When Jonah enters the city, he is met by the man who has hired him; Vandal Savage, currently weak from a cancer in his intestines, who wants Hex to eliminate the man who has been attacking his men, while Savage attempts to torture a woman whose family have been entrusted with a box, marked with the symbol of the bat, that they are to keep sealed until its owner comes to claim it. During the subsequent fight, the masked man unintentionally leads the woman to Alan Wayne as he is about to commit suicide because of his current dejection about life, the two quickly form an attraction for each other. As the woman returns the box to the masked man -recognizing his identity from a necklace that he took from her great-grandmother-, he opens the box, only to be subsequently shot by Hex and fall into the ocean, Hex concluding that he will finish his contract regardless. Over the next century, Wayne Manor is built after Wayne's wife dies in childbirth, Wayne developing it according to his wife's desires to honor the bat-man who saved them, culminating in the dark man stumbling out of a Gotham alley in the city in the 1930s, still bleeding from Hex's shot.
Alfred summons Thomas Elliot to remove skull fragments from Bruce's brain. Batman recovers and pays a trip to Blackgate Penitentiary to interrogate Bane on the whereabouts of the money. Bane eventually escapes and Batman strikes a deal with Amanda Waller, who allows Bane's escape so Batman can track him. Bane leads Batman to Poison Ivy's now abandoned greenhouse where Catwoman is. Waller captures Bane and returns him to Blackgate Penitentiary.

O'Neil and Adams first collaborated on the story "The Secret of the Waiting Graves" in Detective Comics #395 (Jan. 1970). Few stories were true collaborations between O'Neil, Adams, Schwartz, and inker Dick Giordano, and in actuality these men were mixed and matched with various other creators during the 1970s; nevertheless the influence of their work was "tremendous".[51] Giordano said: "We went back to a grimmer, darker Batman, and I think that's why these stories did so well ..."[52] While the work of O'Neil and Adams was popular with fans, the acclaim did little to improve declining sales; the same held true with a similarly acclaimed run by writer Steve Englehart and penciler Marshall Rogers in Detective Comics #471–476 (Aug. 1977 – April 1978), which went on to influence the 1989 movie Batman and be adapted for Batman: The Animated Series, which debuted in 1992.[53] Regardless, circulation continued to drop through the 1970s and 1980s, hitting an all-time low in 1985.[54]
Expert Inquisitor: Batman is adept in the use of interrogation techniques, employing anything from law enforcement methods to outright torture. Several techniques have been seen, include hanging a person over the edge of a building by one leg or chaining a person upside down and beating them. He usually just plain uses his frightening appearance to get answers. "Fear is an excellent motivator" he once said."
All Batman origin stories tend to agree that the character was deeply wounded by witnessing the death of his parents at an early age. In many renditions the murderer was simply a mugger. Tim Burton’s film Batman differs in this respect to suggest it was the Joker who killed Batman’s parents. The loss of Bruce’s parents and the corrupt nature of Gotham City where Bruce lives, makes him seek a way of dispatching villains. Gotham City is often depicted as intensely corrupt in almost every aspect of its society. Not even the police force can be trusted, since many of them are on the take.
Batman faces a variety of foes ranging from common criminals to outlandish supervillains. Many of them mirror aspects of the Batman's character and development, often having tragic origin stories that lead them to a life of crime.[98] These foes are commonly referred to as Batman's rogues gallery. Batman's "most implacable foe" is the Joker, a homicidal maniac with a clown-like appearance. The Joker is considered by critics to be his perfect adversary, since he is the antithesis of Batman in personality and appearance; the Joker has a maniacal demeanor with a colorful appearance, while Batman has a serious and resolute demeanor with a dark appearance. As a "personification of the irrational", the Joker represents "everything Batman [opposes]".[36] Other long time recurring foes that are part of Batman's rogues gallery include Catwoman (a cat burglar antiheroine who is an occasional ally and romantic interest), the Penguin, Ra's al Ghul, Two-Face, the Riddler, the Scarecrow, Mr. Freeze, Poison Ivy, Harley Quinn, Bane, Clayface, and Killer Croc among others. Many of Batman's adversaries are often psychiatric patients at Arkham Asylum.
In those days it was like, one artist and he had his name over it [the comic strip] — the policy of DC in the comic books was, if you can't write it, obtain other writers, but their names would never appear on the comic book in the finished version. So Bill never asked me for it [the byline] and I never volunteered — I guess my ego at that time. And I felt badly, really, when he [Finger] died.[23] 

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