Initially, the concept was that it was just a big black body suit with the yellow oval in the middle. The big change, then, was that the "underwear" was no longer featured on the costume (something that Superman did not get rid of until 2011). By the end of the story, the costume added gloves and boots to the look. Few artists, though, seemed to know how to draw it correctly.
Just as the Black Pirate defeats Blackbeard, Hands puts up the shout - surrender or the boy dies. However, within seconds of the challenge, two of the pirates are dead by Miagani darts, leaving only Blackbeard and Hands. The Black Pirate demands that the two retreat. Then Jack Valor introduces the Black Pirate to the last of the Miagani Tribe. They recognize him, and let into the most sacred part of their cave, which is guarded by a statue of their patron spirit, "the Lord of Night and the Dark Sun", who is supposed to guard them against the day they call the "All-Over". At the back of the cave is the cape of the Lord of Night - the cape that Batman was wearing when he came back in time. The Black Pirate is struck by his memories.
This was the best shown version of a predecessor to the legitimate bat suit, as other versions simply showed a fully trained Bruce in street clothes using his skills to disguise himself. In the main scene featuring the suit, we see Bruce fight his teacher Ducard and he uses a sword, the surrounding area and the bracers to high effect, although he does lose the training exercise.
The early, pulp-inflected portrayal of Batman started to soften in Detective Comics #38 (April 1940) with the introduction of Robin, Batman's junior counterpart. Robin was introduced, based on Finger's suggestion, because Batman needed a "Watson" with whom Batman could talk. Sales nearly doubled, despite Kane's preference for a solo Batman, and it sparked a proliferation of "kid sidekicks". The first issue of the solo spin-off series Batman was notable not only for introducing two of his most persistent enemies, the Joker and Catwoman, but for a pre-Robin inventory story, originally meant for Detective Comics #38, in which Batman shoots some monstrous giants to death. That story prompted editor Whitney Ellsworth to decree that the character could no longer kill or use a gun.
With the amount of costumes he has now worn, we are primed for a ranking of Batman's comic book costumes. As a note on structure, we're only talking costumes he's worn in the "main" continuity, so no alternate reality costumes or possible future costumes. Also, no temporary one-off costumes, but we will count costumes worn by other people who have filled in for Bruce Wayne as Batman.
While Kevin Conroy is the voice of a newer generation of Bat-fans, Adam West is the quintessential Batman of the generation a time slot or two beforehand. The originator of the classic blue and gray fabric costume with a hard face mask, this suit didn’t use any rubber padding, foam armor or tricks of the camera to make people think Batman was a built guy. On the contrary, underneath that suit was one hundred percent grade-A West. Now, Adam West wasn’t a very large man, but he didn’t have to be as he carried the gravity of Batman with suitably campy aplomb.
The Burton suit was almost completely black. This made a lot more sense for a character that's using darkness to his advantage. The Bat logo encircled in yellow hearkened back to classic costumes of the past. This suit also set a trend in films by making costumes out of more armor-like materials rather than spandex. Let's be real; spandex looks a little silly on screen.
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One of the first suits we see from Christopher Nolan’s Batman Begins is Bruce Wayne’s League of Shadows training garb. While mostly built for ease of movement and warmth, the uniform also includes the armor bracers and triangle blades which are present in most bat suits, which is why we count it as a prototype of sorts. This was a great suit because we got to see that Bruce was obviously taught how to use minimal weapons and tricks, but could if need be.
Following the apparent death of Batman (as well as the Joker) at the conclusion of "Endgame," Gotham City had to figure out what to do now that they were without a Batman. Gotham City Police Department, working with a private tech company, decided to answer the call themselves by making a Batman mecha suit of armor to fight crime for Gotham City as part of the police force. The person that they chose to wear the armor was Commissioner James Gordon (who better to trust as Batman than one of the few people Batman trusts himself?).
One day I called Bill and said, 'I have a new character called the Bat-Man and I've made some crude, elementary sketches I'd like you to look at.' He came over and I showed him the drawings. At the time, I only had a small domino mask, like the one Robin later wore, on Batman's face. Bill said, 'Why not make him look more like a bat and put a hood on him, and take the eyeballs out and just put slits for eyes to make him look more mysterious?' At this point, the Bat-Man wore a red union suit; the wings, trunks, and mask were black. I thought that red and black would be a good combination. Bill said that the costume was too bright: 'Color it dark grey to make it look more ominous.' The cape looked like two stiff bat wings attached to his arms. As Bill and I talked, we realized that these wings would get cumbersome when Bat-Man was in action and changed them into a cape, scalloped to look like bat wings when he was fighting or swinging down on a rope. Also, he didn't have any gloves on, and we added them so that he wouldn't leave fingerprints.