Finger did not receive the same recognition. While he had received credit for other DC work since the 1940s, he began, in the 1960s, to receive limited acknowledgment for his Batman writing; in the letters page of Batman #169 (February 1965) for example, editor Julius Schwartz names him as the creator of the Riddler, one of Batman's recurring villains. However, Finger's contract left him only with his writing page rate and no byline. Kane wrote, "Bill was disheartened by the lack of major accomplishments in his career. He felt that he had not used his creative potential to its fullest and that success had passed him by."[16] At the time of Finger's death in 1974, DC had not officially credited Finger as Batman co-creator.

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Reviving in a hospital in the 1930s, Bruce meets Marsha, a woman who claims that she wants to employ him as a detective to investigate the death of her friend, Martha Wayne, providing him with a 1930s suit to wear as he carries out his investigations. Meeting with Martha's parents, Bruce learns of Thomas Wayne's apparent infidelity and his connection to various orgies, but remains suspicious that he is not being told the whole truth. After Wayne is provided with a Bat-costume to wear during the final stages of his investigation- the same costume worn by Thomas Wayne long ago-, he tracks 'Marsha' to a graveyard, where it is revealed that she is a member of the Black Glove, who believes that she will be granted eternal youth if she ritually sacrifices the 'Bat-Man', having selected the amnesiac Bruce as the perfect sacrifice as nobody will miss him. Despite his confusion and weakness, Wayne fights off the Black Glove before Carter Nichols's time machine teleports him to the end of time, leaving the Glove without a sacrifice. Bruce returns to the JLA Watchtower as a twisted cybernetic Batman.
Batman is often treated as a vigilante by other characters in his stories. Frank Miller views the character as "a dionysian figure, a force for anarchy that imposes an individual order".[92] Dressed as a bat, Batman deliberately cultivates a frightening persona in order to aid him in crime-fighting,[93] a fear that originates from the criminals' own guilty conscience.[94] Miller is often credited with reintroducing anti-heroic traits into Batman's characterization,[95] such as his brooding personality, willingness to use violence and torture, and increasingly alienated behavior. Batman, shortly a year after his debut and the introduction of Robin, was changed in 1940 after DC editor Whitney Ellsworth felt the character would be tainted by his lethal methods and DC established their own ethical code, subsequently he was retconned as having a stringent moral code.[35][96] Miller's Batman was closer to the original pre-Robin version, who was willing to kill criminals if necessary.[97]

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