The movie which a young Bruce and his parents were seeing on the night of their murder is generally stated to be "Mark of Zorro" (the exact version varies). This is important because Bob Kane stated that he drew inspiration for Batman from seeing a screening of that very movie. He also drew inspiration from images of Leonardo da Vinci's flying machine.
Sales had lagged enough that Julius Schwartz was brought on board and he brought star artist Carmine Infantino with him. They wanted to emphasize that this was a new era in Batman comics, so they changed the costume by adding a yellow oval behind Batman's bat symbol on his chest. However, that was pretty much it for changes, so it wasn't exactly groundbreaking.
After the 12-issue limited series Crisis on Infinite Earths, DC Comics rebooted the stories of some major characters in an attempt at updating them for contemporary audiences. Frank Miller retold Batman's origin in the storyline Year One from Batman #404-407, which emphasizes a grittier tone in the character. Though the Earth-Two Batman is erased from history, many stories of Batman's Silver Age/Earth-One career (along with an amount of Golden Age ones) remain canonical in the post-Crisis universe, with his origins remaining the same in essence, despite alteration.
Attaching a protective mask, Batman creates a propulsion tunnel to blast through the vat. The propulsion blast allows Batman to escape, but the corrosion heavily damages his suit. Returning home, Batman sends a message to his allies to warn them that the Joker might be targeting them individually. At the manor, Bruce finds a cassette tape, in which the Joker reveals he has kidnapped Alfred. Batman later visits Gordon, who was designated as Joker's next victim. Gordon begins to bleed uncontrollably, so Batman sends him to the hospital. Knowing that the Joker is re-enacting his previous crimes, Batman goes to the Gotham Reservoir, the first place he faced the Joker in his current identity. There, the Joker traps Batman with cables, immobilizing. The Joker says that Batman's care for his allies has made him weak, so he plans to kill them all in the next 72 hours.
When Jonah enters the city, he is met by the man who has hired him; Vandal Savage, currently weak from a cancer in his intestines, who wants Hex to eliminate the man who has been attacking his men, while Savage attempts to torture a woman whose family have been entrusted with a box, marked with the symbol of the bat, that they are to keep sealed until its owner comes to claim it. During the subsequent fight, the masked man unintentionally leads the woman to Alan Wayne as he is about to commit suicide because of his current dejection about life, the two quickly form an attraction for each other. As the woman returns the box to the masked man -recognizing his identity from a necklace that he took from her great-grandmother-, he opens the box, only to be subsequently shot by Hex and fall into the ocean, Hex concluding that he will finish his contract regardless. Over the next century, Wayne Manor is built after Wayne's wife dies in childbirth, Wayne developing it according to his wife's desires to honor the bat-man who saved them, culminating in the dark man stumbling out of a Gotham alley in the city in the 1930s, still bleeding from Hex's shot.
Peak Human Senses: Through meditation Batman's five senses are pushed at the highest limits of human perfection; meaning that his sense of sight, touch, hearing, smell and taste are very keen. At one time he was able to hear a sniper load his weapon from across the street a block over and allegedly has the sight of an eagle, allowing him to see even the slightest shifts in the air. His awareness, instincts, and senses combined make him extremely alert to danger, bordering a sixth sense. Even Commisisoner Gordon has commented saying "it's almost like he has a sixth sense".
When Bob Kane first designed Batman's costume, his idea behind Batman was more similar to Hawkman than anything else, in the sense that he saw the character as literally flying like a bat via Bat-like wings. Incidentally, Kane was influenced by some of Leonardo Da Vinci's designs of a theoretical flying machine. Kane's collaborator, Bill Finger, told Kane that he should make the wings a cape instead. In addition, while Kane was thinking a red costume, Finger told him to go darker instead.
A family outing to the cinema ended in tragedy for young Bruce Wayne. Walking homeward, Bruce, his father, Thomas, and mother, Martha, accidentally ventured into Gotham City's notorious "Crime Alley" and were accosted by a mugger. Not content merely to rob the wealthy family, the hoodlum - whose identity was "never determined" - shot Dr. Thomas and Martha Wayne dead before fleeing into the darkness. As he knelt beside his parent's bodies, Bruce swore to avenge them. After the police arrived, Bruce was comforted by Dr. Leslie THompkins. Dr. Thompkins and Alfred Pennyworth helped arrange matters so that Gotham's Social Services would not take Bruce into care. In this way, both Dr. Thompkins and Alfred enabled Bruce to realize his dream of becoming a crusader against crime.
In early 1939, the success of Superman in Action Comics prompted editors at National Comics Publications (the future DC Comics) to request more superheroes for its titles. In response, Bob Kane created "the Bat-Man". Collaborator Bill Finger recalled that "Kane had an idea for a character called 'Batman,' and he'd like me to see the drawings. I went over to Kane's, and he had drawn a character who looked very much like Superman with kind of ... reddish tights, I believe, with boots ... no gloves, no gauntlets ... with a small domino mask, swinging on a rope. He had two stiff wings that were sticking out, looking like bat wings. And under it was a big sign ... BATMAN". The bat-wing-like cape was suggested by Bob Kane, inspired as a child by Leonardo Da Vinci's sketch of an ornithopter flying device.
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While very similar to the original version shown in Batman, the Batman Returns bat suit shows us an updated version which shows obvious armor on the chest and full torso area. This suit was used against characters like Danny DeVito’s Penguin and Michelle Pfeiffer’s Catwoman during a storyline where Penguin was running to become the mayor of Gotham City and Selena Kyle was a lowly secretary who was just trying to do right by her boss… up until he murders her and she gets cat powers.
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The coolest version in this film, however, came at its end, with the experimental "sonar suit." The coolest part about this suit is the fact that in one fell swoop, Batman not only beat Riddler at his own game, he activated some killer sonar tech which allowed him to pinpoint the exact spot he would need to throw his batarang to thwart Nygma’s mind reading world domination plan. It also just looked so sleek and menacing.
Batman is probably the character with the highest number of romantic relationships in the DC Universe. Unlike Superman and Wonder Woman, characters that have been in publication for as long as Batman, the Dark Knight has never had a long-standing leading partner and instead, he has been constantly switching interests when it comes to romance. This is due to the nature of Batman's character; it is difficult for him to maintain a serious relationship with a woman as a result of his obsession with his crusade against crime. On the other hand, Bruce Wayne, Batman's alter-ego, has managed to have a few relationships with ladies of his interest, but they always come to a rather abrupt end because of the lack of trust and constant absence shown by Wayne, which has earned him the reputation as a notorious playboy.
Finger suggested giving the character a cowl instead of a simple domino mask, a cape instead of wings, and gloves; he also recommended removing the red sections from the original costume. Finger said he devised the name Bruce Wayne for the character's secret identity: "Bruce Wayne's first name came from Robert Bruce, the Scottish patriot. Wayne, being a playboy, was a man of gentry. I searched for a name that would suggest colonialism. I tried Adams, Hancock ... then I thought of Mad Anthony Wayne." He later said his suggestions were influenced by Lee Falk's popular The Phantom, a syndicated newspaper comic-strip character with which Kane was also familiar.
In his series, Batman was made to be much more of a detective than the bruiser he could and would later be portrayed as. We’re not saying that this version couldn’t get into a fist fight -- he often would, with sound effects to match -- we’re saying he didn’t always have to throw down, let alone look like he always had to. And that is just fine by us. After all, the late Adam West became a cultural icon in this suit for very good reason.
Batman is often treated as a vigilante by other characters in his stories. Frank Miller views the character as "a dionysian figure, a force for anarchy that imposes an individual order". Dressed as a bat, Batman deliberately cultivates a frightening persona in order to aid him in crime-fighting, a fear that originates from the criminals' own guilty conscience. Miller is often credited with reintroducing anti-heroic traits into Batman's characterization, such as his brooding personality, willingness to use violence and torture, and increasingly alienated behavior. Batman, shortly a year after his debut and the introduction of Robin, was changed in 1940 after DC editor Whitney Ellsworth felt the character would be tainted by his lethal methods and DC established their own ethical code, subsequently he was retconned as having a stringent moral code. Miller's Batman was closer to the original pre-Robin version, who was willing to kill criminals if necessary.
Expert Acrobat: Proficient in gymnastics and acrobatics, to the peak of human ability. He is particularly skilled in parkour and free running. He can perform impeccably precise acrobatic moves instinctively in combat, or whilst escaping a catastrophe, and can even dodge a superhuman individual's blows and sword-swings. He regularly practices his gymnastics and acrobatics blindfolded.