In 1988's "Batman: A Death in the Family" storyline from Batman #426-429 Jason Todd, the second Robin, is killed by the Joker. Subsequently, Batman takes an even darker, often excessive approach to his crime-fighting. Batman works solo until the decade's close, when Tim Drake becomes the new Robin. In 2005 writers resurrected the Jason Todd character and have pitted him against his former mentor.
Creators associated with the character have expressed their own opinions. Writer Alan Grant has stated, "The Batman I wrote for 13 years isn't gay ... everybody's Batman all the way back to Bob Kane ... none of them wrote him as a gay character. Only Joel Schumacher might have had an opposing view."[204] Frank Miller views the character as sublimating his sexual urges into crimefighting so much so that he's "borderline pathological", concluding "He'd be much healthier if he were gay."[205] Grant Morrison said that "Gayness is built into Batman ... Obviously as a fictional character he's intended to be heterosexual, but the basis of the whole concept is utterly gay."[206]
Frank Miller's limited series The Dark Knight Returns (February–June 1986) returned the character to his darker roots, both in atmosphere and tone. The comic book, which tells the story of a 55-year-old Batman coming out of retirement in a possible future, reinvigorated interest in the character. The Dark Knight Returns was a financial success and has since become one of the medium's most noted touchstones.[55] The series also sparked a major resurgence in the character's popularity.[56]
Batman once again becomes a member of the Justice League during Grant Morrison's 1996 relaunch of the series, titled JLA. During this time, Gotham City faces catastrophe in the decade's closing crossover arc. In 1998's "Cataclysm" storyline, Gotham City is devastated by an earthquake and ultimately cut off from the United States. Deprived of many of his technological resources, Batman fights to reclaim the city from legions of gangs during 1999's "No Man's Land".

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Polymath: He has studied Biology, Technology, Mathematics, Physics, Mythology, Geography, & History. Gained degrees in Criminal Science, Forensics, Computer Science, Chemistry, and Engineering by the time he was 21. He has mastered Diverse Environmental Training, Security Systems, and illusion/sleight of hand by the time he was 23. He gained even more degrees in Biology, Physics, Advanced Chemistry, and Technology by the time he was 25. He has learned Forensic, Medical Sciences, Expanded Computer and Engineering Sciences, and Expanded Device Pool use of personal powered armor and system, database creation on underworld crime bosses, rogue's gallery foes and other supers; improved material sciences for body armor and micro-machinery by the time he was 26. Has also learned Advanced New Development in Forensic and Medical Sciences.
A much better-looking suit than the normal BVS version, this suit also draws heavily, if not completely, from The Dark Knight Returns. This is a suit that, in context, was created for Batman to use against Superman. After the destruction of Metropolis in Man of Steel, Bruce held Superman personally responsible for everything. He figured that with all of his power, Superman should have been able to stop everything and had nowhere near as much collateral damage as there was.
With a menacing glare built into the mask, and a complete full body sculpt to show the bad guys how ripped Batman is supposed to be, the costumes were not the worst thing about this movie in any way shape or form. To go along with the normal bat suit in Batman and Robin, there was also sets later on with an almost chrome finish, as well as the fact that we had matching suits for Robin and Batgirl.
After his apparent death, James Gordon would leave the role of Commissioner and become a new Batman, albeit one officially supported by the GCPD. Bruce Wayne was eventually discovered, having survived when exposed to Dionesium during his time burried, he suffered from amnesia, causing him to forget his entire life. Though he found Alfred and discovered his life after his parents' deaths, Bruce was not told of his life of vigilantism and seemed to remain ignorant of it, instead deciding to settle down and find a life of happiness with his old flame, Julie Madison.

Batman is often treated as a vigilante by other characters in his stories. Frank Miller views the character as "a dionysian figure, a force for anarchy that imposes an individual order".[92] Dressed as a bat, Batman deliberately cultivates a frightening persona in order to aid him in crime-fighting,[93] a fear that originates from the criminals' own guilty conscience.[94] Miller is often credited with reintroducing anti-heroic traits into Batman's characterization,[95] such as his brooding personality, willingness to use violence and torture, and increasingly alienated behavior. Batman, shortly a year after his debut and the introduction of Robin, was changed in 1940 after DC editor Whitney Ellsworth felt the character would be tainted by his lethal methods and DC established their own ethical code, subsequently he was retconned as having a stringent moral code.[35][96] Miller's Batman was closer to the original pre-Robin version, who was willing to kill criminals if necessary.[97]
Batman's secret identity is Bruce Wayne, a wealthy American playboy, philanthropist, and owner of Wayne Enterprises. His origin depicts Bruce Wayne as a child, after witnessing the murder of his parents Dr. Thomas Wayne and Martha Wayne, he swore vengeance against criminals, an oath tempered by a sense of justice. Bruce Wayne trains himself physically and intellectually and crafts a bat-inspired persona to fight crime.[6]

A playboy billionaire by day, Bruce Wayne’s double life affords him the comfort of a life without financial worry, a loyal butler-turned-guardian and the perfect base of operations in the ancient network of caves beneath his family’s sprawling estate. By night, however, he sheds all pretense, dons his iconic scalloped cape and pointed cowl and takes to the shadowy streets, skies and rooftops of Gotham City.

That year Dennis O'Neil took over as editor of the Batman titles and set the template for the portrayal of Batman following DC's status quo-altering miniseries Crisis on Infinite Earths. O'Neil operated under the assumption that he was hired to revamp the character and as a result tried to instill a different tone in the books than had gone before.[57] One outcome of this new approach was the "Year One" storyline in Batman #404–407 (Feb.–May 1987), in which Frank Miller and artist David Mazzucchelli redefined the character's origins. Writer Alan Moore and artist Brian Bolland continued this dark trend with 1988's 48-page one-shot Batman: The Killing Joke, in which the Joker, attempting to drive Commissioner Gordon insane, cripples Gordon's daughter Barbara, and then kidnaps and tortures the commissioner, physically and psychologically.


Batman knew that Deadpool trapped Green Arrow. "I must fight Deadpool! I will flush him out!" Batman said to himself. "Someone is gonna rescue me and knock you out." Green Arrow shouted. "No one will be there, Green Arrow." Deadpool teased. Batman honked the horn. "Well, I was wrong! What is that shiny thing?" Deadpool teased, talking to Batman. "I wonder who you fight. If you mess with The Justice League, you mess with me!"…
For the most part, Batman's family and friends come to believe that Bruce Wayne is indeed dead. The only exception to this is Bruce's adopted son Tim Drake, who believes firmly that Bruce is still alive. After having the Robin identity taken from him by Dick Grayson, the new Batman, and giving it to Bruce's son, Damian, Tim takes on the identity of Red Robin, and begins searching the world for signs that Bruce Wayne is still alive. While searching in Baghdad, Tim finds a wall painting of the Bat emblem that was painted by Bruce upon the passing of Anthro. Tim realizes that Bruce is not dead, but rather lost in time.
When Jason discovered clues that his long-lost mother was alive, he secretly traveled to Africa to find her. Tragically, the trail also led him straight into the clutches of the Joker, who savagely beat the second Boy Wonder within an inch of his life. The Clown Prince of Crime left Jason and his mother to die in a booby-trapped warehouse wired from floor to ceiling with high-explosive charges. Jason courageously tried to shield his mother from the brunt of the devastating blast. She survived the explosion just long enough to tell a grief-stricken Batman that his reckless young partner had died a hero.

After revealing this knowledge to the original Dynamic Duo, Tim argued the need for a Robin to give the Dark Knight hope, especially when faced with a seemingly hopeless and unyielding war on crime. Though reluctant at first, Batman gave Tim the opportunity to prove that he was as good as his word. After months of grueling training, Tim Drake became the third Robin.
In those days it was like, one artist and he had his name over it [the comic strip] — the policy of DC in the comic books was, if you can't write it, obtain other writers, but their names would never appear on the comic book in the finished version. So Bill never asked me for it [the byline] and I never volunteered — I guess my ego at that time. And I felt badly, really, when he [Finger] died.[23]
Starting in 1969, writer Dennis O'Neil and artist Neal Adams made a deliberate effort to distance Batman from the campy portrayal of the 1960s TV series and to return the character to his roots as a "grim avenger of the night".[49] O'Neil said his idea was "simply to take it back to where it started. I went to the DC library and read some of the early stories. I tried to get a sense of what Kane and Finger were after."[50]

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Over the course of the first few Batman strips elements were added to the character and the artistic depiction of Batman evolved. Kane noted that within six issues he drew the character's jawline more pronounced, and lengthened the ears on the costume. "About a year later he was almost the full figure, my mature Batman", Kane said.[26] Batman's characteristic utility belt was introduced in Detective Comics #29 (July 1939), followed by the boomerang-like batarang and the first bat-themed vehicle, the Batplane, in #31 (Sept. 1939). The character's origin was revealed in #33 (Nov. 1939), unfolding in a two-page story that establishes the brooding persona of Batman, a character driven by the death of his parents. Written by Finger, it depicts a young Bruce Wayne witnessing his parents' murder at the hands of a mugger. Days later, at their grave, the child vows that "by the spirits of my parents [I will] avenge their deaths by spending the rest of my life warring on all criminals".[27][28][29]
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Another example of a costume design that ended up working better when other artists drew it, if only because they toned down the odder elements of the design, is Jim Lee's design for Batman in the New 52. A lot of Lee's designs for New 52 characters involved the use of armor, even on characters who otherwise wouldn't seem to be prone to wearing armor (like Superman). Lee used a lot of the piping approach of the Batman Incorporated costume, but included it in the armor design and a utility "belt" that was just individual patches on the armor.
In an interview with IGN, Morrison detailed that having Dick Grayson as Batman and Damian Wayne as Robin represented a "reverse" of the normal dynamic between Batman and Robin, with, "a more light-hearted and spontaneous Batman and a scowling, badass Robin". Morrison explained his intentions for the new characterization of Batman: "Dick Grayson is kind of this consummate superhero. The guy has been Batman's partner since he was a kid, he's led the Teen Titans, and he's trained with everybody in the DC Universe. So he's a very different kind of Batman. He's a lot easier; He's a lot looser and more relaxed."[65]
Eventually recovering and escaping, Batman started investigating both the toxin and its first victim. Discovering the latter to the Joe Chill, Batman learnt that Joker knew his identity and saved a family from being murdered in the same vein as his parents. With Joker terrorizing the city, he tried to forge an alliance with the Court of Owls to help stop the criminal's plan, only to be turned away. With help from Alfred's daughter Julia, Dick and Gordon, Batman discovered the substance Dionesium, which had given Joker regenerative capabilities and made him immune to the toxin. After Joker broke into the Batcave and attacked Alfred, Batman sent Grayson to distract the Clown Prince of Crime whilst he searched for a pool of Dionesium, eventually finding one after retracing Joker's escape route after his attempt to kill the entire Bat-Family.
The 1993 "Knightfall" story arc introduced a new villain, Bane, who critically injures Batman after pushing him to the limits of his endurance. Jean-Paul Valley, known as Azrael, is called upon to wear the Batsuit during Bruce Wayne's convalescence. Writers Doug Moench, Chuck Dixon, and Alan Grant worked on the Batman titles during "Knightfall", and would also contribute to other Batman crossovers throughout the 1990s. 1998's "Cataclysm" storyline served as the precursor to 1999's "No Man's Land", a year-long storyline that ran through all the Batman-related titles dealing with the effects of an earthquake-ravaged Gotham City. At the conclusion of "No Man's Land", O'Neil stepped down as editor and was replaced by Bob Schreck.[59]
Batman is often treated as a vigilante by other characters in his stories. Frank Miller views the character as "a dionysian figure, a force for anarchy that imposes an individual order".[92] Dressed as a bat, Batman deliberately cultivates a frightening persona in order to aid him in crime-fighting,[93] a fear that originates from the criminals' own guilty conscience.[94] Miller is often credited with reintroducing anti-heroic traits into Batman's characterization,[95] such as his brooding personality, willingness to use violence and torture, and increasingly alienated behavior. Batman, shortly a year after his debut and the introduction of Robin, was changed in 1940 after DC editor Whitney Ellsworth felt the character would be tainted by his lethal methods and DC established their own ethical code, subsequently he was retconned as having a stringent moral code.[35][96] Miller's Batman was closer to the original pre-Robin version, who was willing to kill criminals if necessary.[97]
In a paleolithic Gotham, a primitive tribe simply known as The Deer people encounters a shirtless amnesiac Bruce Wayne equipped with his utility belt in his hand emerging surrounded by a swarm of bats from the cave where Anthro recently died. The tribe of the Deer people mistakenly believe Bruce to be a Bat God dubbed him as The Man of Bats after discovering a set of markings featuring the insignia of Batman, Superman and Wonder Woman inscribed on the cave wall next to the body of Anthro. Bruce, still uncertain of where he is, takes notice of a somewhat familiar crashed rocket ship upon investigating he discovers the contents: Superman's cape (the only thing left intact), a destroyed bat signal, and a shredded copy of the Daily Planet which was launched by the Daily Planet staff prior to the use of the Miracle Machine.
After the success of Batman Begins, Christopher Nolan introduced the world to his quintessential version of Batman in The Dark Knight. Here we initially see the same suit worn in Begins, but then after being mauled by a couple of dogs, Bruce decides he needs a bit more protection and movement. Lucius Fox then introduces him to a new type of armor he’d been working on that had separated plates which gave him greater mobility.
When the supreme edition armored batman costume just doesn’t cut it for you, there’s the screen-accurate made-to-measure version from buyfullbodyarmors.com.  Made from polyurethane plastic and an aluminum framework, the armored Batsuit uses automotive grade paint and primer to give the plating that battle-ready look.  The detailed segments go on in pieces and take two people 30 mins to fully assemble.  The price increases to $2876 when bundled with optional extras like a voice-morpher and height increasing shoe pads.

Batman was one of the few superhero characters to be continuously published as interest in the genre waned during the 1950s. In the story "The Mightiest Team in the World" in Superman #76 (June 1952), Batman teams up with Superman for the first time and the pair discover each other's secret identity.[38] Following the success of this story, World's Finest Comics was revamped so it featured stories starring both heroes together, instead of the separate Batman and Superman features that had been running before.[39] The team-up of the characters was "a financial success in an era when those were few and far between";[40] this series of stories ran until the book's cancellation in 1986.
Winding up in Gotham City, Bane exhausted Batman by freeing all the villains from Arkham Asylum. He then crippled the Dark Knight by snapping his spine. Jean Paul Valley (Azrael) donned the Batman garb ? wile Bruce recuperated from his injuries. This interim Batman was more violent and unstable; Bruce returned to action as soon as his body had healed and he had regained his fighting spirit, with the help of ruthless martial-arts mistress Lady Shiva. Bruce took back the mantle of the Bat by force.
One day I called Bill and said, 'I have a new character called the Bat-Man and I've made some crude, elementary sketches I'd like you to look at.' He came over and I showed him the drawings. At the time, I only had a small domino mask, like the one Robin later wore, on Batman's face. Bill said, 'Why not make him look more like a bat and put a hood on him, and take the eyeballs out and just put slits for eyes to make him look more mysterious?' At this point, the Bat-Man wore a red union suit; the wings, trunks, and mask were black. I thought that red and black would be a good combination. Bill said that the costume was too bright: 'Color it dark grey to make it look more ominous.' The cape looked like two stiff bat wings attached to his arms. As Bill and I talked, we realized that these wings would get cumbersome when Bat-Man was in action and changed them into a cape, scalloped to look like bat wings when he was fighting or swinging down on a rope. Also, he didn't have any gloves on, and we added them so that he wouldn't leave fingerprints.[17]

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