Infiltrating the Powers Hotel, Batman interrogates Maria Powers, knowing she and her husband are members of the Court. Alfred traces Maria's phone call and Batman deduces the Court is at Harbor House, the old house he tried to investigate when he was a boy. When he enters the house, however, Batman finds that every member of the Court is dead. By the next day, Batman believes that the Court's death is some kind of setup, as all the Court's money was transferred to another account. Believing that the Court suffered a betrayal from the inside, Batman goes to the morgue, where he finds a note reading "Follow me to the Rabbit Hole?"
Kane and Finger drew upon contemporary 1930s popular culture for inspiration regarding much of the Bat-Man's look, personality, methods, and weaponry. Details find predecessors in pulp fiction, comic strips, newspaper headlines, and autobiographical details referring to Kane himself.[18] As an aristocratic hero with a double identity, Batman had predecessors in the Scarlet Pimpernel (created by Baroness Emmuska Orczy, 1903) and Zorro (created by Johnston McCulley, 1919). Like them, Batman performed his heroic deeds in secret, averted suspicion by playing aloof in public, and marked his work with a signature symbol. Kane noted the influence of the films The Mark of Zorro (1920) and The Bat Whispers (1930) in the creation of the character's iconography. Finger, drawing inspiration from pulp heroes like Doc Savage, The Shadow, Dick Tracy, and Sherlock Holmes, made the character a master sleuth.[19][20]
Bruce subsequently returned in Morrison's miniseries Batman: The Return of Bruce Wayne, which depicted his travels through time from prehistory to present-day Gotham.[156][157][158] Bruce's return set up Batman Incorporated, an ongoing series which focused on Wayne franchising the Batman identity across the globe, allowing Dick and Damian to continue as Gotham's Dynamic Duo. Bruce publicly announced that Wayne Enterprises will aid Batman on his mission, known as "Batman, Incorporated". However, due to rebooted continuity that occurred as part of DC Comics' 2011 relaunch of all of its comic books, the New 52, Dick Grayson was restored as Nightwing with Wayne serving as the sole Batman once again. The relaunch also interrupted the publication of Batman, Incorporated, which resumed its story in 2012–2013 with changes to suit the new status quo.

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Batman's butler, Alfred Pennyworth, first appeared in Batman #16 (1943). He serves as Bruce Wayne's loyal father figure and is one of the few persons to know his secret identity. Alfred raised Bruce after his parents' death and knows him on a very personal level. He is sometimes portrayed as a sidekick to Batman and the only other resident of Wayne Manor aside from Bruce. The character "[lends] a homely touch to Batman's environs and [is] ever ready to provide a steadying and reassuring hand" to the hero and his sidekick.[98]

When Greg Capullo drew the armor in "Batman," however, he made it look a lot more relaxed and natural-seeming. It worked a lot better in that context, especially as Capullo's "Batman" was constantly in motion, which didn't really fit with the stiff design of the armor. Capullo kept that in mind when he got the chance to re-design the costume at the end of his run on the book.
Kathy Kane (Batwoman): First introduced as a female counterpart for Batman, Batwoman developed into a romantic partner in the Silver Age, where many Imaginary Stories featuring Kathy and Bruce getting married were published. Batwoman's love for Batman was never reciprocated and he only saw her as a good friend. On Earth-Two, Batwoman resigned to live without Batman's love, and in the Earth-One continuity, Kathy Kane was murdered by the League of Assassins. In the New Earth continuity, Kathy Kane was romantically interested in Batman in a couple of stories by Grant Morrison, who liked to use Silver Age content as reference in his works.
Batman's secret identity is Bruce Wayne, a wealthy American industrialist. As a child, Bruce witnessed the murder of his parents, Dr. Thomas Wayne and Martha Wayne, which ultimately led him to craft the Batman persona and seek justice against criminals. He resides on the outskirts of Gotham City in his personal residence, Wayne Manor. Wayne averts suspicion by acting the part of a superficial playboy idly living off his family's fortune and the profits of Wayne Enterprises, his inherited conglomerate.[73][74] He supports philanthropic causes through his nonprofit Wayne Foundation, but is more widely known as a celebrity socialite.[75] In public, he frequently appears in the company of high-status women, which encourages tabloid gossip. Although Bruce Wayne leads an active romantic life, his vigilante activities as Batman account for most of his time.[76]

In early 1939, the success of Superman in Action Comics prompted editors at National Comics Publications (the future DC Comics) to request more superheroes for its titles. In response, Bob Kane created "the Bat-Man".[9] Collaborator Bill Finger recalled that "Kane had an idea for a character called 'Batman,' and he'd like me to see the drawings. I went over to Kane's, and he had drawn a character who looked very much like Superman with kind of ... reddish tights, I believe, with boots ... no gloves, no gauntlets ... with a small domino mask, swinging on a rope. He had two stiff wings that were sticking out, looking like bat wings. And under it was a big sign ... BATMAN".[10] The bat-wing-like cape was suggested by Bob Kane, inspired as a child by Leonardo Da Vinci's sketch of an ornithopter flying device.[11]
While Kevin Conroy is the voice of a newer generation of Bat-fans, Adam West is the quintessential Batman of the generation a time slot or two beforehand. The originator of the classic blue and gray fabric costume with a hard face mask, this suit didn’t use any rubber padding, foam armor or tricks of the camera to make people think Batman was a built guy. On the contrary, underneath that suit was one hundred percent grade-A West. Now, Adam West wasn’t a very large man, but he didn’t have to be as he carried the gravity of Batman with suitably campy aplomb.
While most of Batman's romantic relationships tend to be short in duration, Catwoman has been his most enduring romance throughout the years.[110] The attraction between Batman and Catwoman, whose real name is Selina Kyle, is present in nearly every version and medium in which the characters appear. Although Catwoman is typically portrayed as a villain, Batman and Catwoman have worked together in achieving common goals and are usually depicted as having a romantic connection.

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