The most remarkable of Batman's love interests in the early 1980s was Nocturna, aka Natalia Knight, created by Doug Moench. She was a jewel thief who briefly adopted Jason Todd and knew that Bruce Wayne was Batman. Natalia suffered from a rare "light sensitivity" disease and her skin was bleached white. Nocturna was said to use a special narcotic as a perfume, which caused every male to fall deeply for her. Batman was no exception, and the two of them started a relationship as they were both equally fascinated by the other. Eventually, Batman realized his love for Nocturna was an obsession caused by the drug and he struggled to stop thinking about her. Nocturna disappeared during the Crisis on Infinite Earths, after being stabbed by her brother, floating into the crimson sky of the Crisis in her balloon. She was presumed dead, although other versions of the character have appeared since, however they are different from the Pre-Crisis Nocturna.
Batman became a popular character soon after his introduction, and eventually gained his own title, "Batman". As the decades wore on, differing takes on the character emerged. The late 1960s Batman television series utilized a camp aesthetic associated with the character for years after the show ended. Various creators worked to return the character to his dark roots, culminating in the 1986 miniseries Batman: The Dark Knight Returns, by writer-artist Frank Miller. That and the success of director Tim Burton's 1989 Batman motion picture helped reignite popular interest in the character. A cultural icon, Batman has been licensed and adapted into a variety of media, from radio to television and film, and appears on a variety of merchandise sold all over the world. The Batman goes by numerous nicknames, such as The Dark Knight, The Caped Crusader, World's Greatest Detective and the Defender of Gotham.
Batman keeps most of his field equipment in his utility belt. Over the years it has shown to contain an assortment of crime-fighting tools, weapons, and investigative and technological instruments. Different versions of the belt have these items stored in compartments, often as pouches or hard cylinders attached evenly around it. Batman is often depicted as carrying a projectile which shoots a retractable grappling hook attached to a cable. This allows him to attach to distant objects, be propelled into the air, and thus swing from the rooftops of Gotham City. An exception to the range of Batman's equipment are guns, which he refuses to use on principle, since a gun was used in his parents' murder.
The debut of the Batman television series in 1966 had a profound influence on the character. The success of the series increased sales throughout the comic book industry, and Batman reached a circulation of close to 900,000 copies. Elements such as the character of Batgirl and the show's campy nature were introduced into the comics; the series also initiated the return of Alfred. Although both the comics and TV show were successful for a time, the camp approach eventually wore thin and the show was canceled in 1968. In the aftermath, the Batman comics themselves lost popularity once again. As Julius Schwartz noted, "When the television show was a success, I was asked to be campy, and of course when the show faded, so did the comic books."
The Silver Age of Comic Books in DC Comics is sometimes held to have begun in 1956 when the publisher introduced Barry Allen as a new, updated version of The Flash. Batman is not significantly changed by the late 1950s for the continuity which would be later referred to as Earth-One. The lighter tone Batman had taken in the period between the golden and silver ages led to the stories of the late 1950s and early 1960s that often feature many science-fiction elements, and Batman is not significantly updated in the manner of other characters until Detective Comics #327 (May 1964), in which Batman reverts to his detective roots, with most science-fiction elements jettisoned from the series.
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The Origin of The Joker? the history of The Red Hood There are two stories, we will give you the current history of The Red Hood. The man who was to wear the Red Helmet and become the Red Hood was actually a former chemical technician for the Ace Chemical plant, who became a struggling stand-up comedian burdened with the thought of not being able to support his newly pregnant wife.
Bob made him more insecure, because while he slaved working on Batman, he wasn't sharing in any of the glory or the money that Bob began to make, which is why ... [he was] going to leave [Kane's employ]. ... [Kane] should have credited Bill as co-creator, because I know; I was there. ... That was one thing I would never forgive Bob for, was not to take care of Bill or recognize his vital role in the creation of Batman. As with Siegel and Shuster, it should have been the same, the same co-creator credit in the strip, writer, and artist.
The original suit worn by Michael Keaton in Tim Burton’s Batman was exactly what one would expect from the time period. Taking the darkness of Tim Burton’s mind, mixing it with Batman and then throwing in Jack Nicholson as the Joker sold the entire set-up. Michael Keaton wore the suit better than just about anyone else who has donned the cape and cowl, becoming the perfect mix of Bruce Wayne and Batman.
Though not much had changed in regard to terms of costume between films, the difference of the slightly more sleek symbol and the armor makes us think that Batman has decided that he needs to up his game, both in terms of fashion and fighting, and keep up with the kind of criminals that Gotham seems to be producing at an increasingly alarming rate.
Natalya Trusevich: A Ukrainian concert pianist and girlfriend of Bruce Wayne, Natalya grew frustrated with Bruce's closed-off demeanour, until he was urged by Alfred to reveal to her his secret identity. Shortly after, Natalya was abducted by the Mad Hatter who attempted to torture her into revealing the identity of Batman. Natalya refused to divulge Bruce's secret and was thrown by the Mad Hatter from a helicopter to her death.
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