Weapon Master: Through his martial arts training, he has become an expert on virtually all types of weaponry. He is an exceptional swordsman as evident in his fight with Ra's al Ghul, his proficiency in Jui Jitsu can proclaim his swordsmanship skill. Proficient with most melee weapons because of his mastery of Okinawan Kobudo. He was trained and became extremely proficient in all arms. He soon learned expanded melee weapon techniques and he has learned expanded weapon/device sciences. He still practices during his combat sessions to keep his skills intact, though he prefers unarmed combat.
Peak Human Agility: His agility is greater than that of a Chinese acrobat and superior to an Olympic-gold athlete gymnast. He can flawlessly coordinate his body with perfect balance, flexibility, and dexterity. His main phase of movement is Parkour which he learned in France and uses it to scale the cities rooftops in an acrobatic manner. He is capable of completing a triple somersault, running across thin wire cable which showcased his balance. Bruce regularly practices his agility by practicing gymnastics blindfolded.
The 1993 "Knightfall" story arc introduced a new villain, Bane, who critically injures Batman after pushing him to the limits of his endurance. Jean-Paul Valley, known as Azrael, is called upon to wear the Batsuit during Bruce Wayne's convalescence. Writers Doug Moench, Chuck Dixon, and Alan Grant worked on the Batman titles during "Knightfall", and would also contribute to other Batman crossovers throughout the 1990s. 1998's "Cataclysm" storyline served as the precursor to 1999's "No Man's Land", a year-long storyline that ran through all the Batman-related titles dealing with the effects of an earthquake-ravaged Gotham City. At the conclusion of "No Man's Land", O'Neil stepped down as editor and was replaced by Bob Schreck.
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Following Infinite Crisis, Bruce Wayne, Dick Grayson (having recovered from his wounds), and Tim Drake retrace the steps Bruce had taken when he originally left Gotham City, to "rebuild Batman". In the Face the Face storyline, Batman and Robin return to Gotham City after their year-long absence. Part of this absence is captured during Week 30 of the 52 series, which shows Batman fighting his inner demons. Later on in 52, Batman is shown undergoing an intense meditation ritual in Nanda Parbat. This becomes an important part of the regular Batman title, which reveals that Batman is reborn as a more effective crime fighter while undergoing this ritual, having "hunted down and ate" the last traces of fear in his mind. At the end of the "Face the Face" story arc, Bruce officially adopts Tim (who had lost both of his parents at various points in the character's history) as his son. The follow-up story arc in Batman, Batman and Son, introduces Damian Wayne, who is Batman's son with Talia al Ghul. Although originally in Son of the Demon, Bruce's coupling with Talia was implied to be consensual, this arc ret-conned it into Talia forcing herself on Bruce.
While very similar to the original version shown in Batman, the Batman Returns bat suit shows us an updated version which shows obvious armor on the chest and full torso area. This suit was used against characters like Danny DeVito’s Penguin and Michelle Pfeiffer’s Catwoman during a storyline where Penguin was running to become the mayor of Gotham City and Selena Kyle was a lowly secretary who was just trying to do right by her boss… up until he murders her and she gets cat powers.
That year Dennis O'Neil took over as editor of the Batman titles and set the template for the portrayal of Batman following DC's status quo-altering miniseries Crisis on Infinite Earths. O'Neil operated under the assumption that he was hired to revamp the character and as a result tried to instill a different tone in the books than had gone before. One outcome of this new approach was the "Year One" storyline in Batman #404–407 (Feb.–May 1987), in which Frank Miller and artist David Mazzucchelli redefined the character's origins. Writer Alan Moore and artist Brian Bolland continued this dark trend with 1988's 48-page one-shot Batman: The Killing Joke, in which the Joker, attempting to drive Commissioner Gordon insane, cripples Gordon's daughter Barbara, and then kidnaps and tortures the commissioner, physically and psychologically.
Seeking retaliation for Ivy's manipulation, Catwoman offers information on her whereabouts to Batman in exchange for a kiss and a tenuous romance blooms between them. Batman and Catwoman follow Poison Ivy to Metropolis. Batman finds Lex Luthor, now a probationary member of the Justice League, and asks for information on a delivery list of an ethylene compound to track down Ivy's location. There they find Ivy has taken control of Superman and she commands the Man of Steel to kill Batman and Catwoman. Batman observes that Superman is subconsciously resisting Ivy's influence, holding back on his attempts to kill both of them. Using knuckledusters made from Kryptonite, Batman stalls Superman while Catwoman lets Lois Lane fall from the Daily Planet building. Superman breaks free of Ivy's control to save Lois. Batman, Superman, and Catwoman work together to capture Ivy, who reveals that she was being manipulated by a mysterious foe called Hush.
Batman met juvenile delinquent and presumed orphan, Jason Todd, when the boy literally tried to steal the tires right off the Batmobile. With original partner Dick Grayson having given up the role of Robin, Batman decided to take Jason in and offer him both a home and a purpose. Jason began the same training regimen Grayson once undertook to become the Dark Knight's partner. However, Jason was a troubled soul who lacked maturity and was quick to anger.
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After a lengthy brawl through the skies of Gotham, March is trapped in an explosion intended to kill Bruce; no body is located. Bruce admits to Dick that although he is skeptical of March's claims and believes his parents would have told him had he had a brother, without March's body and a DNA test he is unable to conclusively prove or disprove March's claims. Still, Bruce says that even though the Court tried to destroy everything he believed in, there was one thing the Court could never break: his belief in his parents. Bruce knows that although the Court has been stoppe,d for now, it will return; and he will be ready.
The character became popular soon after his introduction in 1939 and gained his own comic book title, Batman, the following year. As the decades went on, different interpretations of the character emerged. The late 1960s Batman television series used a camp aesthetic, which continued to be associated with the character for years after the show ended. Various creators worked to return the character to his dark roots, culminating in 1986 with The Dark Knight Returns by Frank Miller. The success of Warner Bros. Pictures' live-action Batman feature films have helped maintain the character's prominence in mainstream culture.
Batman comics were among those criticized when the comic book industry came under scrutiny with the publication of psychologist Fredric Wertham's book Seduction of the Innocent in 1954. Wertham's thesis was that children imitated crimes committed in comic books, and that these works corrupted the morals of the youth. Wertham criticized Batman comics for their supposed homosexual overtones and argued that Batman and Robin were portrayed as lovers. Wertham's criticisms raised a public outcry during the 1950s, eventually leading to the establishment of the Comics Code Authority, a code that is no longer in use by the comic book industry. The tendency towards a "sunnier Batman" in the postwar years intensified after the introduction of the Comics Code. Scholars have suggested that the characters of Batwoman (in 1956) and the pre-Barbara Gordon Bat-Girl (in 1961) were introduced in part to refute the allegation that Batman and Robin were gay, and the stories took on a campier, lighter feel.
Batman was one of the few superhero characters to be continuously published as interest in the genre waned during the 1950s. In the story "The Mightiest Team in the World" in Superman #76 (June 1952), Batman teams up with Superman for the first time and the pair discover each other's secret identity. Following the success of this story, World's Finest Comics was revamped so it featured stories starring both heroes together, instead of the separate Batman and Superman features that had been running before. The team-up of the characters was "a financial success in an era when those were few and far between"; this series of stories ran until the book's cancellation in 1986.
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The perfect combination of the various Batman costume eras came at the turn of the 21st Century. With "No Man's Land" now over, Batman could get back to being a normal superhero again and he began to fight crime in a costume influenced by Alex Ross's Batman designs. It had a lot of the same feel of the Bronze Age Neal Adams' costume; however, it was much darker than that and did not have the yellow oval on it.
Few things in this world are more popular than Batman, and few things are more synonymous with Batman than his iconic costume. They say that the clothes make the man, and in Bruce Wayne’s case, that is definitely the case. Being a superhero who has no powers comes with its own set of challenges such as protecting his back from being broken in half or having something that’s able to come up with as many different tricks as the man himself. Grappling hooks, batarangs and sonar are all parts of the arsenal included in a multi-million dollar bat suit.
In the current Prime Earth continuity, Julie is an artist and her father is Mallory Madison, an arms dealer who sold the gun that was used to kill Bruce's parents. Julie first dated Bruce Wayne during their teenage years, but met him again after his mind had been erased and he had forgotten ever being Batman. The two fell passionately in love, with Bruce being prepared to settle down and marry Julie. However, things got so bad in Gotham that Alfred realized Batman was needed and he and Julie were forced to give Bruce his old memories back, erasing his mind of the relationship.
Batman is an expert in interrogation techniques and his intimidating and frightening appearance alone is often all that is needed in getting information from suspects. Despite having the potential to harm his enemies, Batman's most defining characteristic is his strong commitment to justice and his reluctance to take a life. This unyielding moral rectitude has earned him the respect of several heroes in the DC Universe, most notably that of Superman and Wonder Woman.
Batman's history has undergone many retroactive continuity revisions, both minor and major. Elements of the character's history have varied greatly. Scholars William Uricchio and Roberta E. Pearson noted in the early 1990s, "Unlike some fictional characters, the Batman has no primary urtext set in a specific period, but has rather existed in a plethora of equally valid texts constantly appearing over more than five decades."
After the Commissioner Gordon Batman armor experiment ended (with Gordon doing quite well, really, just not quite the same levels as the main man), Bruce Wayne returned as Batman, wearing a brand-new costume designed by Capullo. The best thing about the costume is that it really looks like the type of outfit that a superhero can move in, which was a marked improvement over the last two outfits. It looks like something an actual person could wear.
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Another of Batman's characterizations is that of a vigilante; in order to stop evil that started with the death of his parents, he must sometimes break the law himself. Although manifested differently by being re-told by different artists, it is nevertheless that the details and the prime components of Batman's origin have never varied at all in the comic books, the "reiteration of the basic origin events holds together otherwise divergent expressions". The origin is the source of the character's traits and attributes, which play out in many of the character's adventures. He also speaks over 40 different languages.
The most remarkable of Batman's love interests in the early 1980s was Nocturna, aka Natalia Knight, created by Doug Moench. She was a jewel thief who briefly adopted Jason Todd and knew that Bruce Wayne was Batman. Natalia suffered from a rare "light sensitivity" disease and her skin was bleached white. Nocturna was said to use a special narcotic as a perfume, which caused every male to fall deeply for her. Batman was no exception, and the two of them started a relationship as they were both equally fascinated by the other. Eventually, Batman realized his love for Nocturna was an obsession caused by the drug and he struggled to stop thinking about her. Nocturna disappeared during the Crisis on Infinite Earths, after being stabbed by her brother, floating into the crimson sky of the Crisis in her balloon. She was presumed dead, although other versions of the character have appeared since, however they are different from the Pre-Crisis Nocturna.
In various incarnations, most notably the 1960s Batman TV series, Commissioner Gordon also has a dedicated phone line, dubbed the Bat-Phone, connected to a bright red telephone (in the TV series) which sits on a wooden base and has a transparent top. The line connects directly to Batman's residence, Wayne Manor, specifically both to a similar phone sitting on the desk in Bruce Wayne's study and the extension phone in the Batcave.
However, when Batman then left Jean-Paul alone in charge of the Batman name, the programming kicked in and Jean-Paul soon turned Batman's costume into a grotesque collection of weapons, as Jean-Paul became deadlier and deadlier as Batman (until he finally snapped and killed a bad guy). Dude had mini wrist-rockets and a flamethrower! It was like the kind of thing that would give the worst excesses of the 1990s nightmares!
Batman's butler, Alfred Pennyworth, first appeared in Batman #16 (1943). He serves as Bruce Wayne's loyal father figure and is one of the few persons to know his secret identity. Alfred raised Bruce after his parents' death and knows him on a very personal level. He is sometimes portrayed as a sidekick to Batman and the only other resident of Wayne Manor aside from Bruce. The character "[lends] a homely touch to Batman's environs and [is] ever ready to provide a steadying and reassuring hand" to the hero and his sidekick.