Comic book companies often look at costume design as "the more changes, the better." Batman is a character who had one of the most famous costume changes in comic book history (albeit just by adding a simply yellow oval), but otherwise managed to only go through a handful of looks in the 20th Century. In the 21st Century, though, Batman has gone through as many costumes as he had in the first 50 years of his existence, and more new looks are undoubtedly coming in the future!

The movie which a young Bruce and his parents were seeing on the night of their murder is generally stated to be "Mark of Zorro" (the exact version varies). This is important because Bob Kane stated that he drew inspiration for Batman from seeing a screening of that very movie. He also drew inspiration from images of Leonardo da Vinci's flying machine.


The boy suddenly re-appears wearing a domino mask of ash and a shield with a bat on it. He frees Bruce and gives him back his belt. From his utility belt, Bruce takes a medicine capsule and dons the pelt of a giant bat to wear on his body. Using the contents of his utility belt to stave off an attack by Savage and his mob, operating on instinct more than actual knowledge of various fighting techniques, Bruce defeats Vandal Savage returning the necklace to the boy just as an unexpected solar eclipse appears in the sky which Bruce reacts to and flees with the boy. Bruce jumps over a waterfall with his young partner, only to vanish at the bottom, somehow turning up in Puritan Era Gotham City. After he has vanished, Superman, Green Lantern, and Booster Gold appear in the past via Rip Hunter's time sphere, having tracked Bruce to the past. Superman confirms with his super-hearing that Batman isn't in this time. As they depart, Superman states that they have to catch up with Batman before he can return to the present on his own or the world will be in great danger. In the new era he arrives in, Bruce surfaces from the water and finds a woman, when they are suddenly attacked by a large, tentacled creature. Bruce raises his sword to defend himself and the woman.

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Batman's first romantic interest was Julie Madison in Detective Comics #31 (Sept. 1939), however their romance was short-lived. Some of Batman's romantic interests have been women with a respected status in society, such as Julie Madison, Vicki Vale, and Silver St. Cloud. Batman has also been romantically involved with allies, such as Kathy Kane (Batwoman), Sasha Bordeaux, and Wonder Woman, and with villains, such as Selina Kyle (Catwoman), Jezebel Jet, Pamela Isley (Poison Ivy), and Talia al Ghul.
Kane and Finger drew upon contemporary 1930s popular culture for inspiration regarding much of the Bat-Man's look, personality, methods, and weaponry. Details find predecessors in pulp fiction, comic strips, newspaper headlines, and autobiographical details referring to Kane himself.[18] As an aristocratic hero with a double identity, Batman had predecessors in the Scarlet Pimpernel (created by Baroness Emmuska Orczy, 1903) and Zorro (created by Johnston McCulley, 1919). Like them, Batman performed his heroic deeds in secret, averted suspicion by playing aloof in public, and marked his work with a signature symbol. Kane noted the influence of the films The Mark of Zorro (1920) and The Bat Whispers (1930) in the creation of the character's iconography. Finger, drawing inspiration from pulp heroes like Doc Savage, The Shadow, Dick Tracy, and Sherlock Holmes, made the character a master sleuth.[19][20]
In 1992, Batman: The Animated Series premiered on the Fox television network; produced by Warner Bros. Animation and featuring Kevin Conroy as the voice of Batman. The series received considerable acclaim for its darker tone, mature writing, stylistic design, and thematic complexity compared to previous superhero cartoons,[165][166] in addition to multiple Emmy Awards.[167][168] The series' success led to the theatrical film Batman: Mask of the Phantasm (1993),[169] as well as various spin-off TV series; including Superman: The Animated Series, The New Batman Adventures, Justice League and Justice League Unlimited (each of which also featured Conroy as Batman's voice). The futuristic series Batman Beyond also took place in this same animated continuity and featured a newer, younger Batman voiced by Will Friedle, with the elderly Bruce Wayne (again voiced by Conroy) as a mentor.
Various modern stories have portrayed the extravagant, playboy image of Bruce Wayne as a facade.[77] This is in contrast to the post-Crisis Superman, whose Clark Kent persona is the true identity, while the Superman persona is the facade.[78][79] In Batman Unmasked, a television documentary about the psychology of the character, behavioral scientist Benjamin Karney notes that Batman's personality is driven by Bruce Wayne's inherent humanity; that "Batman, for all its benefits and for all of the time Bruce Wayne devotes to it, is ultimately a tool for Bruce Wayne's efforts to make the world better". Bruce Waynes principles include the desire to prevent future harm and a vow not to kill. Bruce Wayne believes that our actions define us, we fail for a reason and anything is possible.[80]
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In Batman and Psychology: A Dark and Stormy Knight, Travis Langley argues that the concept of archetypes as described by psychologists Carl Jung and Joseph Campbell is present in the Batman mythos, such that the character represents the "shadow archetype". This archetype, according to Langley, represents a person's own dark side; it is not necessarily an evil one, but rather one that is hidden from the outside and concealed from both the world and oneself. Langley argues that Bruce Wayne confronts his own darkness early in life; he chooses to use it to instill fear in wrongdoers, with his bright and dark sides working together to fight evil. Langley uses the Jungian perspective to assert that Batman appeals to our own need to face our "shadow selves".[207][208] Dr. Travis Langley also taught a class called Batman, a title he was adamant about. "I could have called it something like the Psychology of Nocturnal Vigilantism, but no. I called it Batman," Langley says.[209]

In Batman: Arkham City, although their love is not explored, Catwoman constantly flirts with the Dark Knight whenever they meet. Catwoman even gives up her sure escape from Arkham City to go back and help the injured Batman. A hidden radio reel reveals that Catwoman has a slight grudge towards Batman, though, since he knows her secret identity but she doesn't know his. However, by the time of the events of Batman: Arkham Knight, Selina is aware of Batman's identity as Bruce Wayne, addressing him as such after he rescues her from the Riddler.
Batman once again becomes a member of the Justice League during Grant Morrison's 1996 relaunch of the series, titled JLA. While Batman contributes greatly to many of the team's successes, the Justice League is largely uninvolved as Batman and Gotham City face catastrophe in the decade's closing crossover arc. In 1998's "Cataclysm" storyline, Gotham City is devastated by an earthquake. Deprived of many of his technological resources, Batman fights to reclaim the city from legions of gangs during 1999's "No Man's Land." While Lex Luthor rebuilds Gotham at the end of the "No Man's Land" storyline, he then frames Bruce Wayne for murder in the "Bruce Wayne: Murderer?" and "Bruce Wayne: Fugitive" story arcs; Wayne is eventually acquitted.
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In September 2015, DC Entertainment revealed that Finger would be receiving credit for his role in Batman's creation on the 2016 superhero film Batman v Superman: Dawn of Justice and the second season of Gotham after a deal was worked out between the Finger family and DC.[1] Finger received credit as a creator of Batman for the first time in a comic in October 2015 with Batman and Robin Eternal #3 and Batman: Arkham Knight Genesis #3. The updated acknowledgment for the character appeared as "Batman created by Bob Kane with Bill Finger".[2]
For the most part, Batman's family and friends come to believe that Bruce Wayne is indeed dead. The only exception to this is Bruce's adopted son Tim Drake, who believes firmly that Bruce is still alive. After having the Robin identity taken from him by Dick Grayson, the new Batman, and giving it to Bruce's son, Damian, Tim takes on the identity of Red Robin, and begins searching the world for signs that Bruce Wayne is still alive. While searching in Baghdad, Tim finds a wall painting of the Bat emblem that was painted by Bruce upon the passing of Anthro. Tim realizes that Bruce is not dead, but rather lost in time.
Finding the best Batman costume among the hundreds for sale is not a task to be taken lightly.  Between the dozens of costume variations and mind-boggling price ranges the choices can feel overwhelming.  Luckily, you’re not alone.  According to CNN, Batman and related characters were the in the top five costumes for both kids and adults in 2016 and that trend doesn’t look to be stopping any time soon.  In 2014 542 Canadian Caped Crusaders donned the cowl to establish the Guinness world record for most people dressed as Batman at once.

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Starting in 1969, writer Dennis O'Neil and artist Neal Adams made a deliberate effort to distance Batman from the campy portrayal of the 1960s TV series and to return the character to his roots as a "grim avenger of the night".[49] O'Neil said his idea was "simply to take it back to where it started. I went to the DC library and read some of the early stories. I tried to get a sense of what Kane and Finger were after."[50]

Many of the major Batman storylines since the 1990s have been inter-title crossovers that run for a number of issues. In 1993, the same year that DC published the "Death of Superman" storyline, the publisher released the "Knightfall" storyline. In the storyline's first phase, the new villain Bane paralyzes Batman, leading Wayne to ask Azrael to take on the role. After the end of "Knightfall", the storylines split in two directions, following both the Azrael-Batman's adventures, and Bruce Wayne's quest to become Batman once more. The story arcs realign in "KnightsEnd", as Azrael becomes increasingly violent and is defeated by a healed Bruce Wayne. Wayne hands the Batman mantle to Dick Grayson (then Nightwing) for an interim period, while Wayne trains to return to his role as Batman.

The movie which a young Bruce and his parents were seeing on the night of their murder is generally stated to be "Mark of Zorro" (the exact version varies). This is important because Bob Kane stated that he drew inspiration for Batman from seeing a screening of that very movie. He also drew inspiration from images of Leonardo da Vinci's flying machine.
For example, Gotham's police are mostly corrupt, setting up further need for Batman's existence. While Dick Grayson's past remains much the same, the history of Jason Todd, the second Robin, is altered, turning the boy into the orphan son of a petty crook, who tries to steal the tires from the Batmobile. Also removed is the guardian Phillip Wayne, leaving young Bruce to be raised by Alfred. Additionally, Batman is no longer a founding member of the Justice League of America, although he becomes leader for a short time of a new incarnation of the team launched in 1987. To help fill in the revised back story for Batman following Crisis, DC launched a new Batman title called Legends of the Dark Knight in 1989 and has published various miniseries and one-shot stories since then that largely take place during the "Year One" period. Various stories from Jeph Loeb and Matt Wagner also touch upon this era.
Master of Disguise: Has mastered the art of disguise by the time he was 23. Has further learned Expanded Disguise techniques by the time he was 26. Batman has many aliases he uses to infiltrate the underworld or just to go undercover in public situations. His current aliases are: Matches Malone, Thomas Quigley, Ragman, Detective Hawke, Sir Hemingford Grey, Lester Krutz, Frank Dixon, Gordon Selkirk, and Mr. Fledermaus.
Through unknown means, Batman and his allies found themselves in an alternate reality where Gotham City has become the safest city on Earth, where crime was non-existent. The city was under the protection of Batman and his partner/lover Catbird. Poison Ivy wreaked havoc across the city, saying that there was something wrong with the city, but Batman and Catbird stop her. Later, a man named Clayton Parker commits suicide despite Batman's efforts. At the Batcave, Bruce investigates Gotham's suicide rate, which is higher than any other place in America. Later, Bruce finds one of Ivy's thorns embedded on the back of his head. Then, he sees his parents' graves and returns to the cave. After analyzing his blood, Batman finds a drug in his system but he is ambushed by Catbird, who has brought his entire group of allies, Bluebelle and the Wings of Truth, Flying Fox, the Gothamite and, Brightbat. Batman attempts to reason with them, but they attack him. Not wanting to hurt his allies, Batman is forced to throw the fight. Later, Batman is outfitted with a straitjacked ant brought to a mental hospital headed by Jonathan Crane, who he believes is responsible for the mystery.
Another writer who rose to prominence on the Batman comic series, was Jeph Loeb. Along with longtime collaborator Tim Sale, they wrote two miniseries (The Long Halloween and Dark Victory) that pit an early in his career version of Batman against his entire rogues gallery (including Two-Face, whose origin was re-envisioned by Loeb) while dealing with various mysteries involving serial killers Holiday and the Hangman. In 2003, Loeb teamed with artist Jim Lee to work on another mystery arc: "Batman: Hush" for the main Batman book. The 12–issue storyline has Batman and Catwoman teaming up against Batman's entire rogues gallery, including an apparently resurrected Jason Todd, while seeking to find the identity of the mysterious supervillain Hush.[60] While the character of Hush failed to catch on with readers, the arc was a sales success for DC. The series became #1 on the Diamond Comic Distributors sales chart for the first time since Batman #500 (Oct. 1993) and Todd's appearance laid the groundwork for writer Judd Winick's subsequent run as writer on Batman, with another multi-issue arc, "Under the Hood", which ran from Batman #637–650 (April 2005 – April 2006).
At age 14, Bruce embarked on a journey that took him to every continent as he sought to learn all the skills he would need to keep his vow. He studied criminology, forensics, and criminal psychology, and learned from manhunters and martial artists, mastering every fighting style. In time, Bruce forged himself into a living weapon to wage war on crime and injustice. On his return to Gotham, Bruce stalked street thugs as a plainclothes vigilante. Beaten by the very people he intended to protect, he barely survived his first night out. As he sat bleeding in his study at Wayne Manor Bruce knew that he had to first strike fear in the hearts of his foes. Just then, a bat crashed through the study window, giving Bruce the inspiration he needed.
Many of the major Batman storylines since the 1990s have been inter-title crossovers that run for a number of issues. In 1993, the same year that DC published the "Death of Superman" storyline, the publisher released the "Knightfall" storyline. In the storyline's first phase, the new villain Bane paralyzes Batman, leading Wayne to ask Azrael to take on the role. After the end of "Knightfall", the storylines split in two directions, following both the Azrael-Batman's adventures, and Bruce Wayne's quest to become Batman once more. The story arcs realign in "KnightsEnd", as Azrael becomes increasingly violent and is defeated by a healed Bruce Wayne. Wayne hands the Batman mantle to Dick Grayson (then Nightwing) for an interim period, while Wayne trains to return to his role as Batman.
Batman became an urban legend, a cautionary tale that sent shivers through the city's underworld. This Caped Crusader found a friend in Captain James Gordon a Gotham cop who didn't approve of Batman's methods, but appreciated the results of his nightly crime fighting. Batman's Rogues Gallery grew to include a host of bizarre criminals, such as the Joker, Catwoman, Two-Face and the Penguin. As his enemies increased, help arrived in the form of another young boy left parentless by brutal crime.
Peak Human Speed: He can run and move at speeds comparable to the finest human athletes. In combat he is extremely agile and evasive, supplementing his strength with sheer speed to defeat his enemies, he could even match the master assassin Deathstroke's combat speed. Occasionally, Batman has shown enough speed to catch up or outrun a speeding car while running on foot. He is capable of moving faster than SWAT can align their weapons.

As Batman became less of a neck-breaking type of guy, his costume slowly began to look more and more like a typical superhero costume and less like something worn by a guy who was going to break into your house (and maybe break your neck while doing so). Interestingly enough, the cowl took on its standard look within only a few issues after the original costume debuted (roughly around the time that Batman's origin was revealed for the first time in "Detective Comics" #33). The colors then also slowly got bluer over time, until the costume was definitely mostly blue.


To speak more specifically, as mentioned before, the suit looks to be more easily maneuverable with the separated plates of armor shown on the abs and arms. This makes us think that it will be used for some form of stealth mission where the goggles will probably be used as kind of night or thermal vision and the suit be used to crawl around. Either way, it might be divisive, but its function may yet prove the value of its form.

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