Various modern stories have portrayed the extravagant, playboy image of Bruce Wayne as a facade.[77] This is in contrast to the post-Crisis Superman, whose Clark Kent persona is the true identity, while the Superman persona is the facade.[78][79] In Batman Unmasked, a television documentary about the psychology of the character, behavioral scientist Benjamin Karney notes that Batman's personality is driven by Bruce Wayne's inherent humanity; that "Batman, for all its benefits and for all of the time Bruce Wayne devotes to it, is ultimately a tool for Bruce Wayne's efforts to make the world better". Bruce Waynes principles include the desire to prevent future harm and a vow not to kill. Bruce Wayne believes that our actions define us, we fail for a reason and anything is possible.[80]

Kathy Kane (Batwoman): First introduced as a female counterpart for Batman, Batwoman developed into a romantic partner in the Silver Age, where many Imaginary Stories featuring Kathy and Bruce getting married were published. Batwoman's love for Batman was never reciprocated and he only saw her as a good friend. On Earth-Two, Batwoman resigned to live without Batman's love, and in the Earth-One continuity, Kathy Kane was murdered by the League of Assassins. In the New Earth continuity, Kathy Kane was romantically interested in Batman in a couple of stories by Grant Morrison, who liked to use Silver Age content as reference in his works.
Batman's first romantic interest was Julie Madison in Detective Comics #31 (Sept. 1939), however their romance was short-lived. Some of Batman's romantic interests have been women with a respected status in society, such as Julie Madison, Vicki Vale, and Silver St. Cloud. Batman has also been romantically involved with allies, such as Kathy Kane (Batwoman), Sasha Bordeaux, and Wonder Woman, and with villains, such as Selina Kyle (Catwoman), Jezebel Jet, Pamela Isley (Poison Ivy), and Talia al Ghul.
He then decided to form an international group of Bat-operatives called Batman Incorporated. While he was busy setting this up, he let Dick Grayson (who had taken over when he thought Bruce was dead) remain as Batman in Gotham City. He also got a new costume to differentiate himself from Dick's costume. It had a lot of piping and a protruding, glowing yellow oval; future artists tended to tone down almost all of its elements.
At the end of the issue, the archivist is revealed to be an older version of Batman himself, who steals Rip Hunter's time bubble and leaves the heroes to experience the death of the universe, Superman pleading with him to stop. Superman reveals that, when Darkseid sent Batman back in time, he erased Bruce's memories but turned him into an unspecified 'doomsday weapon', knowing that Batman's powerful survival instincts would lead him back to the twenty-first century, at which point Darkseid's 'trap' will be triggered.
Master Spy: His advanced and extensive Ninjutsu and law enforcement training has made him a master at stealth, espionage, infiltration, and sabotage. Bruce is capable of breaching very high-security facilities with ease and without being detected. Batman's stealth prowess he is capable of breaking into a top-secret base a mile under Gotham City and even the infamous Area 51 completely unnoticed. He has proven to be very familiar with military protocols, as he casually anticipated and countered law enforcement and paratrooper tactics and strategies. Bruce has also learned how to pick various locks when he was in grade school.
Following the 2016 DC Rebirth continuity reboot, Batman and Catwoman work together in the third volume of Batman. The two also have a romantic relationship, in which they are shown having a sexual encounter on a rooftop and sleeping together.[112][113][114] Bruce proposes to Selina in Batman vol. 3, #24 (2017),[115] and in issue #32, Selina asks Bruce to propose to her again. When he does so, she says, "Yes." [114]

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Writers of Batman and Superman stories have often compared and contrasted the two. Interpretations vary depending on the writer, the story, and the timing. Grant Morrison[81] notes that both heroes "believe in the same kind of things" despite the day/night contrast their heroic roles display. He notes an equally stark contrast in their real identities. Bruce Wayne and Clark Kent belong to different social classes: "Bruce has a butler, Clark has a boss." T. James Musler's book Unleashing the Superhero in Us All explores the extent to which Bruce Wayne's vast personal wealth is important in his life story, and the crucial role it plays in his efforts as Batman.[82]
Because Bruce Wayne is retired at the beginning of The Dark Knight Returns, we don’t get to see the suit right away. Instead we get to listen to a conversation between Bruce and a soon to be retired Commissioner James Gordon. When Bruce opens his mouth, we hear the gravely baritone voice of an old Robocop, which works perfectly with the character. Once he decides that he has had enough of the crime on the streets and suits up again, we see that just because Bruce got old, doesn’t mean he let himself go.
While Kevin Conroy is the voice of a newer generation of Bat-fans, Adam West is the quintessential Batman of the generation a time slot or two beforehand. The originator of the classic blue and gray fabric costume with a hard face mask, this suit didn’t use any rubber padding, foam armor or tricks of the camera to make people think Batman was a built guy. On the contrary, underneath that suit was one hundred percent grade-A West. Now, Adam West wasn’t a very large man, but he didn’t have to be as he carried the gravity of Batman with suitably campy aplomb.
When Bob Kane first designed Batman's costume, his idea behind Batman was more similar to Hawkman than anything else, in the sense that he saw the character as literally flying like a bat via Bat-like wings. Incidentally, Kane was influenced by some of Leonardo Da Vinci's designs of a theoretical flying machine. Kane's collaborator, Bill Finger, told Kane that he should make the wings a cape instead. In addition, while Kane was thinking a red costume, Finger told him to go darker instead.
After the 12-issue limited series Crisis on Infinite Earths, DC Comics rebooted the stories of some major characters in an attempt at updating them for contemporary audiences. Frank Miller retold Batman's origin in the storyline Year One from Batman #404-407, which emphasizes a grittier tone in the character. Though the Earth-Two Batman is erased from history, many stories of Batman's Silver Age/Earth-One career (along with an amount of Golden Age ones) remain canonical in the post-Crisis universe, with his origins remaining the same in essence, despite alteration.
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There are a plethora of superheroes without superpowers but of them all the Batman character relies on "his own scientific knowledge, detective skills, and athletic prowess." In the comic books, Batman is regarded as one of the world's greatest detectives. During Grant Morrison's first story-ine in JLA, Superman describes Batman as "the most dangerous man on Earth," able to defeat a team of super-powered aliens all by himself in order to rescue his imprisoned teammates. He is also a master of disguise, often gathering information under the identity of Matches Malone, a notorious gangster. Through intense training, specialized diet, and biofeedback treatments, Batman represented the pinnacle of human physical prowess. His physical attributes exceeded that of most Olympic level athlete that ever competed. His strength, speed, stamina, agility, reflexes, and coordination are at peak human perfection.
When Bob Kane first designed Batman's costume, his idea behind Batman was more similar to Hawkman than anything else, in the sense that he saw the character as literally flying like a bat via Bat-like wings. Incidentally, Kane was influenced by some of Leonardo Da Vinci's designs of a theoretical flying machine. Kane's collaborator, Bill Finger, told Kane that he should make the wings a cape instead. In addition, while Kane was thinking a red costume, Finger told him to go darker instead.
Batman is often treated as a vigilante by other characters in his stories. Frank Miller views the character as "a dionysian figure, a force for anarchy that imposes an individual order".[92] Dressed as a bat, Batman deliberately cultivates a frightening persona in order to aid him in crime-fighting,[93] a fear that originates from the criminals' own guilty conscience.[94] Miller is often credited with reintroducing anti-heroic traits into Batman's characterization,[95] such as his brooding personality, willingness to use violence and torture, and increasingly alienated behavior. Batman, shortly a year after his debut and the introduction of Robin, was changed in 1940 after DC editor Whitney Ellsworth felt the character would be tainted by his lethal methods and DC established their own ethical code, subsequently he was retconned as having a stringent moral code.[35][96] Miller's Batman was closer to the original pre-Robin version, who was willing to kill criminals if necessary.[97]

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