Through unknown means, Batman and his allies found themselves in an alternate reality where Gotham City has become the safest city on Earth, where crime was non-existent. The city was under the protection of Batman and his partner/lover Catbird. Poison Ivy wreaked havoc across the city, saying that there was something wrong with the city, but Batman and Catbird stop her. Later, a man named Clayton Parker commits suicide despite Batman's efforts. At the Batcave, Bruce investigates Gotham's suicide rate, which is higher than any other place in America. Later, Bruce finds one of Ivy's thorns embedded on the back of his head. Then, he sees his parents' graves and returns to the cave. After analyzing his blood, Batman finds a drug in his system but he is ambushed by Catbird, who has brought his entire group of allies, Bluebelle and the Wings of Truth, Flying Fox, the Gothamite and, Brightbat. Batman attempts to reason with them, but they attack him. Not wanting to hurt his allies, Batman is forced to throw the fight. Later, Batman is outfitted with a straitjacked ant brought to a mental hospital headed by Jonathan Crane, who he believes is responsible for the mystery.

For the most part, Batman's family and friends come to believe that Bruce Wayne is indeed dead. The only exception to this is Bruce's adopted son Tim Drake, who believes firmly that Bruce is still alive. After having the Robin identity taken from him by Dick Grayson, the new Batman, and giving it to Bruce's son, Damian, Tim takes on the identity of Red Robin, and begins searching the world for signs that Bruce Wayne is still alive. While searching in Baghdad, Tim finds a wall painting of the Bat emblem that was painted by Bruce upon the passing of Anthro. Tim realizes that Bruce is not dead, but rather lost in time.

Oddly enough, Batman was out of touch for a few months when things got really bad (also on our list of the worst things he's ever done), but when he returned, he was now rocking a much more down-to-Earth costume that included giant pouches on his utility belt, as Batman had to take a much more low tech approach to crime-fighting during "No Man's Land," as he was cut off from much of his Bat-technology.
Because Bruce Wayne is retired at the beginning of The Dark Knight Returns, we don’t get to see the suit right away. Instead we get to listen to a conversation between Bruce and a soon to be retired Commissioner James Gordon. When Bruce opens his mouth, we hear the gravely baritone voice of an old Robocop, which works perfectly with the character. Once he decides that he has had enough of the crime on the streets and suits up again, we see that just because Bruce got old, doesn’t mean he let himself go.
Alex Ross is one of the best things to ever happen to art in comics. His fully painted portrayals of characters have the look of spandex and other fabric store materials, but takes just enough liberties with reality to keep them from looking silly. His images of characters like Superman, Spider-Man, and Batman are some of the greatest all-time artistic portrayals of these characters.
The famous Bronze Age Batman costume is a lot like the Golden Age costume in the sense that neither of them were technically what you would call "new" costumes. However, they so drastically altered the look of Batman's costume from what came before that it would be ridiculous not to consider them costume changes. When Neal Adams began drawing Batman in the early 1970s, the costume he was drawing was ostensibly the "New Look" costume, but Neal Adams streamlined the costume dramatically.

In Tim Burton's Batman Returns, Selina (played by Michelle Pfeiffer) seems to be the true love of Bruce's life, as not only their costumed identities but also their disturbed psyches are described as similar. Their relationship becomes intensely dramatic toward the end of the movie, to the point where Bruce actually implores her to abandon her vendetta against Max Shreck and come and live with him in Wayne Manor, to no avail.
While the Crime Syndicate imprisons the Justice Leagues inside the Firestorm Matrix, Batman, Catwoman and a critically injured Cyborg escape in a sewer system and go to S.T.A.R. Labs. There, they find Doctors Silas Stone and Thomas Morrow. As Batman and Catwoman explain their situation, they discover the Crime Syndicate has taken over the world and revealed Nightwing's identity. Batman decides to find Nightwing.
This also gave him the first bat suit which wasn’t hindered by the cowl being directly attached to the shoulders and could therefore move his head. Among other new improvements like being able to launch his triangle forearm blades, this version was a force to be reckoned with. Above all else, this is the perfect, most fully functional bat suit that there has been to date.

To speak more specifically, as mentioned before, the suit looks to be more easily maneuverable with the separated plates of armor shown on the abs and arms. This makes us think that it will be used for some form of stealth mission where the goggles will probably be used as kind of night or thermal vision and the suit be used to crawl around. Either way, it might be divisive, but its function may yet prove the value of its form.


Following Infinite Crisis, Bruce Wayne, Dick Grayson (having recovered from his wounds), and Tim Drake retrace the steps Bruce had taken when he originally left Gotham City, to "rebuild Batman".[138] In the Face the Face storyline, Batman and Robin return to Gotham City after their year-long absence. Part of this absence is captured during Week 30 of the 52 series, which shows Batman fighting his inner demons.[139] Later on in 52, Batman is shown undergoing an intense meditation ritual in Nanda Parbat. This becomes an important part of the regular Batman title, which reveals that Batman is reborn as a more effective crime fighter while undergoing this ritual, having "hunted down and ate" the last traces of fear in his mind.[140][141] At the end of the "Face the Face" story arc, Bruce officially adopts Tim (who had lost both of his parents at various points in the character's history) as his son.[142] The follow-up story arc in Batman, Batman and Son, introduces Damian Wayne, who is Batman's son with Talia al Ghul. Although originally in Son of the Demon, Bruce's coupling with Talia was implied to be consensual, this arc ret-conned it into Talia forcing herself on Bruce.[143]
@Krunchyman - You do have a very good point. Also, add on the fact that Batman lost both of his parents at a very young age, and it affected him greatly. Parent or not, I'm sure that there are a lot of people who have lost someone very close to them, and that makes them able to relate to Bruce Wayne's tragedy. Going off of what you said about Superman, has he ever lost someone that was close to him? No, I don't think so.

With a menacing glare built into the mask, and a complete full body sculpt to show the bad guys how ripped Batman is supposed to be, the costumes were not the worst thing about this movie in any way shape or form. To go along with the normal bat suit in Batman and Robin, there was also sets later on with an almost chrome finish, as well as the fact that we had matching suits for Robin and Batgirl.
Broken Bat - Bane will forever be remembered as the man who broke the Bat! More than three decades ago, Bane's father received a life sentence from the Satna Priscan government for his role in a failed revolution. He fled the country, but Santa Priscan law demanded that his son take his place. The child that would become Bane was raised inside Pena Duro prison (mostly in a pit called the Cavidad Oscuro). Bane killed dozens of inmates and engineered a jailbreak when experiments with the drug Venom gave him monstrous strength.
In early 1939, the success of Superman in Action Comics prompted editors at National Comics Publications (the future DC Comics) to request more superheroes for its titles. In response, Bob Kane created "the Bat-Man".[9] Collaborator Bill Finger recalled that "Kane had an idea for a character called 'Batman,' and he'd like me to see the drawings. I went over to Kane's, and he had drawn a character who looked very much like Superman with kind of ... reddish tights, I believe, with boots ... no gloves, no gauntlets ... with a small domino mask, swinging on a rope. He had two stiff wings that were sticking out, looking like bat wings. And under it was a big sign ... BATMAN".[10] The bat-wing-like cape was suggested by Bob Kane, inspired as a child by Leonardo Da Vinci's sketch of an ornithopter flying device.[11]

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Expert Inquisitor: Batman is adept in the use of interrogation techniques, employing anything from law enforcement methods to outright torture. Several techniques have been seen, include hanging a person over the edge of a building by one leg or chaining a person upside down and beating them. He usually just plain uses his frightening appearance to get answers. "Fear is an excellent motivator" he once said."
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Expert Acrobat: Proficient in gymnastics and acrobatics, to the peak of human ability. He is particularly skilled in parkour and free running. He can perform impeccably precise acrobatic moves instinctively in combat, or whilst escaping a catastrophe, and can even dodge a superhuman individual's blows and sword-swings. He regularly practices his gymnastics and acrobatics blindfolded.

At Arkham Asylum, Batman interrogates Riddler who reveals that he has been Wynne as well as Hush. He had used a Lazarus Pit to cure himself of his brain tumor and during his time in the Lazarus Pit, he figured out Batman's identity as Bruce Wayne and formed a plan involving several villains to destroy both the personal life and the crime-fighting career of Batman. Batman deduces that Riddler is actually Clayface mimicking his identity while the latter communicated via satellite. After defeating Clayface, Batman finds Riddler's location and the two engage in a final confrontation. Riddler is nearly killed, but is saved by Batman with his grapnel. However, Catwoman cuts the line and allows Riddler to fall to his death.


Finger suggested giving the character a cowl instead of a simple domino mask, a cape instead of wings, and gloves; he also recommended removing the red sections from the original costume.[12][13][14][15] Finger said he devised the name Bruce Wayne for the character's secret identity: "Bruce Wayne's first name came from Robert Bruce, the Scottish patriot. Wayne, being a playboy, was a man of gentry. I searched for a name that would suggest colonialism. I tried Adams, Hancock ... then I thought of Mad Anthony Wayne."[16] He later said his suggestions were influenced by Lee Falk's popular The Phantom, a syndicated newspaper comic-strip character with which Kane was also familiar.[17]
The original suit worn by Michael Keaton in Tim Burton’s Batman was exactly what one would expect from the time period. Taking the darkness of Tim Burton’s mind, mixing it with Batman and then throwing in Jack Nicholson as the Joker sold the entire set-up. Michael Keaton wore the suit better than just about anyone else who has donned the cape and cowl, becoming the perfect mix of Bruce Wayne and Batman.
At dawn, the Black Pirate emerges from the cave with Jack Valor. Jack explains that he inherited the "Black Pirate" identity from his grandfather, and is unsure if he will continue with it. As an eclipse starts, the Black Pirate hands back the cloak and gives Jack the task of telling the Wayne family of Gotham what happened this day, as well as a commandment before disappearing: "Don't ever stop fighting."
Starting in 2006, Grant Morrison and Paul Dini were the regular writers of Batman and Detective Comics, with Morrison reincorporating controversial elements of Batman lore. Most notably of these elements were the science fiction themed storylines of the 1950s Batman comics, which Morrison revised as hallucinations Batman suffered under the influence of various mind-bending gases and extensive sensory deprivation training. Morrison's run climaxed with "Batman R.I.P.", which brought Batman up against the villainous "Black Glove" organization, which sought to drive Batman into madness. "Batman R.I.P." segued into Final Crisis (also written by Morrison), which saw the apparent death of Batman at the hands of Darkseid. In the 2009 miniseries Batman: Battle for the Cowl, Wayne's former protégé Dick Grayson becomes the new Batman, and Wayne's son Damian becomes the new Robin.[65][66] In June 2009, Judd Winick returned to writing Batman, while Grant Morrison was given his own series, titled Batman and Robin.[67]

The character of Batman has appeared in various media aside from comic books, such as newspaper syndicated comic strips, books, radio dramas, television, a stage show, and several theatrical feature films. The first adaptation of Batman was as a daily newspaper comic strip which premiered on October 25, 1943.[161] That same year the character was adapted in the 15-part serial Batman, with Lewis Wilson becoming the first actor to portray Batman on screen. While Batman never had a radio series of his own, the character made occasional guest appearances in The Adventures of Superman starting in 1945 on occasions when Superman voice actor Bud Collyer needed time off.[162] A second movie serial, Batman and Robin, followed in 1949, with Robert Lowery taking over the role of Batman. The exposure provided by these adaptations during the 1940s "helped make [Batman] a household name for millions who never bought a comic book".[162]
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Joker, however, had discovered the ruse sooner than he expected and followed him to the pool. Having already retrieved samples to create a cure to the toxin, Batman fought his arch nemesis for what seemed to be the last time, during which he and Joker sustained several grave injuries. With the cave collapsing from explosives set off, Batman stopped Joker from escaping by holding him away from the pool, which was blocked with the falling rock. With Gotham once again saved, Batman accepted that he would die and sent one last message to Julia, during which he refused her help to escape his fate. He and the Joker would seemingly die as the cave collapsed upon them.
By 1964, sales of Batman titles had fallen drastically. Bob Kane noted that, as a result, DC was "planning to kill Batman off altogether".[45] In response to this, editor Julius Schwartz was assigned to the Batman titles. He presided over drastic changes, beginning with 1964's Detective Comics #327 (May 1964), which was cover-billed as the "New Look". Schwartz introduced changes designed to make Batman more contemporary, and to return him to more detective-oriented stories. He brought in artist Carmine Infantino to help overhaul the character. The Batmobile was redesigned, and Batman's costume was modified to incorporate a yellow ellipse behind the bat-insignia. The space aliens, time travel, and characters of the 1950s such as Batwoman, Ace, and Bat-Mite were retired. Bruce Wayne's butler Alfred was killed off (though his death was quickly reversed) while a new female relative for the Wayne family, Aunt Harriet, came to live with Bruce Wayne and Dick Grayson.[46]
Oddly enough, Batman was out of touch for a few months when things got really bad (also on our list of the worst things he's ever done), but when he returned, he was now rocking a much more down-to-Earth costume that included giant pouches on his utility belt, as Batman had to take a much more low tech approach to crime-fighting during "No Man's Land," as he was cut off from much of his Bat-technology.
After spending some time in Arkham, Batman breaks out of his cell and help Ivy escape. Batman investigates Crane's lab and discovers Crane has created a new kind of toxin that creates the illusion of a perfect world, which he plans to release it into Gotham. Knowing Ivy is naturally immune to toxins, Batman uses a sample of her blood and some of her leaves to create an antidote. As soon as they are about to escape Arkham, however, Scarecrow ambushes them, having brainwashed Batman's allies.

The suit itself is completely skin tight and black, only having some color in the form of the crimson insignia, white in the eyes and another blast of red whenever he extends the wings for flight and glide capabilities. The new suit also came complete with larger red and black batarangs, stealth capabilities and a remote linkup back to the Batcave and Bruce, who came to be the Alfred to Terry’s Batman.

Bruce Wayne saves the woman from a tentacled creature, and she then nurses him back to health. Just as he passes out, he notices a necklace that has the Batman, Superman and Wonder Woman emblems he drew on the cave, back in the Paleolithic era. He finds himself in Gotham Colony in the Puritan era, where he assumes the identity of the witch-hunter Mordecai and solves a murder, but clashes with the witch-hunting Brother Malleus.


By 1942, the writers and artists behind the Batman comics had established most of the basic elements of the Batman mythos.[36] In the years following World War II, DC Comics "adopted a postwar editorial direction that increasingly de-emphasized social commentary in favor of lighthearted juvenile fantasy". The impact of this editorial approach was evident in Batman comics of the postwar period; removed from the "bleak and menacing world" of the strips of the early 1940s, Batman was instead portrayed as a respectable citizen and paternal figure that inhabited a "bright and colorful" environment.[37]
Writers of Batman and Superman stories have often compared and contrasted the two. Interpretations vary depending on the writer, the story, and the timing. Grant Morrison[81] notes that both heroes "believe in the same kind of things" despite the day/night contrast their heroic roles display. He notes an equally stark contrast in their real identities. Bruce Wayne and Clark Kent belong to different social classes: "Bruce has a butler, Clark has a boss." T. James Musler's book Unleashing the Superhero in Us All explores the extent to which Bruce Wayne's vast personal wealth is important in his life story, and the crucial role it plays in his efforts as Batman.[82]
For example, Gotham's police are mostly corrupt, setting up further need for Batman's existence. While Dick Grayson's past remains much the same, the history of Jason Todd, the second Robin, is altered, turning the boy into the orphan son of a petty crook, who tries to steal the tires from the Batmobile. Also removed is the guardian Phillip Wayne, leaving young Bruce to be raised by Alfred. Additionally, Batman is no longer a founding member of the Justice League of America, although he becomes leader for a short time of a new incarnation of the team launched in 1987. To help fill in the revised back story for Batman following Crisis, DC launched a new Batman title called Legends of the Dark Knight in 1989 and has published various miniseries and one-shot stories since then that largely take place during the "Year One" period. Various stories from Jeph Loeb and Matt Wagner also touch upon this era.
So Jean-Paul came up with the armored look, which, to be frank, is not all that bad of a costume in general. It's just not a good costume for Batman. That said, it also served as a strong excuse for what happened to Batman so that people would not guess that there was a new Batman patrolling Gotham. In other words, everyone saw Bane throw Batman to the ground after breaking his back, so it made some sense for him to return wearing a suit of armor and beating up Bane.
In an early 1980s storyline, Selina Kyle and Bruce Wayne develop a relationship, in which the closing panel of the final story shows her referring to Batman as "Bruce". However, a change in the editorial team brought a swift end to that storyline and, apparently, all that transpired during the story arc. Out of costume, Bruce and Selina develop a romantic relationship during The Long Halloween. The story shows Selina saving Bruce from Poison Ivy. However, the relationship ends when Bruce rejects her advances twice; once as Bruce and once as Batman. In Batman: Dark Victory, he stands her up on two holidays, causing her to leave him for good and to leave Gotham City for a while. When the two meet at an opera many years later, during the events of the twelve-issue story arc called "Hush", Bruce comments that the two no longer have a relationship as Bruce and Selina. However, "Hush" sees Batman and Catwoman allied against the entire rogues gallery and rekindling their romantic relationship. In "'Hush", Batman reveals his true identity to Catwoman.
Additionally, members of the group Batman, Incorporated, Bruce Wayne's experiment at franchising his brand of vigilantism, have at times stood in as the official Batman in cities around the world.[60] Various others have also taken up the role of Batman in stories set in alternative universes and possible futures, including, among them, various former proteges of Bruce Wayne.
After spending some time in Arkham, Batman breaks out of his cell and help Ivy escape. Batman investigates Crane's lab and discovers Crane has created a new kind of toxin that creates the illusion of a perfect world, which he plans to release it into Gotham. Knowing Ivy is naturally immune to toxins, Batman uses a sample of her blood and some of her leaves to create an antidote. As soon as they are about to escape Arkham, however, Scarecrow ambushes them, having brainwashed Batman's allies.

In an interview with IGN, Morrison detailed that having Dick Grayson as Batman and Damian Wayne as Robin represented a "reverse" of the normal dynamic between Batman and Robin, with, "a more light-hearted and spontaneous Batman and a scowling, badass Robin". Morrison explained his intentions for the new characterization of Batman: "Dick Grayson is kind of this consummate superhero. The guy has been Batman's partner since he was a kid, he's led the Teen Titans, and he's trained with everybody in the DC Universe. So he's a very different kind of Batman. He's a lot easier; He's a lot looser and more relaxed."[65]
Batman's body armored costume incorporates the imagery of a bat in order to frighten criminals.[120] The details of the Batman costume change repeatedly through various decades, stories, media and artists' interpretations, but the most distinctive elements remain consistent: a scallop-hem cape; a cowl covering most of the face; a pair of bat-like ears; a stylized bat emblem on the chest; and the ever-present utility belt. Finger and Kane originally conceptualized Batman as having a black cape and cowl and grey suit, but conventions in coloring called for black to be highlighted with blue.[120] Hence, the costume's colors have appeared in the comics as dark blue and grey;[120] as well as black and grey. In the Tim Burton's Batman and Batman Returns films, Batman has been depicted as completely black with a bat in the middle surrounded by a yellow background. Christopher Nolan's The Dark Knight Trilogy depicted Batman wearing high-tech gear painted completely black with a black bat in the middle. Ben Affleck's Batman in the DC Extended Universe films wears a suit grey in color with a black cowl, cape, and bat symbol.
Kathy Kane (Batwoman): First introduced as a female counterpart for Batman, Batwoman developed into a romantic partner in the Silver Age, where many Imaginary Stories featuring Kathy and Bruce getting married were published. Batwoman's love for Batman was never reciprocated and he only saw her as a good friend. On Earth-Two, Batwoman resigned to live without Batman's love, and in the Earth-One continuity, Kathy Kane was murdered by the League of Assassins. In the New Earth continuity, Kathy Kane was romantically interested in Batman in a couple of stories by Grant Morrison, who liked to use Silver Age content as reference in his works.

After spending some time in Arkham, Batman breaks out of his cell and help Ivy escape. Batman investigates Crane's lab and discovers Crane has created a new kind of toxin that creates the illusion of a perfect world, which he plans to release it into Gotham. Knowing Ivy is naturally immune to toxins, Batman uses a sample of her blood and some of her leaves to create an antidote. As soon as they are about to escape Arkham, however, Scarecrow ambushes them, having brainwashed Batman's allies.

After the apparent death of Superman, Batman saw an individual dressed like the Flash appear before him in the Batcave. Insisting that he knew him, the individual urged Batman meet with Barry Allen before disappearing. Urged by his suspicions, Batman uncovered a button in one of the walls and met with Allen. Deciding to investigate this together, they began to suspect that ramifications to the timeline might have not been caused by Barry, but another influence. At some point, he discovered the Joker was still alive and captured the Clown Prince of Crime, holding him in the Batcave to help investigate the truth of Nth.
In the Modern Age of Comics until the present date, Batman has had numerous romantic relationships, in every different media, some of which have lasted long enough to set a "record" and others which were merely used for the sake of a story. Most of his relationships are with ladies from his own Rogues Gallery, and in recent years, his relationship with Catwoman has been given special attention; but the constant in every scenario is Batman's unwillingness or inability to maintain a relationship longer than the Batmobile's paint job.
A photographer/reporter, Vicki Vale was initially introduced as a woman smart enough to expose Batman's secret identity. In this quest, she became involved with Bruce Wayne, as she suspected him of being Batman and she was determined to find evidence. Her character has undergone few changes over the years, and many elements of her original characterization have remained.
With that in mind, there seems to be a decent chance that Batman having purple gloves when he debuted in "Detective Comics" #27 was just a weird screw-up by whomever colored the comic book. Coloring of comic books were particularly lax back in the day. Sometimes creators wouldn't even know what color their character would be until they saw the printed comic book. Whether that is the case or not, the end result is a weird-looking design for a character from the shadows.
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This also gave him the first bat suit which wasn’t hindered by the cowl being directly attached to the shoulders and could therefore move his head. Among other new improvements like being able to launch his triangle forearm blades, this version was a force to be reckoned with. Above all else, this is the perfect, most fully functional bat suit that there has been to date.

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