Batman is at times a member of superhero teams such as the Justice League of America and the Outsiders. Batman has often been paired in adventures with his Justice League teammate Superman, notably as the co-stars of World's Finest and Superman/Batman series. In pre-Crisis continuity, the two are depicted as close friends; however, in current continuity, they are still close friends but an uneasy relationship, with an emphasis on their differing views on crime-fighting and justice. In Superman/Batman #3 (Dec. 2003), Superman observes, "Sometimes, I admit, I think of Bruce as a man in a costume. Then, with some gadget from his utility belt, he reminds me that he has an extraordinarily inventive mind. And how lucky I am to be able to call on him."[100]

Finger did not receive the same recognition. While he had received credit for other DC work since the 1940s, he began, in the 1960s, to receive limited acknowledgment for his Batman writing; in the letters page of Batman #169 (February 1965) for example, editor Julius Schwartz names him as the creator of the Riddler, one of Batman's recurring villains. However, Finger's contract left him only with his writing page rate and no byline. Kane wrote, "Bill was disheartened by the lack of major accomplishments in his career. He felt that he had not used his creative potential to its fullest and that success had passed him by."[16] At the time of Finger's death in 1974, DC had not officially credited Finger as Batman co-creator.

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O'Neil and Adams first collaborated on the story "The Secret of the Waiting Graves" in Detective Comics #395 (Jan. 1970). Few stories were true collaborations between O'Neil, Adams, Schwartz, and inker Dick Giordano, and in actuality these men were mixed and matched with various other creators during the 1970s; nevertheless the influence of their work was "tremendous".[51] Giordano said: "We went back to a grimmer, darker Batman, and I think that's why these stories did so well ..."[52] While the work of O'Neil and Adams was popular with fans, the acclaim did little to improve declining sales; the same held true with a similarly acclaimed run by writer Steve Englehart and penciler Marshall Rogers in Detective Comics #471–476 (Aug. 1977 – April 1978), which went on to influence the 1989 movie Batman and be adapted for Batman: The Animated Series, which debuted in 1992.[53] Regardless, circulation continued to drop through the 1970s and 1980s, hitting an all-time low in 1985.[54]
Batman knew that Deadpool trapped Green Arrow. "I must fight Deadpool! I will flush him out!" Batman said to himself. "Someone is gonna rescue me and knock you out." Green Arrow shouted. "No one will be there, Green Arrow." Deadpool teased. Batman honked the horn. "Well, I was wrong! What is that shiny thing?" Deadpool teased, talking to Batman. "I wonder who you fight. If you mess with The Justice League, you mess with me!"…

Batman was one of the few superhero characters to be continuously published as interest in the genre waned during the 1950s. In the story "The Mightiest Team in the World" in Superman #76 (June 1952), Batman teams up with Superman for the first time and the pair discover each other's secret identity.[38] Following the success of this story, World's Finest Comics was revamped so it featured stories starring both heroes together, instead of the separate Batman and Superman features that had been running before.[39] The team-up of the characters was "a financial success in an era when those were few and far between";[40] this series of stories ran until the book's cancellation in 1986.

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Bat-Suit: Batman's costume is composed of Kevlar and a small percentage of titanium; it is bullet-proof and resistant to most forms of attack (explosions, blunt trauma, falls, etc.) It is also flame-retardant and insulated. The gloves and the boots are reinforced to nullify the impact of punches and kicks. Batman's gauntlets have retractable metallic blades on their sides. The cape is extremely light and can be used to glide long distances. The cowl is composed in small part by lead, which shields Batman's face from identification via x-rays. It has also an infrared viewer and auditory sensors. The cowl is outfitted with security systems (aggravating gas, electric blasts, etc.) like the utility belt. The mask is also a transmitter-receiver.
Peak Human Conditioning: Through intense training, specialized diet, and biofeedback treatments, The Batman represented the absolute pinnacle of human physical prowess. His physical attributes is at the natural limits far above than that of an Olympic level athlete that has ever competed. His strength, speed, stamina, agility, reflexes, senses, healing and endurance are at the peak of human potential. Batman began his physical and mental conditioning when he was 10 and then intense physical training and weight lifting at age 12. He had mastered full body control by the time he was 18. Bruce Wayne, since the age of 15, has created a strict diet to enable his body to develop and operate at its most proficient, along with biofeedback treatments (using portable/non-portable machines to stimulate muscles to contraction). Batman being able to perform amazing physical feats is due to his superior physique. He engaged in an intensive regular regimen of rigorous exercise (including aerobics, weight lifting, gymnastics, and simulated combat) to keep himself in peak condition, and has often defeated opponents whose size, strength, or other powers greatly exceeded his own. He has spent his entire life in pursuit of physical perfection and has attained it through constant intensive training and determination. Following his recent exposure to Dionesium he has become much stronger and faster than ever before.
There are eleven theatrical Batman movies: Batman - 1943 (serial) Batman and Robin - 1949 (serial) Batman - 1966 Batman - 1989 Batman: Mask of the Phantasm - 1993 (animated) Batman Returns - 1992 Batman Forever - 1995 Batman and Robin - 1997 Batman Begins - 2005 The Dark Knight - 2008 The Dark Knight Rises - 2012 More: toprater.com/en/movies/objects/2829761-the-dark-knight-rises-2012 There are six Batman direct to video animated films: Batman & Mr. Freeze: SubZero…

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The New Earth version of Julie was slightly changed from her previous counterparts. In this version, Julie had auburn hair instead of black and she was the daughter of Norman Madison, a wealthy entrepreneur. She started a relationship with Bruce, but when she learned that he was Batman and that her father was killed as a result of Batman's actions, she left Gotham and her relationship with Bruce, choosing to become a missionary in Africa.[3]
In Batman and Robin's third storyline, "Blackest Knight," it is revealed that the body left behind at the end of Final Crisis #6 was actually a clone created from a failed attempt by Darkseid to amass an army of Batmen. Because of this, the skull that was used by the Black Lantern Corps and reanimated by Nekron was a fake. Dick Grayson, thinking it was Bruce Wayne's real body, attempted to resurrect it in a Lazarus Pit only to be met with a fierce, mindless combatant. He then realized the truth about the body.

Another of Batman's characterizations is that of a vigilante; in order to stop evil that started with the death of his parents, he must sometimes break the law himself. Although manifested differently by being re-told by different artists, it is nevertheless that the details and the prime components of Batman's origin have never varied at all in the comic books, the "reiteration of the basic origin events holds together otherwise divergent expressions".[90] The origin is the source of the character's traits and attributes, which play out in many of the character's adventures.[85] He also speaks over 40 different languages.[91]

Batman comics were among those criticized when the comic book industry came under scrutiny with the publication of psychologist Fredric Wertham's book Seduction of the Innocent in 1954. Wertham's thesis was that children imitated crimes committed in comic books, and that these works corrupted the morals of the youth. Wertham criticized Batman comics for their supposed homosexual overtones and argued that Batman and Robin were portrayed as lovers.[41] Wertham's criticisms raised a public outcry during the 1950s, eventually leading to the establishment of the Comics Code Authority, a code that is no longer in use by the comic book industry. The tendency towards a "sunnier Batman" in the postwar years intensified after the introduction of the Comics Code.[42] Scholars have suggested that the characters of Batwoman (in 1956) and the pre-Barbara Gordon Bat-Girl (in 1961) were introduced in part to refute the allegation that Batman and Robin were gay, and the stories took on a campier, lighter feel.[43]

Oddly enough, Batman was out of touch for a few months when things got really bad (also on our list of the worst things he's ever done), but when he returned, he was now rocking a much more down-to-Earth costume that included giant pouches on his utility belt, as Batman had to take a much more low tech approach to crime-fighting during "No Man's Land," as he was cut off from much of his Bat-technology.

Master of Disguise: Has mastered the art of disguise by the time he was 23. Has further learned Expanded Disguise techniques by the time he was 26. Batman has many aliases he uses to infiltrate the underworld or just to go undercover in public situations. His current aliases are: Matches Malone, Thomas Quigley, Ragman, Detective Hawke, Sir Hemingford Grey, Lester Krutz, Frank Dixon, Gordon Selkirk, and Mr. Fledermaus.
After the Commissioner Gordon Batman armor experiment ended (with Gordon doing quite well, really, just not quite the same levels as the main man), Bruce Wayne returned as Batman, wearing a brand-new costume designed by Capullo. The best thing about the costume is that it really looks like the type of outfit that a superhero can move in, which was a marked improvement over the last two outfits. It looks like something an actual person could wear.

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Batman makes his way through the asylum, overcoming Mr. Freeze, Scarecrow and Clayface. He finds Joker with Two-Face, Riddler, and Penguin, but before he can stop them, Joker shows him a video of Robin, Red Hood, Nightwing, Batgirl and Red Robin being captured. Joker orders Batman to take his place on his throne, an electric chair, to spare their lives, and Batman does so, receiving an electric shock

At the end of the issue, the archivist is revealed to be an older version of Batman himself, who steals Rip Hunter's time bubble and leaves the heroes to experience the death of the universe, Superman pleading with him to stop. Superman reveals that, when Darkseid sent Batman back in time, he erased Bruce's memories but turned him into an unspecified 'doomsday weapon', knowing that Batman's powerful survival instincts would lead him back to the twenty-first century, at which point Darkseid's 'trap' will be triggered.


^ "Batman Artist Rogers is Dead". SciFi Wire. March 28, 2007. Archived from the original on February 1, 2009: "Even though their Batman run was only six issues, the three laid the foundation for later Batman comics. Their stories include the classic 'Laughing Fish' (in which the Joker's face appeared on fish); they were adapted for Batman: The Animated Series in the 1990s. Earlier drafts of the 1989 Batman movie with Michael Keaton as the Dark Knight were based heavily on their work."
In 1992, Batman: The Animated Series premiered on the Fox television network; produced by Warner Bros. Animation and featuring Kevin Conroy as the voice of Batman. The series received considerable acclaim for its darker tone, mature writing, stylistic design, and thematic complexity compared to previous superhero cartoons,[165][166] in addition to multiple Emmy Awards.[167][168] The series' success led to the theatrical film Batman: Mask of the Phantasm (1993),[169] as well as various spin-off TV series; including Superman: The Animated Series, The New Batman Adventures, Justice League and Justice League Unlimited (each of which also featured Conroy as Batman's voice). The futuristic series Batman Beyond also took place in this same animated continuity and featured a newer, younger Batman voiced by Will Friedle, with the elderly Bruce Wayne (again voiced by Conroy) as a mentor.

The Burton suit was almost completely black. This made a lot more sense for a character that's using darkness to his advantage. The Bat logo encircled in yellow hearkened back to classic costumes of the past. This suit also set a trend in films by making costumes out of more armor-like materials rather than spandex. Let's be real; spandex looks a little silly on screen.

Batman's primary character traits can be summarized as "wealth; physical prowess; deductive abilities and obsession".[85] The details and tone of Batman comic books have varied over the years due to different creative teams. Dennis O'Neil noted that character consistency was not a major concern during early editorial regimes: "Julie Schwartz did a Batman in Batman and Detective and Murray Boltinoff did a Batman in the Brave and the Bold and apart from the costume they bore very little resemblance to each other. Julie and Murray did not want to coordinate their efforts, nor were they asked to do so. Continuity was not important in those days."[86]

Batman was one of the few superhero characters to be continuously published as interest in the genre waned during the 1950s. In the story "The Mightiest Team in the World" in Superman #76 (June 1952), Batman teams up with Superman for the first time and the pair discover each other's secret identity.[38] Following the success of this story, World's Finest Comics was revamped so it featured stories starring both heroes together, instead of the separate Batman and Superman features that had been running before.[39] The team-up of the characters was "a financial success in an era when those were few and far between";[40] this series of stories ran until the book's cancellation in 1986.

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In Batman and Robin's third storyline, "Blackest Knight," it is revealed that the body left behind at the end of Final Crisis #6 was actually a clone created from a failed attempt by Darkseid to amass an army of Batmen. Because of this, the skull that was used by the Black Lantern Corps and reanimated by Nekron was a fake. Dick Grayson, thinking it was Bruce Wayne's real body, attempted to resurrect it in a Lazarus Pit only to be met with a fierce, mindless combatant. He then realized the truth about the body.
At the end of the issue, the archivist is revealed to be an older version of Batman himself, who steals Rip Hunter's time bubble and leaves the heroes to experience the death of the universe, Superman pleading with him to stop. Superman reveals that, when Darkseid sent Batman back in time, he erased Bruce's memories but turned him into an unspecified 'doomsday weapon', knowing that Batman's powerful survival instincts would lead him back to the twenty-first century, at which point Darkseid's 'trap' will be triggered.
Another example of a costume design that ended up working better when other artists drew it, if only because they toned down the odder elements of the design, is Jim Lee's design for Batman in the New 52. A lot of Lee's designs for New 52 characters involved the use of armor, even on characters who otherwise wouldn't seem to be prone to wearing armor (like Superman). Lee used a lot of the piping approach of the Batman Incorporated costume, but included it in the armor design and a utility "belt" that was just individual patches on the armor.
When Bob Kane first designed Batman's costume, his idea behind Batman was more similar to Hawkman than anything else, in the sense that he saw the character as literally flying like a bat via Bat-like wings. Incidentally, Kane was influenced by some of Leonardo Da Vinci's designs of a theoretical flying machine. Kane's collaborator, Bill Finger, told Kane that he should make the wings a cape instead. In addition, while Kane was thinking a red costume, Finger told him to go darker instead.
Writers of Batman and Superman stories have often compared and contrasted the two. Interpretations vary depending on the writer, the story, and the timing. Grant Morrison[81] notes that both heroes "believe in the same kind of things" despite the day/night contrast their heroic roles display. He notes an equally stark contrast in their real identities. Bruce Wayne and Clark Kent belong to different social classes: "Bruce has a butler, Clark has a boss." T. James Musler's book Unleashing the Superhero in Us All explores the extent to which Bruce Wayne's vast personal wealth is important in his life story, and the crucial role it plays in his efforts as Batman.[82]
The perfect combination of the various Batman costume eras came at the turn of the 21st Century. With "No Man's Land" now over, Batman could get back to being a normal superhero again and he began to fight crime in a costume influenced by Alex Ross's Batman designs. It had a lot of the same feel of the Bronze Age Neal Adams' costume; however, it was much darker than that and did not have the yellow oval on it.
Tim Drake was barely more than a toddler when he sat in the stands at Haly's Circus and watched the Flying Graysons fall to their doom. Tim was transfixed as the Dark Knight swooped down to comfort young Dick Grayson. The moment was burned into his memory. Years later, Tim saw news reports of an unhinged Batman becoming more and more violent following the death of the second Robin, Jason Todd. Using his detective skills, Tim deduced the secret identity of Batman and the first Boy Wonder, Dick Grayson.
However, it was not as black as the "Troika" costume. This was more like the approach of the "Batman: The Animated Series" Batman, with a large bat symbol, dark gray legs and shirt and black everything else (with the utility belt maintaining the pouch look, but also adding a bit of color to the proceedings). This was basically the costume that made its way into the "Justice League" cartoon series and lasted most of the decade in a time when people were changing costumes like crazy. It's really the closest we have to the "ultimate" Batman costume.
After another battle Scarecrow, Batman returned to one of his safe-houses to recover, only for it to be attacked by Wonder Woman, the Flash, Aquaman and Superman. Using his Justice Buster armor, he was able to defeat the group, though was almost killed by Superman. Whilst observing them, he discovered that they had been infected with a new toxin created by the Joker. Investigating the Clown Prince of Crime's former cell in Arkham, Batman was locked up within it by the criminal, who had been posing as a former orderly. Joker revealed that he had grown "bored" of the games with Batman and intended to kill the Dark Knight. Paralyzed by the gas, he was helpless whilst the Joker released an airborne form of the toxin used on the Justice League.
Batman was one of the few superhero characters to be continuously published as interest in the genre waned during the 1950s. In the story "The Mightiest Team in the World" in Superman #76 (June 1952), Batman teams up with Superman for the first time and the pair discover each other's secret identity.[38] Following the success of this story, World's Finest Comics was revamped so it featured stories starring both heroes together, instead of the separate Batman and Superman features that had been running before.[39] The team-up of the characters was "a financial success in an era when those were few and far between";[40] this series of stories ran until the book's cancellation in 1986. 

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Wealthy entrepreneur Bruce Wayne and his ward Dick Grayson lead a double life: they are actually the crime-fighting duo Batman and Robin. A secret Batpole in the Wayne mansion leads to the Batcave, where Police Commissioner Gordon summons the Dynamic Duo on the Batphone with the latest emergency threatening Gotham City. Racing to the scene of the crime in the jet-powered Batmobile, Batman and Robin must (with the help of their trusty utility-belts) thwart the efforts of a rogues gallery of flamboyant arch-villains, including the Joker, the Penguin, the Riddler and the Catwoman. Written by Murray Chapman

Batman’s origin story is the departure point for many different renditions of the character. In initial versions, he’s the inscrutable almost anti-hero, and in others, such as the 1960s television series, he’s a much more levelheaded guy living in a much less corrupt city. The 1960s series leaned heavily on camp, and prompted some to think of killing off the character forever. However, interest in this superhero revived in the 1980s, first with famous graphic novelist Frank Miller’s limited comic book series The Dark Knight Returns and then with the 1989 Tim Burton film. Both Miller and Burton were resolved on dispatching the image of the law-abiding television series superhero to return to his much darker beginnings, though Burton did so with considerable humor.
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Expert Inquisitor: Batman is adept in the use of interrogation techniques, employing anything from law enforcement methods to outright torture. Several techniques have been seen, include hanging a person over the edge of a building by one leg or chaining a person upside down and beating them. He usually just plain uses his frightening appearance to get answers. "Fear is an excellent motivator" he once said."
While most of Batman's romantic relationships tend to be short in duration, Catwoman has been his most enduring romance throughout the years.[110] The attraction between Batman and Catwoman, whose real name is Selina Kyle, is present in nearly every version and medium in which the characters appear. Although Catwoman is typically portrayed as a villain, Batman and Catwoman have worked together in achieving common goals and are usually depicted as having a romantic connection.

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