Later, Batman investigates the office of Thomas Elliot and discovers one of his patients was someone called Arthur Wynne who sought an operation for an inoperable brain tumor. Nightwing and Catwoman investigate a graveyard break-in and are attacked by the Scarecrow. Nightwing is overpowered by the fear toxin, but Catwoman defeats Scarecrow and gets Nightwing to safety. However, she is captured by Hush after Nightwing escapes.
After the introduction of DC Comics' multi-verse in the 1960s, it is retroactively established that stories from the Golden Age star the Earth-Two Batman, a character from a parallel world. This version of Batman partners with and marries the reformed Earth-Two Catwoman, Selina Kyle (as shown in Superman Family #211) and fathers Helena Wayne, who, as the Huntress, becomes (along with the Earth-Two Robin) Gotham's protector once Wayne retires from the position to become police commissioner, a position he occupies until he is killed during one final adventure as Batman. Batman titles however often ignored that a distinction had been made between the pre-revamp and post-revamp Batmen (since unlike The Flash or Green Lantern, Batman comics had been published without interruption through the 1950s) and would on occasion make reference to stories from the Golden Age. Nevertheless, details of Batman's history were altered or expanded through the decades. Additions include meetings with a future Superman during his youth, his upbringing by his uncle Philip Wayne (introduced in Batman #208, Jan./Feb. 1969) after his parents' death, and appearances of his father and himself as prototypical versions of Batman and Robin, respectively. In 1980 then-editor Paul Levitz commissioned the Untold Legend of the Batman limited series to thoroughly chronicle Batman's origin and history.

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This also gave him the first bat suit which wasn’t hindered by the cowl being directly attached to the shoulders and could therefore move his head. Among other new improvements like being able to launch his triangle forearm blades, this version was a force to be reckoned with. Above all else, this is the perfect, most fully functional bat suit that there has been to date.

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This was the best shown version of a predecessor to the legitimate bat suit, as other versions simply showed a fully trained Bruce in street clothes using his skills to disguise himself. In the main scene featuring the suit, we see Bruce fight his teacher Ducard and he uses a sword, the surrounding area and the bracers to high effect, although he does lose the training exercise.
Alex Ross is one of the best things to ever happen to art in comics. His fully painted portrayals of characters have the look of spandex and other fabric store materials, but takes just enough liberties with reality to keep them from looking silly. His images of characters like Superman, Spider-Man, and Batman are some of the greatest all-time artistic portrayals of these characters.

There are a few aspects of Batman that remain consistent. He is the secret identity of the wealthy Bruce Wayne, (usually now called a billionaire because of inflation). He has a butler, Alfred, who knows his identity and who took part in raising Bruce after the murder of his father and mother. Batman has no superpowers, but he’s intellectually gifted and makes use of gadgets, science and well-honed fighting skills and physical strength to defeat his enemies.

Batman is probably the character with the highest number of romantic relationships in the DC Universe. Unlike Superman and Wonder Woman, characters that have been in publication for as long as Batman, the Dark Knight has never had a long-standing leading partner and instead, he has been constantly switching interests when it comes to romance. This is due to the nature of Batman's character; it is difficult for him to maintain a serious relationship with a woman as a result of his obsession with his crusade against crime. On the other hand, Bruce Wayne, Batman's alter-ego, has managed to have a few relationships with ladies of his interest, but they always come to a rather abrupt end because of the lack of trust and constant absence shown by Wayne, which has earned him the reputation as a notorious playboy.
Meanwhile, in the present day, Batman and Robin are investigating in Bludhaven. Wonder Woman has put the Justice League on Black alert - when Batman makes his way to the present, something terrible will happen. Red Robin recounts how the current Batman found the cape of the original in a cave, 11,000 years old by radiocarbon dating. A set of strange holes in the hood match to a brainwashing helmet in Command-D in Bludhaven. The word is out - Batman is alive, and the world is doomed...

Weapon Master: Through his martial arts training, he has become an expert on virtually all types of weaponry. He is an exceptional swordsman as evident in his fight with Ra's al Ghul, his proficiency in Jui Jitsu can proclaim his swordsmanship skill. Proficient with most melee weapons because of his mastery of Okinawan Kobudo. He was trained and became extremely proficient in all arms. He soon learned expanded melee weapon techniques and he has learned expanded weapon/device sciences. He still practices during his combat sessions to keep his skills intact, though he prefers unarmed combat.

Batman: The Animated Series and the DC animated universe not only made the childhoods of a generation so much cooler, they also gave birth to the voices in a lot of our heads. When people of this generation think of the caped crusader, they see an image in their minds of a black cape and cowl, grey shirt and a yellow and black Bat-symbol across the chest. They hear the words in that oh-so-familiar voice “I am vengeance, I am the night…I AM BATMAN!” and then they usually pass out.
The thing I loved about this series was the cliffhanger episodes. Batman and Robin would be put in a seemingly inescapable trap and then in the next episode Batman would manage to reach into his utility belt and pull out a convenient device. In one episode Batman was about to be dropped in acid when he suddenly remembered that Alfred the Butler had acid proofed his costume. How funny is that?
Though not much had changed in regard to terms of costume between films, the difference of the slightly more sleek symbol and the armor makes us think that Batman has decided that he needs to up his game, both in terms of fashion and fighting, and keep up with the kind of criminals that Gotham seems to be producing at an increasingly alarming rate.

Winding up in Gotham City, Bane exhausted Batman by freeing all the villains from Arkham Asylum. He then crippled the Dark Knight by snapping his spine. Jean Paul Valley (Azrael) donned the Batman garb ? wile Bruce recuperated from his injuries. This interim Batman was more violent and unstable; Bruce returned to action as soon as his body had healed and he had regained his fighting spirit, with the help of ruthless martial-arts mistress Lady Shiva. Bruce took back the mantle of the Bat by force.
Peak Human Durability: His muscles and bones are far tougher and vastly denser than ordinary humans; making him extremely durable to certain degrees. Augmented by his iron forged willpower he can tolerate massive amount of physical pain and damage. His physique which is rigorously trained to the uttermost human limit and is extremely tough and resistant to damage, which allows him to survived dangers that would have killed most other people, like being slammed straight through thick reinforced concrete with little to no injury. He is able to withstand being stabbed and shot multiple times, as well as beatings from superhumans such as Killer Croc, Bane (on Venom), and withstand a few blows from Wonder Woman despite her vast superhuman strength. Also Bat,man seems to be highly resistant to the blunt trauma of surviving falls of considerable distance such as multi-story drops and falls.
1994's company-wide crossover Zero Hour changes aspects of DC continuity again, including those of Batman. Noteworthy among these changes is that the general populace and the criminal element now considers Batman an urban legend rather than a known force. Similarly, the Waynes' killer is never caught or identified, effectively removing Joe Chill from the new continuity, rendering stories such as "Year Two" non-canon.
Batman operates in the fictional Gotham City with assistance from various supporting characters, including his butler Alfred, police commissioner Jim Gordon, and vigilante allies such as Robin. Unlike most superheroes, Batman does not possess any inhuman superpowers. He does, however, possess a genius-level intellect, is a peerless martial artist, and his vast wealth affords him an extraordinary arsenal of weaponry and equipment. A large assortment of villains make up Batman's rogues gallery, including his archenemy, the Joker.
Weapon Master: Through his martial arts training, he has become an expert on virtually all types of weaponry. He is an exceptional swordsman as evident in his fight with Ra's al Ghul, his proficiency in Jui Jitsu can proclaim his swordsmanship skill. Proficient with most melee weapons because of his mastery of Okinawan Kobudo. He was trained and became extremely proficient in all arms. He soon learned expanded melee weapon techniques and he has learned expanded weapon/device sciences. He still practices during his combat sessions to keep his skills intact, though he prefers unarmed combat.

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The thing I loved about this series was the cliffhanger episodes. Batman and Robin would be put in a seemingly inescapable trap and then in the next episode Batman would manage to reach into his utility belt and pull out a convenient device. In one episode Batman was about to be dropped in acid when he suddenly remembered that Alfred the Butler had acid proofed his costume. How funny is that?
In early 1939, the success of Superman in Action Comics prompted editors at National Comics Publications (the future DC Comics) to request more superheroes for its titles. In response, Bob Kane created "the Bat-Man".[9] Collaborator Bill Finger recalled that "Kane had an idea for a character called 'Batman,' and he'd like me to see the drawings. I went over to Kane's, and he had drawn a character who looked very much like Superman with kind of ... reddish tights, I believe, with boots ... no gloves, no gauntlets ... with a small domino mask, swinging on a rope. He had two stiff wings that were sticking out, looking like bat wings. And under it was a big sign ... BATMAN".[10] The bat-wing-like cape was suggested by Bob Kane, inspired as a child by Leonardo Da Vinci's sketch of an ornithopter flying device.[11]

Creators associated with the character have expressed their own opinions. Writer Alan Grant has stated, "The Batman I wrote for 13 years isn't gay ... everybody's Batman all the way back to Bob Kane ... none of them wrote him as a gay character. Only Joel Schumacher might have had an opposing view."[204] Frank Miller views the character as sublimating his sexual urges into crimefighting so much so that he's "borderline pathological", concluding "He'd be much healthier if he were gay."[205] Grant Morrison said that "Gayness is built into Batman ... Obviously as a fictional character he's intended to be heterosexual, but the basis of the whole concept is utterly gay."[206]
That year Dennis O'Neil took over as editor of the Batman titles and set the template for the portrayal of Batman following DC's status quo-altering miniseries Crisis on Infinite Earths. O'Neil operated under the assumption that he was hired to revamp the character and as a result tried to instill a different tone in the books than had gone before.[57] One outcome of this new approach was the "Year One" storyline in Batman #404–407 (Feb.–May 1987), in which Frank Miller and artist David Mazzucchelli redefined the character's origins. Writer Alan Moore and artist Brian Bolland continued this dark trend with 1988's 48-page one-shot Batman: The Killing Joke, in which the Joker, attempting to drive Commissioner Gordon insane, cripples Gordon's daughter Barbara, and then kidnaps and tortures the commissioner, physically and psychologically.
Expert Acrobat: Proficient in gymnastics and acrobatics, to the peak of human ability. He is particularly skilled in parkour and free running. He can perform impeccably precise acrobatic moves instinctively in combat, or whilst escaping a catastrophe, and can even dodge a superhuman individual's blows and sword-swings. He regularly practices his gymnastics and acrobatics blindfolded.

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