Frank Miller's limited series The Dark Knight Returns (February–June 1986) returned the character to his darker roots, both in atmosphere and tone. The comic book, which tells the story of a 55-year-old Batman coming out of retirement in a possible future, reinvigorated interest in the character. The Dark Knight Returns was a financial success and has since become one of the medium's most noted touchstones.[55] The series also sparked a major resurgence in the character's popularity.[56]
With a menacing glare built into the mask, and a complete full body sculpt to show the bad guys how ripped Batman is supposed to be, the costumes were not the worst thing about this movie in any way shape or form. To go along with the normal bat suit in Batman and Robin, there was also sets later on with an almost chrome finish, as well as the fact that we had matching suits for Robin and Batgirl.
One of the most iconic fictional characters in the world, Batman has dedicated his life to an endless crusade, a war on all criminals in the name of his murdered parents, who were taken from him when he was just a child. Since that tragic night, he has trained his body and mind to near physical perfection to be a self-made Super Hero. He's developed an arsenal of technology that would put most armies to shame. And he's assembled teams of his fellow DC Super Heroes, like the Justice League, the Outsiders and Batman, Incorporated.
Lieutenant Bullock and a squad of cops arrive at the reservoir to take the Joker down, but the Joker uses his cellphone to order his men to attack the cops with rockets. Batman frees himself from the restraints and the Joker, but the Joker infects him with Joker Venom. With Batman momentarily distracted, the Joker kicks him off the bridge and into the Gotham River. Later, Batman awakens at the Batcave, having been rescued by the Batman Family. His allies (Nightwing, Robin, Red Robin, Batgirl, and even Red Hood) want Bruce to explain how did the Joker become aware of their identities. Batman believes he does not know and is only manipulating them because of his kidnapping of Alfred. He then tells a story about a previous encounter he had with the Joker in a blimp above the bay. During their fight, the Joker fell into the bay, but somehow, he placed a playing card in the Batboat. It didn’t have a tracking device or something like that, it was just a card. Despite the apparent breach of security, Batman believes there is no way the Joker could have entered the Batcave. Still, the others are unsure about this event. Batman has a new lead to follow: the Joker used a cellular signal to issue orders. While the cellphone was untraceable, the camera across the street from the store it was bought at identifies a man named Dylan McDyre. Batman crashes into McDyre’s home and interrogates him. McDyre reveals that the Joker had been threatening the families of the Arkham Asylum staff in order to maintain the appearance of normalcy at the asylum while he made changes, for whatever thing he is planning for Batman. More resolute than ever, Batman enters the asylum.
Expert Acrobat: Proficient in gymnastics and acrobatics, to the peak of human ability. He is particularly skilled in parkour and free running. He can perform impeccably precise acrobatic moves instinctively in combat, or whilst escaping a catastrophe, and can even dodge a superhuman individual's blows and sword-swings. He regularly practices his gymnastics and acrobatics blindfolded.
Peak Human Metabolism: Batman's natural healing, metabolism, immune system, are at the highest limits of human potential, which means he can heal much faster than normal humans, he is able to heal broken bones, fractures, torn muscles, gunshot, knife, puncture wounds and other major injuries all within a few weeks and minor injuries like cuts, scrapes and burns within a few hours to days. His immune system fights off microbes, infections, disorders, illnesses, sicknesses far better than normal (but is not immune). His healing time is very short, as he recovered from a broken back within an unknown amount of weeks.
Starting in 1969, writer Dennis O'Neil and artist Neal Adams made a deliberate effort to distance Batman from the campy portrayal of the 1960s TV series and to return the character to his roots as a "grim avenger of the night".[49] O'Neil said his idea was "simply to take it back to where it started. I went to the DC library and read some of the early stories. I tried to get a sense of what Kane and Finger were after."[50]
Many of the major Batman storylines since the 1990s have been inter-title crossovers that run for a number of issues. In 1993, DC published "Knightfall". During the storyline's first phase, the new villain Bane paralyzes Batman, leading Wayne to ask Azrael to take on the role. After the end of "Knightfall", the storylines split in two directions, following both the Azrael-Batman's adventures, and Bruce Wayne's quest to become Batman once more. The story arcs realign in "KnightsEnd", as Azrael becomes increasingly violent and is defeated by a healed Bruce Wayne. Wayne hands the Batman mantle to Dick Grayson (then Nightwing) for an interim period, while Wayne trains for a return to the role.[137]
Batman has no inherent superhuman powers; he relies on "his own scientific knowledge, detective skills, and athletic prowess".[30] Batman's inexhaustible wealth gives him access to advanced technologies, and as a proficient scientist, he is able to use and modify these technologies to his advantage. In the stories, Batman is regarded as one of the world's greatest detectives, if not the world's greatest crime solver.[116] Batman has been repeatedly described as having a genius-level intellect, being one of the greatest martial artists in the DC Universe, and having peak human physical conditioning.[117] As a polymath, his knowledge and expertise in countless disciplines is nearly unparalleled by any other character in the DC Universe.[118] He has traveled the world acquiring the skills needed to aid him in his endeavors as Batman. In the Superman: Doomed story arc, Superman considers Batman to be one of the most brilliant minds on the planet.[119]

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In early 1939, the success of Superman in Action Comics prompted editors at National Comics Publications (the future DC Comics) to request more superheroes for its titles. In response, Bob Kane created "the Bat-Man".[9] Collaborator Bill Finger recalled that "Kane had an idea for a character called 'Batman,' and he'd like me to see the drawings. I went over to Kane's, and he had drawn a character who looked very much like Superman with kind of ... reddish tights, I believe, with boots ... no gloves, no gauntlets ... with a small domino mask, swinging on a rope. He had two stiff wings that were sticking out, looking like bat wings. And under it was a big sign ... BATMAN".[10] The bat-wing-like cape was suggested by Bob Kane, inspired as a child by Leonardo Da Vinci's sketch of an ornithopter flying device.[11]
Batman knew that Deadpool trapped Green Arrow. "I must fight Deadpool! I will flush him out!" Batman said to himself. "Someone is gonna rescue me and knock you out." Green Arrow shouted. "No one will be there, Green Arrow." Deadpool teased. Batman honked the horn. "Well, I was wrong! What is that shiny thing?" Deadpool teased, talking to Batman. "I wonder who you fight. If you mess with The Justice League, you mess with me!"…
Back in the 90s comics were prone to some wild publicity stunts to sell issues. The most notable events were the Death of Superman and a villain known as Bane breaking Batman's back. This forced Bruce Wayne to pass the mantle of Batman on to a man named Jean-Paul Valley. Valley ended up going a little crazy. He did not adhere to Batman's rule of "no killing" and made a lot of deadly modifications to the Batsuit. When Wayne got word of Valley's methods and Bane's crime-spree, he went on a spirit journey similar to his first quest to become Batman.

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Finger suggested giving the character a cowl instead of a simple domino mask, a cape instead of wings, and gloves; he also recommended removing the red sections from the original costume.[12][13][14][15] Finger said he devised the name Bruce Wayne for the character's secret identity: "Bruce Wayne's first name came from Robert Bruce, the Scottish patriot. Wayne, being a playboy, was a man of gentry. I searched for a name that would suggest colonialism. I tried Adams, Hancock ... then I thought of Mad Anthony Wayne."[16] He later said his suggestions were influenced by Lee Falk's popular The Phantom, a syndicated newspaper comic-strip character with which Kane was also familiar.[17]

Batman utilizes a vast arsenal of specialized, high-tech vehicles and gadgets in his war against crime, the designs of which usually share a bat motif. Batman historian Les Daniels credits Gardner Fox with creating the concept of Batman's arsenal with the introduction of the utility belt in Detective Comics #29 (July 1939) and the first bat-themed weapons the batarang and the "Batgyro" in Detective Comics #31 and #32 (Sept., Oct. 1939).[26]

Starting in 1969, writer Dennis O'Neil and artist Neal Adams made a deliberate effort to distance Batman from the campy portrayal of the 1960s TV series and to return the character to his roots as a "grim avenger of the night".[49] O'Neil said his idea was "simply to take it back to where it started. I went to the DC library and read some of the early stories. I tried to get a sense of what Kane and Finger were after."[50]
This also gave him the first bat suit which wasn’t hindered by the cowl being directly attached to the shoulders and could therefore move his head. Among other new improvements like being able to launch his triangle forearm blades, this version was a force to be reckoned with. Above all else, this is the perfect, most fully functional bat suit that there has been to date.
DC Comics' 2005 limited series Identity Crisis reveals that JLA member Zatanna had edited Batman's memories to prevent him from stopping the Justice League from lobotomizing Dr. Light after he raped Sue Dibny. Batman later creates the Brother I satellite surveillance system to watch over and, if necessary, kill the other heroes after he remembered. The revelation of Batman's creation and his tacit responsibility for Blue Beetle's death becomes a driving force in the lead-up to the Infinite Crisis miniseries, which again restructures DC continuity. Batman and a team of superheroes destroy Brother Eye and the OMACs, though, at the very end, Batman reaches his apparent breaking point when Alexander Luthor Jr. seriously wounds Nightwing. Picking up a gun, Batman nearly shoots Luthor in order to avenge his former sidekick, until Wonder Woman convinces him to not pull the trigger.
Another example of a costume design that ended up working better when other artists drew it, if only because they toned down the odder elements of the design, is Jim Lee's design for Batman in the New 52. A lot of Lee's designs for New 52 characters involved the use of armor, even on characters who otherwise wouldn't seem to be prone to wearing armor (like Superman). Lee used a lot of the piping approach of the Batman Incorporated costume, but included it in the armor design and a utility "belt" that was just individual patches on the armor.
Lucius Fox, a technology specialist and Bruce Wayne's business manager who is well aware of his employer's clandestine vigilante activities; Dr. Leslie Thompkins, a family friend who like Alfred became a surrogate parental figure to Bruce Wayne after the deaths of his parents, and is also aware of his secret identity; Vicki Vale, an investigative journalist who often reports on Batman's activities for the Gotham Gazette; Ace the Bat-Hound, Batman's canine partner who was mainly active in the 1950s and 1960s;[99] and Bat-Mite, an extra-dimensional imp mostly active in the 1960s who idolizes Batman.[99]
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After a new supervillain called Mr. Bloom apparently killed Gordon and took over Gotham, Bruce learnt about his life as Batman and, after talking to a stranger, returned to the Batcave for the first time since his final encounter with Joker. However, unable to recover the skills required to fight Bloom and his underlings, he decided to use an experimental machine that would upload his memories and skills into a body, but at the cost of his new life. With help from Alfred and Julie (who had discovered the truth long ago), Bruce went through with the procedure and returned to Gotham as Batman. With help from Gordon and a street gang modeled after Robin, he was able to defeat Bloom and save the city once again.

Grant Morrison's 2008 storyline, "Batman R.I.P." featured Batman being physically and mentally broken by the enigmatic villain Doctor Hurt and attracted news coverage in advance of its highly promoted conclusion, which would speculated to feature the death of Bruce Wayne.[146] However, though Batman is shown to possibly perish at the end of the arc, the two-issue arc "Last Rites", which leads into the crossover storylines "Final Crisis", shows that Batman survives his helicopter crash into the Gotham City River and returns to the Batcave, only to be summoned to the Hall of Justice by the JLA to help investigate the New God Orion's death. The story ends with Batman retrieving the god-killing bullet used to kill Orion, setting up its use in "Final Crisis".[147] In the pages of Final Crisis Batman is reduced to a charred skeleton.[148] In Final Crisis #7 Wayne is shown witnessing the passing of the first man, Anthro.[149][150] Wayne's "death" sets up the three-issue Battle for the Cowl miniseries in which Wayne's ex-proteges compete for the "right" to assume the role of Batman, which concludes with Grayson becoming Batman,[151] while Tim Drake takes on the identity of Red Robin.[152] Dick and Damian continue as Batman and Robin, and in the crossover storyline "Blackest Night", what appears to be Bruce's corpse is reanimated as a Black Lantern zombie,[153] but is later shown that Bruce's corpse is one of Darkseid's failed Batman clones. Dick and Batman's other friends conclude that Bruce is alive.[154][155]
While most of Batman's romantic relationships tend to be short in duration, Catwoman has been his most enduring romance throughout the years.[110] The attraction between Batman and Catwoman, whose real name is Selina Kyle, is present in nearly every version and medium in which the characters appear. Although Catwoman is typically portrayed as a villain, Batman and Catwoman have worked together in achieving common goals and are usually depicted as having a romantic connection.

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