Batman's history has undergone many retroactive continuity revisions, both minor and major. Elements of the character's history have varied greatly. Scholars William Uricchio and Roberta E. Pearson noted in the early 1990s, "Unlike some fictional characters, the Batman has no primary urtext set in a specific period, but has rather existed in a plethora of equally valid texts constantly appearing over more than five decades."[123]
Batman has been licensed and featured in various adaptations, from radio to television and film, and appears in merchandise sold around the world, such as apparel, toys, and video games. Kevin Conroy, Rino Romano, Anthony Ruivivar, Peter Weller, Bruce Greenwood, Jason O'Mara, and Will Arnett, among others, have provided the character's voice for animated adaptations. Batman has been depicted in both film and television by Lewis Wilson, Robert Lowery, Adam West, Michael Keaton, Val Kilmer, George Clooney, Bruce Thomas, Christian Bale, Ben Affleck, David Mazouz, Iain Glen, and Robert Pattinson.
The most remarkable of Batman's love interests in the early 1980s was Nocturna, aka Natalia Knight, created by Doug Moench. She was a jewel thief who briefly adopted Jason Todd and knew that Bruce Wayne was Batman. Natalia suffered from a rare "light sensitivity" disease and her skin was bleached white. Nocturna was said to use a special narcotic as a perfume, which caused every male to fall deeply for her. Batman was no exception, and the two of them started a relationship as they were both equally fascinated by the other. Eventually, Batman realized his love for Nocturna was an obsession caused by the drug and he struggled to stop thinking about her. Nocturna disappeared during the Crisis on Infinite Earths, after being stabbed by her brother, floating into the crimson sky of the Crisis in her balloon. She was presumed dead, although other versions of the character have appeared since, however they are different from the Pre-Crisis Nocturna.
Just as the Black Pirate defeats Blackbeard, Hands puts up the shout - surrender or the boy dies. However, within seconds of the challenge, two of the pirates are dead by Miagani darts, leaving only Blackbeard and Hands. The Black Pirate demands that the two retreat. Then Jack Valor introduces the Black Pirate to the last of the Miagani Tribe. They recognize him, and let into the most sacred part of their cave, which is guarded by a statue of their patron spirit, "the Lord of Night and the Dark Sun", who is supposed to guard them against the day they call the "All-Over". At the back of the cave is the cape of the Lord of Night - the cape that Batman was wearing when he came back in time. The Black Pirate is struck by his memories.

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Batman is at times a member of superhero teams such as the Justice League of America and the Outsiders. Batman has often been paired in adventures with his Justice League teammate Superman, notably as the co-stars of World's Finest and Superman/Batman series. In pre-Crisis continuity, the two are depicted as close friends; however, in current continuity, they are still close friends but an uneasy relationship, with an emphasis on their differing views on crime-fighting and justice. In Superman/Batman #3 (Dec. 2003), Superman observes, "Sometimes, I admit, I think of Bruce as a man in a costume. Then, with some gadget from his utility belt, he reminds me that he has an extraordinarily inventive mind. And how lucky I am to be able to call on him."[100]
Batman is often treated as a vigilante by other characters in his stories. Frank Miller views the character as "a dionysian figure, a force for anarchy that imposes an individual order".[92] Dressed as a bat, Batman deliberately cultivates a frightening persona in order to aid him in crime-fighting,[93] a fear that originates from the criminals' own guilty conscience.[94] Miller is often credited with reintroducing anti-heroic traits into Batman's characterization,[95] such as his brooding personality, willingness to use violence and torture, and increasingly alienated behavior. Batman, shortly a year after his debut and the introduction of Robin, was changed in 1940 after DC editor Whitney Ellsworth felt the character would be tainted by his lethal methods and DC established their own ethical code, subsequently he was retconned as having a stringent moral code.[35][96] Miller's Batman was closer to the original pre-Robin version, who was willing to kill criminals if necessary.[97]

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