Creators associated with the character have expressed their own opinions. Writer Alan Grant has stated, "The Batman I wrote for 13 years isn't gay ... everybody's Batman all the way back to Bob Kane ... none of them wrote him as a gay character. Only Joel Schumacher might have had an opposing view."[204] Frank Miller views the character as sublimating his sexual urges into crimefighting so much so that he's "borderline pathological", concluding "He'd be much healthier if he were gay."[205] Grant Morrison said that "Gayness is built into Batman ... Obviously as a fictional character he's intended to be heterosexual, but the basis of the whole concept is utterly gay."[206]
He then decided to form an international group of Bat-operatives called Batman Incorporated. While he was busy setting this up, he let Dick Grayson (who had taken over when he thought Bruce was dead) remain as Batman in Gotham City. He also got a new costume to differentiate himself from Dick's costume. It had a lot of piping and a protruding, glowing yellow oval; future artists tended to tone down almost all of its elements.

Batman, in most of his incarnations, is a dark and brooding hero with a personal vendetta against crime and injustice. Psychologically traumatized by the death of his parents, Batman has sworn to rid Gotham from the criminal elements that took his parents away from him. He is extremely pessimistic and suspicious, which often makes it difficult for him to trust people other than Alfred, Commissioner Gordon, Lucius Fox, the Robins or the Batgirls.

Batman was one of the few superhero characters to be continuously published as interest in the genre waned during the 1950s. In the story "The Mightiest Team in the World" in Superman #76 (June 1952), Batman teams up with Superman for the first time and the pair discover each other's secret identity.[38] Following the success of this story, World's Finest Comics was revamped so it featured stories starring both heroes together, instead of the separate Batman and Superman features that had been running before.[39] The team-up of the characters was "a financial success in an era when those were few and far between";[40] this series of stories ran until the book's cancellation in 1986.

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With the beginning of the New 52, Scott Snyder was the writer of the Batman title. His first major story arc was "Night of the Owls", where Batman confronts the Court of Owls, a secret society that has controlled Gotham for centuries. The second story arc was "Death of the Family", where the Joker returns to Gotham and simultaneously attacks each member of the Batman family. The third story arc was "Batman: Zero Year", which redefined Batman's origin in The New 52. It followed Batman #0, published in June 2012, which explored the character's early years. The final storyline before the "Convergence" (2015) storyline was "Endgame", depicting the supposed final battle between Batman and the Joker when he unleashes the deadly Endgame virus onto Gotham City. The storyline ends with Batman and the Joker's supposed deaths.
This bat suit has gotten quite a bit of flack since it was first shown to the public. While looking an amalgam of Nightowl from Watchmen and the armored suit from Batman: Arkham Knight, this is one of the most odd-looking bat suits on our list. Because the movie has not been released, we can really only speculate at this moment what this “tactical” suit will be used for, but odds are it will have been made for some extremely specific reason. Because Batman.

Sales had lagged enough that Julius Schwartz was brought on board and he brought star artist Carmine Infantino with him. They wanted to emphasize that this was a new era in Batman comics, so they changed the costume by adding a yellow oval behind Batman's bat symbol on his chest. However, that was pretty much it for changes, so it wasn't exactly groundbreaking.


On the way down, the black-haired stranger notices the drawings he made, all those years ago. Loggins meanwhile recounts the lore of the perils they are soon to face: The Whistling Demon, The Breath of The Bat, The Bridge of Bones and The River of Night. Blackbeard tells him to shut up, but the stranger works out the first trap - a set of hidden people armed with darts, who aim by echolocation.
There are a plethora of superheroes without superpowers but of them all the Batman character relies on "his own scientific knowledge, detective skills, and athletic prowess." In the comic books, Batman is regarded as one of the world's greatest detectives. During Grant Morrison's first story-ine in JLA, Superman describes Batman as "the most dangerous man on Earth," able to defeat a team of super-powered aliens all by himself in order to rescue his imprisoned teammates. He is also a master of disguise, often gathering information under the identity of Matches Malone, a notorious gangster. Through intense training, specialized diet, and biofeedback treatments, Batman represented the pinnacle of human physical prowess. His physical attributes exceeded that of most Olympic level athlete that ever competed. His strength, speed, stamina, agility, reflexes, and coordination are at peak human perfection.

Starting with Batman vol. 2, #41, Commissioner James Gordon takes over Bruce's mantle as a new, state-sanctioned, robotic-Batman, debuting in the Free Comic Book Day special comic Divergence. However, Bruce Wayne is soon revealed to be alive, albeit now suffering almost total amnesia of his life as Batman and only remembering his life as Bruce Wayne through what he has learned from Alfred. Bruce Wayne finds happiness and proposes to his girlfriend, Julie Madison, but Mr. Bloom heavily injures Jim Gordon and takes control of Gotham City and threatens to destroy the city by energizing a particle reactor to create a "strange star" to swallow the city. Bruce Wayne discovers the truth that he was Batman and after talking to a stranger who smiles a lot (it is heavily implied that this is the amnesic Joker) he forces Alfred to implant his memories as Batman, but at the cost of his memories as the reborn Bruce Wayne. He returns and helps Jim Gordon defeat Mr. Bloom and shut down the reactor. Gordon gets his job back as the commissioner, and the government Batman project is shut down.[68]


Many of the major Batman storylines since the 1990s have been inter-title crossovers that run for a number of issues. In 1993, DC published "Knightfall". During the storyline's first phase, the new villain Bane paralyzes Batman, leading Wayne to ask Azrael to take on the role. After the end of "Knightfall", the storylines split in two directions, following both the Azrael-Batman's adventures, and Bruce Wayne's quest to become Batman once more. The story arcs realign in "KnightsEnd", as Azrael becomes increasingly violent and is defeated by a healed Bruce Wayne. Wayne hands the Batman mantle to Dick Grayson (then Nightwing) for an interim period, while Wayne trains for a return to the role.[137]
Starting in 2006, Grant Morrison and Paul Dini were the regular writers of Batman and Detective Comics, with Morrison reincorporating controversial elements of Batman lore. Most notably of these elements were the science fiction themed storylines of the 1950s Batman comics, which Morrison revised as hallucinations Batman suffered under the influence of various mind-bending gases and extensive sensory deprivation training. Morrison's run climaxed with "Batman R.I.P.", which brought Batman up against the villainous "Black Glove" organization, which sought to drive Batman into madness. "Batman R.I.P." segued into Final Crisis (also written by Morrison), which saw the apparent death of Batman at the hands of Darkseid. In the 2009 miniseries Batman: Battle for the Cowl, Wayne's former protégé Dick Grayson becomes the new Batman, and Wayne's son Damian becomes the new Robin.[65][66] In June 2009, Judd Winick returned to writing Batman, while Grant Morrison was given his own series, titled Batman and Robin.[67]
The end result was a character who looked like he would fit right along famous pulp heroes like the Shadow, with a distinct-looking cowl and a cape that still managed to maintain some of its wing-like approach. This was the type of character that you would take one glance at and think, "Yeah, this dude wouldn't mind snapping a neck or two to get the job done." That fit the early style of Batman stories perfectly.
The original suit worn by Michael Keaton in Tim Burton’s Batman was exactly what one would expect from the time period. Taking the darkness of Tim Burton’s mind, mixing it with Batman and then throwing in Jack Nicholson as the Joker sold the entire set-up. Michael Keaton wore the suit better than just about anyone else who has donned the cape and cowl, becoming the perfect mix of Bruce Wayne and Batman.

The central fixed event in the Batman stories is the character's origin story.[85] As a young boy, Bruce Wayne was horrified and traumatized when he watched his parents, the physician Dr. Thomas Wayne and his wife Martha, murdered with a gun by a mugger named Joe Chill. Batman refuses to utilize any sort of gun on the principle that a gun was used to murder his parents. This event drove him to train his body to its peak condition and fight crime in Gotham City as Batman. Pearson and Uricchio also noted beyond the origin story and such events as the introduction of Robin, "Until recently, the fixed and accruing and hence, canonized, events have been few in number",[85] a situation altered by an increased effort by later Batman editors such as Dennis O'Neil to ensure consistency and continuity between stories.[124]
Though not much had changed in regard to terms of costume between films, the difference of the slightly more sleek symbol and the armor makes us think that Batman has decided that he needs to up his game, both in terms of fashion and fighting, and keep up with the kind of criminals that Gotham seems to be producing at an increasingly alarming rate.
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