaged, kick a thick tree in half during his early days, and break or bend guns with his mere grip on many occasions. During his exercise regimes, Batman could bench-press at least 1 ton (more or less) and do over 300 lbs of tricep extensions while injured. Using highly effective muscle control, Batman can apply practically superhuman force in his physical attacks, able to overpower Killer Croc and the Venom enhanced Bane (despite their superior strength).
So Jean-Paul came up with the armored look, which, to be frank, is not all that bad of a costume in general. It's just not a good costume for Batman. That said, it also served as a strong excuse for what happened to Batman so that people would not guess that there was a new Batman patrolling Gotham. In other words, everyone saw Bane throw Batman to the ground after breaking his back, so it made some sense for him to return wearing a suit of armor and beating up Bane.
Starting in 1969, writer Dennis O'Neil and artist Neal Adams made a deliberate effort to distance Batman from the campy portrayal of the 1960s TV series and to return the character to his roots as a "grim avenger of the night". O'Neil said his idea was "simply to take it back to where it started. I went to the DC library and read some of the early stories. I tried to get a sense of what Kane and Finger were after."
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At the end of the issue, the archivist is revealed to be an older version of Batman himself, who steals Rip Hunter's time bubble and leaves the heroes to experience the death of the universe, Superman pleading with him to stop. Superman reveals that, when Darkseid sent Batman back in time, he erased Bruce's memories but turned him into an unspecified 'doomsday weapon', knowing that Batman's powerful survival instincts would lead him back to the twenty-first century, at which point Darkseid's 'trap' will be triggered.
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Weapon Master: Through his martial arts training, he has become an expert on virtually all types of weaponry. He is an exceptional swordsman as evident in his fight with Ra's al Ghul, his proficiency in Jui Jitsu can proclaim his swordsmanship skill. Proficient with most melee weapons because of his mastery of Okinawan Kobudo. He was trained and became extremely proficient in all arms. He soon learned expanded melee weapon techniques and he has learned expanded weapon/device sciences. He still practices during his combat sessions to keep his skills intact, though he prefers unarmed combat.
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