On the way, the young man, who introduces himself as cabin boy Jack Loggins, tells them that when the Pilgrims came over, the last of the Deer People joined their one-time brothers, the Bat-People, in the caves of Gotham. Blackbeard wonders at the possibility of ransoming Loggins, but the black-haired stranger shoots this down, pointing to the callouses on Loggin's hands and the general state of his clothes.
All Batman origin stories tend to agree that the character was deeply wounded by witnessing the death of his parents at an early age. In many renditions the murderer was simply a mugger. Tim Burton’s film Batman differs in this respect to suggest it was the Joker who killed Batman’s parents. The loss of Bruce’s parents and the corrupt nature of Gotham City where Bruce lives, makes him seek a way of dispatching villains. Gotham City is often depicted as intensely corrupt in almost every aspect of its society. Not even the police force can be trusted, since many of them are on the take.

Expert Acrobat: Proficient in gymnastics and acrobatics, to the peak of human ability. He is particularly skilled in parkour and free running. He can perform impeccably precise acrobatic moves instinctively in combat, or whilst escaping a catastrophe, and can even dodge a superhuman individual's blows and sword-swings. He regularly practices his gymnastics and acrobatics blindfolded.

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Over the years, there have been numerous others to assume the name of Batman, or to officially take over for Bruce during his leaves of absence. Jean Paul Valley, also known as Azrael, assumed the cowl after the events of the Knightfall saga.[60] James Gordon donned a mech-suit after the events of Batman: Endgame, and served as Batman in 2015 and 2016.

1994's company-wide crossover Zero Hour changes aspects of DC continuity again, including those of Batman. Noteworthy among these changes is that the general populace and the criminal element now considers Batman an urban legend rather than a known force. Similarly, the Waynes' killer is never caught or identified, effectively removing Joe Chill from the new continuity, rendering stories such as "Year Two" non-canon.
Joker, however, had discovered the ruse sooner than he expected and followed him to the pool. Having already retrieved samples to create a cure to the toxin, Batman fought his arch nemesis for what seemed to be the last time, during which he and Joker sustained several grave injuries. With the cave collapsing from explosives set off, Batman stopped Joker from escaping by holding him away from the pool, which was blocked with the falling rock. With Gotham once again saved, Batman accepted that he would die and sent one last message to Julia, during which he refused her help to escape his fate. He and the Joker would seemingly die as the cave collapsed upon them.
A series of films followed Burton’s first, most of them lessening in quality. Interest in the character revived and led to several television animated series too. Once again, though, interest in Batman appeared to die off, particularly with the lessening success of the films. However, interest again surged with the 2005 film, Batman Begins, an attempt to restart the series and cast it in possibly its darkest tone as of yet. It focuses much more on Bruce Wayne’s athletic training, search for redemption of his corrupt city, but also on a character that is more morally sound than the Burton films, in some ways echoing the television character of the 60s, minus the camp. For fans of the character, this recreation has been very satisfying, and fans eagerly awaited the sequel to Nolan’s first film, The Dark Knight which premiered in the summer of 2008.
The character became popular soon after his introduction in 1939 and gained his own comic book title, Batman, the following year. As the decades went on, different interpretations of the character emerged. The late 1960s Batman television series used a camp aesthetic, which continued to be associated with the character for years after the show ended. Various creators worked to return the character to his dark roots, culminating in 1986 with The Dark Knight Returns by Frank Miller. The success of Warner Bros. Pictures' live-action Batman feature films have helped maintain the character's prominence in mainstream culture.[7]
Batman keeps most of his field equipment in his utility belt. Over the years it has shown to contain an assortment of crime-fighting tools, weapons, and investigative and technological instruments. Different versions of the belt have these items stored in compartments, often as pouches or hard cylinders attached evenly around it. Batman is often depicted as carrying a projectile which shoots a retractable grappling hook attached to a cable. This allows him to attach to distant objects, be propelled into the air, and thus swing from the rooftops of Gotham City. An exception to the range of Batman's equipment are guns, which he refuses to use on principle, since a gun was used in his parents' murder.
In Batman's first appearance in Detective Comics #27, he is already operating as a crime-fighter.[125] Batman's origin is first presented in Detective Comics #33 (Nov. 1939) and is later expanded upon in Batman #47. As these comics state, Bruce Wayne is born to Dr. Thomas Wayne and his wife Martha, two very wealthy and charitable Gotham City socialites. Bruce is brought up in Wayne Manor, and leads a happy and privileged existence until the age of eight, when his parents are killed by a small-time criminal named Joe Chill while on their way home from a movie theater. That night, Bruce Wayne swears an oath to spend his life fighting crime. He engages in intense intellectual and physical training; however, he realizes that these skills alone would not be enough. "Criminals are a superstitious cowardly lot", Wayne remarks, "so my disguise must be able to strike terror into their hearts. I must be a creature of the night, black, terrible ..." As if responding to his desires, a bat suddenly flies through the window, inspiring Bruce to craft the Batman persona.[126]
This also gave him the first bat suit which wasn’t hindered by the cowl being directly attached to the shoulders and could therefore move his head. Among other new improvements like being able to launch his triangle forearm blades, this version was a force to be reckoned with. Above all else, this is the perfect, most fully functional bat suit that there has been to date.
Batman's first romantic interest was Julie Madison in Detective Comics #31 (Sept. 1939), however their romance was short-lived. Some of Batman's romantic interests have been women with a respected status in society, such as Julie Madison, Vicki Vale, and Silver St. Cloud. Batman has also been romantically involved with allies, such as Kathy Kane (Batwoman), Sasha Bordeaux, and Wonder Woman, and with villains, such as Selina Kyle (Catwoman), Jezebel Jet, Pamela Isley (Poison Ivy), and Talia al Ghul.
Batman is strongly disciplined, and he has the ability to function under great physical pain and resist most forms of telepathy and mind control. He is a master of disguise, multilingual, and an expert in espionage, often gathering information under the identity of a notorious gangster named Matches Malone. Batman is highly skilled in stealth movement and escapology, which allows him to appear and disappear at will and to break free of nearly inescapable deathtraps with little to no harm.
The informal name "Batman family" is used for a group of characters closely allied with Batman, generally masked vigilantes who either have been trained by Batman or operate in Gotham City with his tacit approval. They include: Barbara Gordon, Commissioner Gordon's daughter, who has fought crime under the vigilante identity of Batgirl and, during a period in which she was confined to a wheelchair due to a gunshot wound inflicted by the Joker, the computer hacker Oracle; Helena Bertinelli, the sole surviving member of a mob family turned vigilante, who has worked with Batman on occasion, primarily as the Huntress and as Batgirl for a brief stint; Cassandra Cain, the daughter of professional assassins David Cain, and Lady Shiva, who succeeded Bertinelli as Batgirl.

Batman once again becomes a member of the Justice League during Grant Morrison's 1996 relaunch of the series, titled JLA. During this time, Gotham City faces catastrophe in the decade's closing crossover arc. In 1998's "Cataclysm" storyline, Gotham City is devastated by an earthquake and ultimately cut off from the United States. Deprived of many of his technological resources, Batman fights to reclaim the city from legions of gangs during 1999's "No Man's Land".

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Following the apparent death of Batman (as well as the Joker) at the conclusion of "Endgame," Gotham City had to figure out what to do now that they were without a Batman. Gotham City Police Department, working with a private tech company, decided to answer the call themselves by making a Batman mecha suit of armor to fight crime for Gotham City as part of the police force. The person that they chose to wear the armor was Commissioner James Gordon (who better to trust as Batman than one of the few people Batman trusts himself?).

In various incarnations, most notably the 1960s Batman TV series, Commissioner Gordon also has a dedicated phone line, dubbed the Bat-Phone, connected to a bright red telephone (in the TV series) which sits on a wooden base and has a transparent top. The line connects directly to Batman's residence, Wayne Manor, specifically both to a similar phone sitting on the desk in Bruce Wayne's study and the extension phone in the Batcave.
Batman once again becomes a member of the Justice League during Grant Morrison's 1996 relaunch of the series, titled JLA. During this time, Gotham City faces catastrophe in the decade's closing crossover arc. In 1998's "Cataclysm" storyline, Gotham City is devastated by an earthquake and ultimately cut off from the United States. Deprived of many of his technological resources, Batman fights to reclaim the city from legions of gangs during 1999's "No Man's Land".

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Joker, however, had discovered the ruse sooner than he expected and followed him to the pool. Having already retrieved samples to create a cure to the toxin, Batman fought his arch nemesis for what seemed to be the last time, during which he and Joker sustained several grave injuries. With the cave collapsing from explosives set off, Batman stopped Joker from escaping by holding him away from the pool, which was blocked with the falling rock. With Gotham once again saved, Batman accepted that he would die and sent one last message to Julia, during which he refused her help to escape his fate. He and the Joker would seemingly die as the cave collapsed upon them.
So Jean-Paul came up with the armored look, which, to be frank, is not all that bad of a costume in general. It's just not a good costume for Batman. That said, it also served as a strong excuse for what happened to Batman so that people would not guess that there was a new Batman patrolling Gotham. In other words, everyone saw Bane throw Batman to the ground after breaking his back, so it made some sense for him to return wearing a suit of armor and beating up Bane.
Starting in 2006, Grant Morrison and Paul Dini were the regular writers of Batman and Detective Comics, with Morrison reincorporating controversial elements of Batman lore. Most notably of these elements were the science fiction themed storylines of the 1950s Batman comics, which Morrison revised as hallucinations Batman suffered under the influence of various mind-bending gases and extensive sensory deprivation training. Morrison's run climaxed with "Batman R.I.P.", which brought Batman up against the villainous "Black Glove" organization, which sought to drive Batman into madness. "Batman R.I.P." segued into Final Crisis (also written by Morrison), which saw the apparent death of Batman at the hands of Darkseid. In the 2009 miniseries Batman: Battle for the Cowl, Wayne's former protégé Dick Grayson becomes the new Batman, and Wayne's son Damian becomes the new Robin.[65][66] In June 2009, Judd Winick returned to writing Batman, while Grant Morrison was given his own series, titled Batman and Robin.[67]
Weapon Master: Through his martial arts training, he has become an expert on virtually all types of weaponry. He is an exceptional swordsman as evident in his fight with Ra's al Ghul, his proficiency in Jui Jitsu can proclaim his swordsmanship skill. Proficient with most melee weapons because of his mastery of Okinawan Kobudo. He was trained and became extremely proficient in all arms. He soon learned expanded melee weapon techniques and he has learned expanded weapon/device sciences. He still practices during his combat sessions to keep his skills intact, though he prefers unarmed combat.
Batman's history has undergone many retroactive continuity revisions, both minor and major. Elements of the character's history have varied greatly. Scholars William Uricchio and Roberta E. Pearson noted in the early 1990s, "Unlike some fictional characters, the Batman has no primary urtext set in a specific period, but has rather existed in a plethora of equally valid texts constantly appearing over more than five decades."[123]
Batman met juvenile delinquent and presumed orphan, Jason Todd, when the boy literally tried to steal the tires right off the Batmobile. With original partner Dick Grayson having given up the role of Robin, Batman decided to take Jason in and offer him both a home and a purpose. Jason began the same training regimen Grayson once undertook to become the Dark Knight's partner. However, Jason was a troubled soul who lacked maturity and was quick to anger. 

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In various incarnations, most notably the 1960s Batman TV series, Commissioner Gordon also has a dedicated phone line, dubbed the Bat-Phone, connected to a bright red telephone (in the TV series) which sits on a wooden base and has a transparent top. The line connects directly to Batman's residence, Wayne Manor, specifically both to a similar phone sitting on the desk in Bruce Wayne's study and the extension phone in the Batcave.
In Batman and Psychology: A Dark and Stormy Knight, Travis Langley argues that the concept of archetypes as described by psychologists Carl Jung and Joseph Campbell is present in the Batman mythos, such that the character represents the "shadow archetype". This archetype, according to Langley, represents a person's own dark side; it is not necessarily an evil one, but rather one that is hidden from the outside and concealed from both the world and oneself. Langley argues that Bruce Wayne confronts his own darkness early in life; he chooses to use it to instill fear in wrongdoers, with his bright and dark sides working together to fight evil. Langley uses the Jungian perspective to assert that Batman appeals to our own need to face our "shadow selves".[207][208] Dr. Travis Langley also taught a class called Batman, a title he was adamant about. "I could have called it something like the Psychology of Nocturnal Vigilantism, but no. I called it Batman," Langley says.[209]
Batman has no inherent superhuman powers; he relies on "his own scientific knowledge, detective skills, and athletic prowess".[30] Batman's inexhaustible wealth gives him access to advanced technologies, and as a proficient scientist, he is able to use and modify these technologies to his advantage. In the stories, Batman is regarded as one of the world's greatest detectives, if not the world's greatest crime solver.[116] Batman has been repeatedly described as having a genius-level intellect, being one of the greatest martial artists in the DC Universe, and having peak human physical conditioning.[117] As a polymath, his knowledge and expertise in countless disciplines is nearly unparalleled by any other character in the DC Universe.[118] He has traveled the world acquiring the skills needed to aid him in his endeavors as Batman. In the Superman: Doomed story arc, Superman considers Batman to be one of the most brilliant minds on the planet.[119]

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