Creators associated with the character have expressed their own opinions. Writer Alan Grant has stated, "The Batman I wrote for 13 years isn't gay ... everybody's Batman all the way back to Bob Kane ... none of them wrote him as a gay character. Only Joel Schumacher might have had an opposing view."[204] Frank Miller views the character as sublimating his sexual urges into crimefighting so much so that he's "borderline pathological", concluding "He'd be much healthier if he were gay."[205] Grant Morrison said that "Gayness is built into Batman ... Obviously as a fictional character he's intended to be heterosexual, but the basis of the whole concept is utterly gay."[206]
The Silver Age of Comic Books in DC Comics is sometimes held to have begun in 1956 when the publisher introduced Barry Allen as a new, updated version of The Flash. Batman is not significantly changed by the late 1950s for the continuity which would be later referred to as Earth-One. The lighter tone Batman had taken in the period between the golden and silver ages led to the stories of the late 1950s and early 1960s that often feature many science-fiction elements, and Batman is not significantly updated in the manner of other characters until Detective Comics #327 (May 1964), in which Batman reverts to his detective roots, with most science-fiction elements jettisoned from the series.

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In 1988's "Batman: A Death in the Family" storyline from Batman #426-429 Jason Todd, the second Robin, is killed by the Joker. Subsequently, Batman takes an even darker, often excessive approach to his crime-fighting. Batman works solo until the decade's close, when Tim Drake becomes the new Robin. In 2005 writers resurrected the Jason Todd character and have pitted him against his former mentor.
Few things in this world are more popular than Batman, and few things are more synonymous with Batman than his iconic costume. They say that the clothes make the man, and in Bruce Wayne’s case, that is definitely the case. Being a superhero who has no powers comes with its own set of challenges such as protecting his back from being broken in half or having something that’s able to come up with as many different tricks as the man himself. Grappling hooks, batarangs and sonar are all parts of the arsenal included in a multi-million dollar bat suit.
In Final Crisis #6, Batman confronts Darkseid in the villain's bunker. He states that he will make an exception to his "no firearms" rule and shoots Darkseid using the bullet that killed Orion and hits Darkseid. As Darkseid dies he fires the Omega Sanction (which traps its victim's soul in a series of alternate lives, each worse than the one before it), from his eyes, and hits Batman. Before the Omega Sanction hits Batman he silently says, "Gotcha". It is unknown if ' Batman knew Darkseid shot the Omega sanction or he knew it was coming and accepted his fate. (Morrison notes that Batman's use of the gun is symbolic as “the root of the Batman mythos is the gun and the bullet that created Batman. So, Batman himself is finally standing there to complete that big mythical circle and to have the image of Batman up against the actual personification of evil and now he's got the gun and he's got the bullet. It seemed to me to work.") At the close of the penultimate issue in the series, Superman returns to Earth from the 31st century, where he was given access to the reality-altering Miracle Machine by Brainiac 5 of the Legion of Super-Heroes. In a fit of desperate rage, Superman attacks Darkseid's bunker, finding Batman's charred corpse within. The Dark Knight is seemingly dead. However, the Omega Sanction does not kill its victims: instead, it sends their consciousness traveling through parallel worlds, and at the conclusion of Final Crisis, it is made clear that this is the fate that has befallen the still-living Batman, as he watches the passing of Anthro in the distant past.
When Jonah enters the city, he is met by the man who has hired him; Vandal Savage, currently weak from a cancer in his intestines, who wants Hex to eliminate the man who has been attacking his men, while Savage attempts to torture a woman whose family have been entrusted with a box, marked with the symbol of the bat, that they are to keep sealed until its owner comes to claim it. During the subsequent fight, the masked man unintentionally leads the woman to Alan Wayne as he is about to commit suicide because of his current dejection about life, the two quickly form an attraction for each other. As the woman returns the box to the masked man -recognizing his identity from a necklace that he took from her great-grandmother-, he opens the box, only to be subsequently shot by Hex and fall into the ocean, Hex concluding that he will finish his contract regardless. Over the next century, Wayne Manor is built after Wayne's wife dies in childbirth, Wayne developing it according to his wife's desires to honor the bat-man who saved them, culminating in the dark man stumbling out of a Gotham alley in the city in the 1930s, still bleeding from Hex's shot.
The movie which a young Bruce and his parents were seeing on the night of their murder is generally stated to be "Mark of Zorro" (the exact version varies). This is important because Bob Kane stated that he drew inspiration for Batman from seeing a screening of that very movie. He also drew inspiration from images of Leonardo da Vinci's flying machine.
While most of Batman's romantic relationships tend to be short in duration, Catwoman has been his most enduring romance throughout the years.[110] The attraction between Batman and Catwoman, whose real name is Selina Kyle, is present in nearly every version and medium in which the characters appear. Although Catwoman is typically portrayed as a villain, Batman and Catwoman have worked together in achieving common goals and are usually depicted as having a romantic connection.

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