All Batman origin stories tend to agree that the character was deeply wounded by witnessing the death of his parents at an early age. In many renditions the murderer was simply a mugger. Tim Burton’s film Batman differs in this respect to suggest it was the Joker who killed Batman’s parents. The loss of Bruce’s parents and the corrupt nature of Gotham City where Bruce lives, makes him seek a way of dispatching villains. Gotham City is often depicted as intensely corrupt in almost every aspect of its society. Not even the police force can be trusted, since many of them are on the take.

Expert Acrobat: Proficient in gymnastics and acrobatics, to the peak of human ability. He is particularly skilled in parkour and free running. He can perform impeccably precise acrobatic moves instinctively in combat, or whilst escaping a catastrophe, and can even dodge a superhuman individual's blows and sword-swings. He regularly practices his gymnastics and acrobatics blindfolded.
In early 1939, the success of Superman in Action Comics prompted editors at National Comics Publications (the future DC Comics) to request more superheroes for its titles. In response, Bob Kane created "the Bat-Man".[9] Collaborator Bill Finger recalled that "Kane had an idea for a character called 'Batman,' and he'd like me to see the drawings. I went over to Kane's, and he had drawn a character who looked very much like Superman with kind of ... reddish tights, I believe, with boots ... no gloves, no gauntlets ... with a small domino mask, swinging on a rope. He had two stiff wings that were sticking out, looking like bat wings. And under it was a big sign ... BATMAN".[10] The bat-wing-like cape was suggested by Bob Kane, inspired as a child by Leonardo Da Vinci's sketch of an ornithopter flying device.[11]
Robin, Batman's vigilante partner, has been a widely recognized supporting character for many years.[101] Bill Finger stated that he wanted to include Robin because "Batman didn't have anyone to talk to, and it got a little tiresome always having him thinking."[102] The first Robin, Dick Grayson, was introduced in 1940. In the 1970s he finally grew up, went off to college and became the hero Nightwing. A second Robin, Jason Todd, appeared in the 1980s. In the stories he was eventually badly beaten and then killed in an explosion set by the Joker, but was later revived. He used the Joker's old persona, the Red Hood, and became an antihero vigilante with no qualms about using firearms or deadly force. Carrie Kelley, the first female Robin to appear in Batman stories, was the final Robin in the continuity of Frank Miller's graphic novels The Dark Knight Returns and The Dark Knight Strikes Again, fighting alongside an aging Batman in stories set out of the mainstream continuity.
As the Justice Leagues converge on the Temple, the box infects everyone with evil thoughts, causing a fight. Batman obtains the box, but Superman attacks him. After a few moments, the box goes dormant. Atom reveals she is a traitor working for the Secret Society and that she infected Superman with Kryptonite, which caused him to attack Dr. Light. The Secret Society leader uses the box to open a portal to another universe. In that moment, the Crime Syndicate enters the Justice League's world.
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In those days it was like, one artist and he had his name over it [the comic strip] — the policy of DC in the comic books was, if you can't write it, obtain other writers, but their names would never appear on the comic book in the finished version. So Bill never asked me for it [the byline] and I never volunteered — I guess my ego at that time. And I felt badly, really, when he [Finger] died.[23]
Frank Miller's limited series The Dark Knight Returns (February–June 1986) returned the character to his darker roots, both in atmosphere and tone. The comic book, which tells the story of a 55-year-old Batman coming out of retirement in a possible future, reinvigorated interest in the character. The Dark Knight Returns was a financial success and has since become one of the medium's most noted touchstones.[55] The series also sparked a major resurgence in the character's popularity.[56]
This also gave him the first bat suit which wasn’t hindered by the cowl being directly attached to the shoulders and could therefore move his head. Among other new improvements like being able to launch his triangle forearm blades, this version was a force to be reckoned with. Above all else, this is the perfect, most fully functional bat suit that there has been to date.

Tim Drake was barely more than a toddler when he sat in the stands at Haly's Circus and watched the Flying Graysons fall to their doom. Tim was transfixed as the Dark Knight swooped down to comfort young Dick Grayson. The moment was burned into his memory. Years later, Tim saw news reports of an unhinged Batman becoming more and more violent following the death of the second Robin, Jason Todd. Using his detective skills, Tim deduced the secret identity of Batman and the first Boy Wonder, Dick Grayson.
In Batman's first appearance in Detective Comics #27, he is already operating as a crime-fighter.[125] Batman's origin is first presented in Detective Comics #33 (Nov. 1939) and is later expanded upon in Batman #47. As these comics state, Bruce Wayne is born to Dr. Thomas Wayne and his wife Martha, two very wealthy and charitable Gotham City socialites. Bruce is brought up in Wayne Manor, and leads a happy and privileged existence until the age of eight, when his parents are killed by a small-time criminal named Joe Chill while on their way home from a movie theater. That night, Bruce Wayne swears an oath to spend his life fighting crime. He engages in intense intellectual and physical training; however, he realizes that these skills alone would not be enough. "Criminals are a superstitious cowardly lot", Wayne remarks, "so my disguise must be able to strike terror into their hearts. I must be a creature of the night, black, terrible ..." As if responding to his desires, a bat suddenly flies through the window, inspiring Bruce to craft the Batman persona.[126]
In the late 1950s, Batman stories gradually became more science fiction-oriented, an attempt at mimicking the success of other DC characters that had dabbled in the genre.[44] New characters such as Batwoman, Ace the Bat-Hound, and Bat-Mite were introduced. Batman's adventures often involved odd transformations or bizarre space aliens. In 1960, Batman debuted as a member of the Justice League of America in The Brave and the Bold #28 (Feb. 1960), and went on to appear in several Justice League comic series starting later that same year.

On the way down, the black-haired stranger notices the drawings he made, all those years ago. Loggins meanwhile recounts the lore of the perils they are soon to face: The Whistling Demon, The Breath of The Bat, The Bridge of Bones and The River of Night. Blackbeard tells him to shut up, but the stranger works out the first trap - a set of hidden people armed with darts, who aim by echolocation.
Batman operates in the fictional Gotham City with assistance from various supporting characters, including his butler Alfred, police commissioner Jim Gordon, and vigilante allies such as Robin. Unlike most superheroes, Batman does not possess any inhuman superpowers. He does, however, possess a genius-level intellect, is a peerless martial artist, and his vast wealth affords him an extraordinary arsenal of weaponry and equipment. A large assortment of villains make up Batman's rogues gallery, including his archenemy, the Joker.

So Jean-Paul came up with the armored look, which, to be frank, is not all that bad of a costume in general. It's just not a good costume for Batman. That said, it also served as a strong excuse for what happened to Batman so that people would not guess that there was a new Batman patrolling Gotham. In other words, everyone saw Bane throw Batman to the ground after breaking his back, so it made some sense for him to return wearing a suit of armor and beating up Bane.


In the current Prime Earth continuity, Julie is an artist and her father is Mallory Madison, an arms dealer who sold the gun that was used to kill Bruce's parents. Julie first dated Bruce Wayne during their teenage years, but met him again after his mind had been erased and he had forgotten ever being Batman. The two fell passionately in love, with Bruce being prepared to settle down and marry Julie. However, things got so bad in Gotham that Alfred realized Batman was needed and he and Julie were forced to give Bruce his old memories back, erasing his mind of the relationship.
Bruce Wayne goes on a date with Selina, who is unaware of the former's identity as Batman, much to the encouragement of his family. The two, along with Thomas Elliot, attend an opera when Harley Quinn arrives and attempts to kill Bruce. In the ensuing struggle, Dr. Elliot is apparently shot dead by Joker. An enraged Batman violently beats Joker who claims that he is innocent, and he is stopped short of killing him by Commissioner James Gordon. Bruce attends Elliot's funeral and deduces Joker's innocence as well that Hush must know his secret identity.
The color design elements are unusual, as Capullo debuted a number of unique color ideas, like having the bat symbol on the chest surrounded by a yellow line rather than a yellow oval and purple lining in the cape. In a lot of ways, he seems to be trying to evoke the entire history of Batman's color schemes, which is appreciated. It is a good-looking costume. The cowl also pays homage to Frank Miller's "Dark Knight Returns" Batman cowl.

Batman’s origin story is the departure point for many different renditions of the character. In initial versions, he’s the inscrutable almost anti-hero, and in others, such as the 1960s television series, he’s a much more levelheaded guy living in a much less corrupt city. The 1960s series leaned heavily on camp, and prompted some to think of killing off the character forever. However, interest in this superhero revived in the 1980s, first with famous graphic novelist Frank Miller’s limited comic book series The Dark Knight Returns and then with the 1989 Tim Burton film. Both Miller and Burton were resolved on dispatching the image of the law-abiding television series superhero to return to his much darker beginnings, though Burton did so with considerable humor.
Starting in 1969, writer Dennis O'Neil and artist Neal Adams made a deliberate effort to distance Batman from the campy portrayal of the 1960s TV series and to return the character to his roots as a "grim avenger of the night".[49] O'Neil said his idea was "simply to take it back to where it started. I went to the DC library and read some of the early stories. I tried to get a sense of what Kane and Finger were after."[50]

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By 1942, the writers and artists behind the Batman comics had established most of the basic elements of the Batman mythos.[36] In the years following World War II, DC Comics "adopted a postwar editorial direction that increasingly de-emphasized social commentary in favor of lighthearted juvenile fantasy". The impact of this editorial approach was evident in Batman comics of the postwar period; removed from the "bleak and menacing world" of the strips of the early 1940s, Batman was instead portrayed as a respectable citizen and paternal figure that inhabited a "bright and colorful" environment.[37]
Batman makes his way through the asylum, overcoming Mr. Freeze, Scarecrow and Clayface. He finds Joker with Two-Face, Riddler, and Penguin, but before he can stop them, Joker shows him a video of Robin, Red Hood, Nightwing, Batgirl and Red Robin being captured. Joker orders Batman to take his place on his throne, an electric chair, to spare their lives, and Batman does so, receiving an electric shock

In 1998, the "Batman" titles (and Gotham City itself) were rocked by a giant earthquake in the crossover, "Cataclysm." In the aftermath of the devastation, Batman left Gotham City in his Bruce Wayne identity to lobby the United States government to provide aid to Gotham to help it rebuild. Instead, the government decided to just cut Gotham City off from the rest of the country, period. They gave people a few weeks to get out and then blew up all tunnels and bridges out of Gotham City and left whoever was still in Gotham to fend for themselves.


Indomitable Will: He has no known superhuman powers, but he does have an almost superhuman "force of will". Batman's unstoppable determination, sense of discipline and morale, and strength of will make him an extremely formidable opponent. This makes him able to function while tolerating massive amounts of physical pain, and also allows him to resist telepathy or mind control. His willpower is strong enough to operate a Green Lantern Ring when necessary. He is also unshakably devoted to his solemn vow never to kill, in spite of his vicious inner temptation to do so - the latter of which factors is displayed prominently when facing the Joker.

This suit is from an Elseworlds story that puts the recognizable Batman cast of characters into a pirate setting. Several things are changed in addition to giving the costume a classic pirate look. Leatherwing (Batman) is a ship Captain pillaging for King James, but keeping a cut for his crew. A character named Robin Redblade stows away on Leatherwing's ship, The Flying Fox, and alerts Leatherwing about talks of mutiny that he overhears. He is then made buccaneer, regardless of stowing away, and stands beside Leatherwing with Alfredo.
Batman meets and regularly works with other heroes during the Silver Age, most notably Superman, whom he began regularly working alongside in a series of team-ups in World's Finest Comics, starting in 1954 and continuing through the series' cancellation in 1986. Batman and Superman are usually depicted as close friends. Batman becomes a founding member of the Justice League of America, appearing in its first story in 1960s Brave and the Bold #28. In the 1970s and 1980s, Brave and the Bold became a Batman title, in which Batman teams up with a different DC Universe superhero each month.
This Russian version of the Caped Crusader was part of a mini-series in which the rocket ship carrying an infant Superman landed in a collective farm in Stalin's Soviet Union instead of the Smallville farm of Jonathan and Martha Kent. To fill this alternate reality with other recognizable DC comics characters, many others had their own alternate takes. The Batman of this world is an anti-Stalinist who's parents were gunned down by Stalin's police force instead of American street criminals.
Batman's body armored costume incorporates the imagery of a bat in order to frighten criminals.[120] The details of the Batman costume change repeatedly through various decades, stories, media and artists' interpretations, but the most distinctive elements remain consistent: a scallop-hem cape; a cowl covering most of the face; a pair of bat-like ears; a stylized bat emblem on the chest; and the ever-present utility belt. Finger and Kane originally conceptualized Batman as having a black cape and cowl and grey suit, but conventions in coloring called for black to be highlighted with blue.[120] Hence, the costume's colors have appeared in the comics as dark blue and grey;[120] as well as black and grey. In the Tim Burton's Batman and Batman Returns films, Batman has been depicted as completely black with a bat in the middle surrounded by a yellow background. Christopher Nolan's The Dark Knight Trilogy depicted Batman wearing high-tech gear painted completely black with a black bat in the middle. Ben Affleck's Batman in the DC Extended Universe films wears a suit grey in color with a black cowl, cape, and bat symbol.

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