In the Modern Age of Comics until the present date, Batman has had numerous romantic relationships, in every different media, some of which have lasted long enough to set a "record" and others which were merely used for the sake of a story. Most of his relationships are with ladies from his own Rogues Gallery, and in recent years, his relationship with Catwoman has been given special attention; but the constant in every scenario is Batman's unwillingness or inability to maintain a relationship longer than the Batmobile's paint job.
When Bob Kane first designed Batman's costume, his idea behind Batman was more similar to Hawkman than anything else, in the sense that he saw the character as literally flying like a bat via Bat-like wings. Incidentally, Kane was influenced by some of Leonardo Da Vinci's designs of a theoretical flying machine. Kane's collaborator, Bill Finger, told Kane that he should make the wings a cape instead. In addition, while Kane was thinking a red costume, Finger told him to go darker instead.
In 2010, the storyline Batman: The Return of Bruce Wayne saw Bruce travel through history, eventually returning to the present day. Although he reclaimed the mantle of Batman, he also allowed Grayson to continue being Batman as well. Bruce decided to take his crime-fighting cause globally, which is the central focus of Batman Incorporated. DC Comics would later announce that Grayson would be the main character in Batman, Detective Comics, and Batman and Robin, while Wayne would be the main character in Batman Incorporated. Also, Bruce appeared in another ongoing series, Batman: The Dark Knight.
Gay interpretations of the character have been part of the academic study of Batman since psychologist Fredric Wertham asserted in Seduction of the Innocent in 1954 that "Batman stories are psychologically homosexual ... The Batman type of story may stimulate children to homosexual fantasies, of the nature of which they may be unconscious." Andy Medhurst wrote in his 1991 essay "Batman, Deviance, and Camp" that Batman is interesting to gay audiences because "he was one of the first fictional characters to be attacked on the grounds of his presumed homosexuality". Professor of film and cultural studies Will Brooker argues the validity of a queer reading of Batman, and that gay readers would naturally find themselves drawn to the lifestyle depicted within, whether the character of Bruce Wayne himself were explicitly gay or not. He also identifies a homophobic element to the vigor with which mainstream fandom rejects the possibility of a gay reading of the character. In 2005, painter Mark Chamberlain displayed a number of watercolors depicting both Batman and Robin in suggestive and sexually explicit poses, prompting DC to threaten legal action.
This costume was donned by teenager Terry McGinnis, a Batman of the future, trained and selected by a much older Bruce Wayne. This suit is much more sleek and darker than the suit we're used to. It has a lot of technologically advanced gadgets built right into the suit and also looks a bit scarier than the original. It's biggest contender for "fright factor" would be the Thomas Wayne suit from the Flashpoint timeline.
At Arkham Asylum, Batman interrogates Riddler who reveals that he has been Wynne as well as Hush. He had used a Lazarus Pit to cure himself of his brain tumor and during his time in the Lazarus Pit, he figured out Batman's identity as Bruce Wayne and formed a plan involving several villains to destroy both the personal life and the crime-fighting career of Batman. Batman deduces that Riddler is actually Clayface mimicking his identity while the latter communicated via satellite. After defeating Clayface, Batman finds Riddler's location and the two engage in a final confrontation. Riddler is nearly killed, but is saved by Batman with his grapnel. However, Catwoman cuts the line and allows Riddler to fall to his death.
Batman asks the Phantom Stranger to bring him to the afterlife so he can question Doctor Light about what really happened. The Phantom Stranger initially declines, but after hearing how Arthur Light was a family man, and left behind a wife and three daughters, he reconsiders. The Phantom Stranger takes Batman, Katana, and Deadman, who has left Wonder Woman, with him. Once through "Heaven's Basement", they arrive in a neighborhood of Heaven, that was created by the beliefs of a soul. However, Batman drifts off into a space of Heaven that he created. He creates a desired Christmas Eve setting he had as a young boy, imagining what it would be like with his dead parents. While the Phantom Stranger was rescuing them, Deadman was able to locate Doctor Light. Doctor Light had created a personal universe composed of light and is suspended in a globe-like "womb". Batman orders Katana to break the womb and frees Doctor Light, with the Phantom Stranger able to resuscitate him. When Batman questions him, the group learns that he doesn't remember anything about his death. The Phantom Stranger tells Doctor Light that he will try to free him from the afterlife, so he can be with his family. Weary of the end results, Doctor Light gives a piece of his soul to the Stranger in hopes that he can give it to his family as a final gift if he doesn't get out. As the group is ready to leave, Zauriel appears and dismisses Batman, Katan,a and Deadman.
A playboy billionaire by day, Bruce Wayne’s double life affords him the comfort of a life without financial worry, a loyal butler-turned-guardian and the perfect base of operations in the ancient network of caves beneath his family’s sprawling estate. By night, however, he sheds all pretense, dons his iconic scalloped cape and pointed cowl and takes to the shadowy streets, skies and rooftops of Gotham City.
Joker hosts a mock dinner in the caves leading to the Batcave. Alongside a bound Batman, his allies are also bound at the table with their faces bandaged, and Batman is warned that escaping will agitate flints and ignite his gasoline-doused allies. Alfred, who has been gassed by the Joker, serves all but Batman with a cloche containing their severed faces. When Joker threatens to ignite the gasoline himself, Batman escapes and triggers a blaze, but uses an explosive and his knowledge of the cave system to blow open the cave roof, allowing water to rush in from above and douse the flames. Batman pursues Joker to the edge of a large drop. Batman claims that he knows Joker's true identity, but to prevent him from saying it, Joker purposefully knocks himself over the edge and falls out of sight. Batman reads Joker's book which he claimed contained the real identities of the Bat-family but it is blank. Meanwhile, the Bat-family are gassed and attack each other but manage to fight off the gas's influence. Later, in Wayne Manor, Batman tells a recovering Alfred that after finding the joker playing card in the cave, he confronted Joker about it in Arkham Asylum as Bruce Wayne. Joker failed to acknowledge him and Batman realized that he did not care who Batman was under his mask. In the present, Batman receives excuses from the Bat-family for them not coming to meet with him. Later, Batman studies the chemical makeup of the gas Joker used on the Bat-family and finds an inert isotope; the chemical compound "Ha".
Over the years, there have been numerous others to assume the name of Batman, or to officially take over for Bruce during his leaves of absence. Jean Paul Valley, also known as Azrael, assumed the cowl after the events of the Knightfall saga. James Gordon donned a mech-suit after the events of Batman: Endgame, and served as Batman in 2015 and 2016.
The Silver Age of Comic Books in DC Comics is sometimes held to have begun in 1956 when the publisher introduced Barry Allen as a new, updated version of The Flash. Batman is not significantly changed by the late 1950s for the continuity which would be later referred to as Earth-One. The lighter tone Batman had taken in the period between the golden and silver ages led to the stories of the late 1950s and early 1960s that often feature many science-fiction elements, and Batman is not significantly updated in the manner of other characters until Detective Comics #327 (May 1964), in which Batman reverts to his detective roots, with most science-fiction elements jettisoned from the series.
In an interview with IGN, Morrison detailed that having Dick Grayson as Batman and Damian Wayne as Robin represented a "reverse" of the normal dynamic between Batman and Robin, with, "a more light-hearted and spontaneous Batman and a scowling, badass Robin". Morrison explained his intentions for the new characterization of Batman: "Dick Grayson is kind of this consummate superhero. The guy has been Batman's partner since he was a kid, he's led the Teen Titans, and he's trained with everybody in the DC Universe. So he's a very different kind of Batman. He's a lot easier; He's a lot looser and more relaxed."
In the current Prime Earth continuity, Julie is an artist and her father is Mallory Madison, an arms dealer who sold the gun that was used to kill Bruce's parents. Julie first dated Bruce Wayne during their teenage years, but met him again after his mind had been erased and he had forgotten ever being Batman. The two fell passionately in love, with Bruce being prepared to settle down and marry Julie. However, things got so bad in Gotham that Alfred realized Batman was needed and he and Julie were forced to give Bruce his old memories back, erasing his mind of the relationship.
That year Dennis O'Neil took over as editor of the Batman titles and set the template for the portrayal of Batman following DC's status quo-altering miniseries Crisis on Infinite Earths. O'Neil operated under the assumption that he was hired to revamp the character and as a result tried to instill a different tone in the books than had gone before. One outcome of this new approach was the "Year One" storyline in Batman #404–407 (Feb.–May 1987), in which Frank Miller and artist David Mazzucchelli redefined the character's origins. Writer Alan Moore and artist Brian Bolland continued this dark trend with 1988's 48-page one-shot Batman: The Killing Joke, in which the Joker, attempting to drive Commissioner Gordon insane, cripples Gordon's daughter Barbara, and then kidnaps and tortures the commissioner, physically and psychologically.
Various modern stories have portrayed the extravagant, playboy image of Bruce Wayne as a facade. This is in contrast to the post-Crisis Superman, whose Clark Kent persona is the true identity, while the Superman persona is the facade. In Batman Unmasked, a television documentary about the psychology of the character, behavioral scientist Benjamin Karney notes that Batman's personality is driven by Bruce Wayne's inherent humanity; that "Batman, for all its benefits and for all of the time Bruce Wayne devotes to it, is ultimately a tool for Bruce Wayne's efforts to make the world better". Bruce Waynes principles include the desire to prevent future harm and a vow not to kill. Bruce Wayne believes that our actions define us, we fail for a reason and anything is possible.
Batman quickly goes to the GCPD headquarters, where the Joker's latest attack took place. Previously, he had defeated the Joker and sent him to prison, where an unnamed person surgically removed his face. Later at the Batcave, Batman runs several traces for on previously collected samples of Joker Venom to see if any was found on the scene at police headquarters. As several of Batman's allies call, offering assistance in taking down the Joker, Batman declines, saying that whatever the Joker is planning, it is between him and Batman. In that moment, the Joker broadcasts a message on live TV, saying that he will kill Mayor Hady. The GCPD reinforces the City Hall to protect the Mayor, but the Joker poisons all the cops and security guards, leaving Batman, Commissioner Gordon and the Mayor as the only survivors. Batman investigates the chemical compounds used on the cops and finds three additional non-active chemicals: Aspirin, Chlorine, and Ethane. A, C, E. Batman realizes that the Joker is sending him back where it all started; to A.C.E. Chemicals. There, he finds a person dressed as the Red Hood. Batman is aware that the mysterious stranger is not the Joker, but suddenly, he is knocked aside by a giant wooden mallet. Batman falls into an empty chemical vat, while the stranger reveals herself as Harley Quinn. A chemical bath begins to pour into the vat, while Harley proclaims that the Joker is planning something not even she can comprehend.
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1994's company-wide crossover Zero Hour changes aspects of DC continuity again, including those of Batman. Noteworthy among these changes is that the general populace and the criminal element now considers Batman an urban legend rather than a known force. Similarly, the Waynes' killer is never caught or identified, effectively removing Joe Chill from the new continuity, rendering stories such as "Year Two" non-canon.
Finger did not receive the same recognition. While he had received credit for other DC work since the 1940s, he began, in the 1960s, to receive limited acknowledgment for his Batman writing; in the letters page of Batman #169 (February 1965) for example, editor Julius Schwartz names him as the creator of the Riddler, one of Batman's recurring villains. However, Finger's contract left him only with his writing page rate and no byline. Kane wrote, "Bill was disheartened by the lack of major accomplishments in his career. He felt that he had not used his creative potential to its fullest and that success had passed him by." At the time of Finger's death in 1974, DC had not officially credited Finger as Batman co-creator.
This also gave him the first bat suit which wasn’t hindered by the cowl being directly attached to the shoulders and could therefore move his head. Among other new improvements like being able to launch his triangle forearm blades, this version was a force to be reckoned with. Above all else, this is the perfect, most fully functional bat suit that there has been to date.