That year Dennis O'Neil took over as editor of the Batman titles and set the template for the portrayal of Batman following DC's status quo-altering miniseries Crisis on Infinite Earths. O'Neil operated under the assumption that he was hired to revamp the character and as a result tried to instill a different tone in the books than had gone before. One outcome of this new approach was the "Year One" storyline in Batman #404–407 (Feb.–May 1987), in which Frank Miller and artist David Mazzucchelli redefined the character's origins. Writer Alan Moore and artist Brian Bolland continued this dark trend with 1988's 48-page one-shot Batman: The Killing Joke, in which the Joker, attempting to drive Commissioner Gordon insane, cripples Gordon's daughter Barbara, and then kidnaps and tortures the commissioner, physically and psychologically.
Batman (1989 film)-Starring Michael Keaton as Batman Batman Returns(1992 film)-Starring Michael Keaton as Batman Batman Forever (1995 film)-Starring Val Kilmer as Batman Batman & Robin (1997 film)-Starring George Clooney as Batman Batman Begins (2005 film)-Starring Christian Bale as Batman The Dark Knight (2008 film)-Starring Christian Bale as Batman The Dark Knight Rises (2012 film)-Starring Christian Bale as Batman There were others but I wouldn't consider them movies.
It's hard to get across just how little care was often put into comic books and strips back in the 1930s and 1940s. This was disposable entertainment with an emphasis on "disposable." Comic books would be put together like an assembly line by packaging studios, and sometimes be thrown together over a weekend whenever a publisher got a fresh batch of printing paper. During World War II, for example, it became hard to find printing material, so coming across some extra paper was seen as a huge boon. Comic book artists routinely copied full sequences from the most talented comic artists of the day (typically Hal Foster and Alex Raymond).
After a new supervillain called Mr. Bloom apparently killed Gordon and took over Gotham, Bruce learnt about his life as Batman and, after talking to a stranger, returned to the Batcave for the first time since his final encounter with Joker. However, unable to recover the skills required to fight Bloom and his underlings, he decided to use an experimental machine that would upload his memories and skills into a body, but at the cost of his new life. With help from Alfred and Julie (who had discovered the truth long ago), Bruce went through with the procedure and returned to Gotham as Batman. With help from Gordon and a street gang modeled after Robin, he was able to defeat Bloom and save the city once again.
In Batman: Arkham City, although their love is not explored, Catwoman constantly flirts with the Dark Knight whenever they meet. Catwoman even gives up her sure escape from Arkham City to go back and help the injured Batman. A hidden radio reel reveals that Catwoman has a slight grudge towards Batman, though, since he knows her secret identity but she doesn't know his. However, by the time of the events of Batman: Arkham Knight, Selina is aware of Batman's identity as Bruce Wayne, addressing him as such after he rescues her from the Riddler.
This also gave him the first bat suit which wasn’t hindered by the cowl being directly attached to the shoulders and could therefore move his head. Among other new improvements like being able to launch his triangle forearm blades, this version was a force to be reckoned with. Above all else, this is the perfect, most fully functional bat suit that there has been to date.
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Peak Human Speed: He can run and move at speeds comparable to the finest human athletes. In combat he is extremely agile and evasive, supplementing his strength with sheer speed to defeat his enemies, he could even match the master assassin Deathstroke's combat speed. Occasionally, Batman has shown enough speed to catch up or outrun a speeding car while running on foot. He is capable of moving faster than SWAT can align their weapons.
O'Neil and Adams first collaborated on the story "The Secret of the Waiting Graves" in Detective Comics #395 (Jan. 1970). Few stories were true collaborations between O'Neil, Adams, Schwartz, and inker Dick Giordano, and in actuality these men were mixed and matched with various other creators during the 1970s; nevertheless the influence of their work was "tremendous". Giordano said: "We went back to a grimmer, darker Batman, and I think that's why these stories did so well ..." While the work of O'Neil and Adams was popular with fans, the acclaim did little to improve declining sales; the same held true with a similarly acclaimed run by writer Steve Englehart and penciler Marshall Rogers in Detective Comics #471–476 (Aug. 1977 – April 1978), which went on to influence the 1989 movie Batman and be adapted for Batman: The Animated Series, which debuted in 1992. Regardless, circulation continued to drop through the 1970s and 1980s, hitting an all-time low in 1985.
Despite this, Batman has proved to have a great love for humanity, which was instilled by his parents. His father was a doctor, while his mother was a crusader against child abuse. Indeed, Batman's oath of vengeance is tempered with the greater ideal of justice. He refrains from killing, as he feels this would not make him any better than the criminals he fights. He is also a very prominent member of the Justice League and the founder of the Outsiders.
Natalya Trusevich: A Ukrainian concert pianist and girlfriend of Bruce Wayne, Natalya grew frustrated with Bruce's closed-off demeanour, until he was urged by Alfred to reveal to her his secret identity. Shortly after, Natalya was abducted by the Mad Hatter who attempted to torture her into revealing the identity of Batman. Natalya refused to divulge Bruce's secret and was thrown by the Mad Hatter from a helicopter to her death.