Using a mixture of physical and psychological attacks, the Black Glove tests Batman's resolve, forcing him to temporarily adopt the crazed persona of the "Batman of Zur-En-Arrh." He is then led to Arkham Asylum to face the Joker. Seemingly defeated, Batman is buried alive by the Black Glove, a group that includes Bruce Wayne's girlfriend, Jezebel Jet, who has betrayed him. With the assistance of Robin and Nightwing, he turns the tables on his foes. In a final confrontation with Dr. Hurt, Batman is caught in a helicopter crash.

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While Kevin Conroy is the voice of a newer generation of Bat-fans, Adam West is the quintessential Batman of the generation a time slot or two beforehand. The originator of the classic blue and gray fabric costume with a hard face mask, this suit didn’t use any rubber padding, foam armor or tricks of the camera to make people think Batman was a built guy. On the contrary, underneath that suit was one hundred percent grade-A West. Now, Adam West wasn’t a very large man, but he didn’t have to be as he carried the gravity of Batman with suitably campy aplomb.
Just as the Black Pirate defeats Blackbeard, Hands puts up the shout - surrender or the boy dies. However, within seconds of the challenge, two of the pirates are dead by Miagani darts, leaving only Blackbeard and Hands. The Black Pirate demands that the two retreat. Then Jack Valor introduces the Black Pirate to the last of the Miagani Tribe. They recognize him, and let into the most sacred part of their cave, which is guarded by a statue of their patron spirit, "the Lord of Night and the Dark Sun", who is supposed to guard them against the day they call the "All-Over". At the back of the cave is the cape of the Lord of Night - the cape that Batman was wearing when he came back in time. The Black Pirate is struck by his memories.
Another of Batman's characterizations is that of a vigilante; in order to stop evil that started with the death of his parents, he must sometimes break the law himself. Although manifested differently by being re-told by different artists, it is nevertheless that the details and the prime components of Batman's origin have never varied at all in the comic books, the "reiteration of the basic origin events holds together otherwise divergent expressions".[90] The origin is the source of the character's traits and attributes, which play out in many of the character's adventures.[85] He also speaks over 40 different languages.[91]
In Blackest Night, the villain Black Hand is seen digging up Bruce Wayne's body, stealing his skull, and recruiting it into the Black Lantern Corps. Deadman, whose body has also become a Black Lantern, rushes to aid the new Batman and Robin, along with Red Robin against the Gotham villains who have been reanimated as Black Lanterns, as well as their own family members. The skull was briefly reanimated as a Black Lantern, reconstructing a body in the process by Black Hand's lord, Nekron, to move against the Justice League and the Titans. After the Black Lantern Batman created several black power rings to attach to and kill the majority of the Justice League, the skull was returned to normal after Nekron explained it served its purpose as an emotional tether. Nekron also referred to the skull as "Bruce Wayne", knowing that the body was not authentic.
The famous Bronze Age Batman costume is a lot like the Golden Age costume in the sense that neither of them were technically what you would call "new" costumes. However, they so drastically altered the look of Batman's costume from what came before that it would be ridiculous not to consider them costume changes. When Neal Adams began drawing Batman in the early 1970s, the costume he was drawing was ostensibly the "New Look" costume, but Neal Adams streamlined the costume dramatically.
Indomitable Will: He has no known superhuman powers, but he does have an almost superhuman "force of will". Batman's unstoppable determination, sense of discipline and morale, and strength of will make him an extremely formidable opponent. This makes him able to function while tolerating massive amounts of physical pain, and also allows him to resist telepathy or mind control. His willpower is strong enough to operate a Green Lantern Ring when necessary. He is also unshakably devoted to his solemn vow never to kill, in spite of his vicious inner temptation to do so - the latter of which factors is displayed prominently when facing the Joker.
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The Silver Age of Comic Books in DC Comics is sometimes held to have begun in 1956 when the publisher introduced Barry Allen as a new, updated version of The Flash. Batman is not significantly changed by the late 1950s for the continuity which would be later referred to as Earth-One. The lighter tone Batman had taken in the period between the golden and silver ages led to the stories of the late 1950s and early 1960s that often feature many science-fiction elements, and Batman is not significantly updated in the manner of other characters until Detective Comics #327 (May 1964), in which Batman reverts to his detective roots, with most science-fiction elements jettisoned from the series.

Batman comics were among those criticized when the comic book industry came under scrutiny with the publication of psychologist Fredric Wertham's book Seduction of the Innocent in 1954. Wertham's thesis was that children imitated crimes committed in comic books, and that these works corrupted the morals of the youth. Wertham criticized Batman comics for their supposed homosexual overtones and argued that Batman and Robin were portrayed as lovers.[41] Wertham's criticisms raised a public outcry during the 1950s, eventually leading to the establishment of the Comics Code Authority, a code that is no longer in use by the comic book industry. The tendency towards a "sunnier Batman" in the postwar years intensified after the introduction of the Comics Code.[42] Scholars have suggested that the characters of Batwoman (in 1956) and the pre-Barbara Gordon Bat-Girl (in 1961) were introduced in part to refute the allegation that Batman and Robin were gay, and the stories took on a campier, lighter feel.[43]
Over the years, there have been numerous others to assume the name of Batman, or to officially take over for Bruce during his leaves of absence. Jean Paul Valley, also known as Azrael, assumed the cowl after the events of the Knightfall saga.[60] James Gordon donned a mech-suit after the events of Batman: Endgame, and served as Batman in 2015 and 2016.
In 1998, the "Batman" titles (and Gotham City itself) were rocked by a giant earthquake in the crossover, "Cataclysm." In the aftermath of the devastation, Batman left Gotham City in his Bruce Wayne identity to lobby the United States government to provide aid to Gotham to help it rebuild. Instead, the government decided to just cut Gotham City off from the rest of the country, period. They gave people a few weeks to get out and then blew up all tunnels and bridges out of Gotham City and left whoever was still in Gotham to fend for themselves.
The 1993 "Knightfall" story arc introduced a new villain, Bane, who critically injures Batman after pushing him to the limits of his endurance. Jean-Paul Valley, known as Azrael, is called upon to wear the Batsuit during Bruce Wayne's convalescence. Writers Doug Moench, Chuck Dixon, and Alan Grant worked on the Batman titles during "Knightfall", and would also contribute to other Batman crossovers throughout the 1990s. 1998's "Cataclysm" storyline served as the precursor to 1999's "No Man's Land", a year-long storyline that ran through all the Batman-related titles dealing with the effects of an earthquake-ravaged Gotham City. At the conclusion of "No Man's Land", O'Neil stepped down as editor and was replaced by Bob Schreck.[59]

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