Master of Disguise: Has mastered the art of disguise by the time he was 23. Has further learned Expanded Disguise techniques by the time he was 26. Batman has many aliases he uses to infiltrate the underworld or just to go undercover in public situations. His current aliases are: Matches Malone, Thomas Quigley, Ragman, Detective Hawke, Sir Hemingford Grey, Lester Krutz, Frank Dixon, Gordon Selkirk, and Mr. Fledermaus.
Expert Marksman: Due in part to his training in Ninjutsu, Batman almost never misses his targets, 9/10 times he's successful. Bruce is a higly skilled expert marksman with throwing projectile weapons, archery and firearms when it comes to small, distant, moving or even invisible targets. He has been practicing such skills since the early days of his training and is almost on par with the Green Arrow in terms of accuracy and precision. He was shown to be able to flick a light switch on from a distance and hit a penny dropping in the air from a distance both done with a bBtarang. He is equally skilled with firearms, though he doesn't like offensive guns and prefers not to use them. Bruce is also one of the world's top ten marksmen.
The Batman television series, starring Adam West, premiered in January 1966 on the ABC television network. Inflected with a camp sense of humor, the show became a pop culture phenomenon. In his memoir, Back to the Batcave, West notes his dislike for the term 'camp' as it was applied to the 1960s series, opining that the show was instead a farce or lampoon, and a deliberate one, at that. The series ran for 120 episodes; ending in 1968. In between the first and second season of the Batman television series, the cast and crew made the theatrical film Batman (1966). The Who recorded the theme song from the Batman show for their 1966 EP Ready Steady Who, and The Kinks performed the theme song on their 1967 album Live at Kelvin Hall.
Jaina Hudson (White Rabbit): Jaina is a Gotham socialite of Indian descent who met Bruce at a charity fundraiser and later went on a few dates with him. He later discovered she had the unique power to duplicate herself into two separate beings: herself and a scantily clad criminal called the White Rabbit. The White Rabbit worked against Batman and often led him to other villains such as the Joker and Bane.

Back in the 90s comics were prone to some wild publicity stunts to sell issues. The most notable events were the Death of Superman and a villain known as Bane breaking Batman's back. This forced Bruce Wayne to pass the mantle of Batman on to a man named Jean-Paul Valley. Valley ended up going a little crazy. He did not adhere to Batman's rule of "no killing" and made a lot of deadly modifications to the Batsuit. When Wayne got word of Valley's methods and Bane's crime-spree, he went on a spirit journey similar to his first quest to become Batman.

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In Batman: Arkham City, although their love is not explored, Catwoman constantly flirts with the Dark Knight whenever they meet. Catwoman even gives up her sure escape from Arkham City to go back and help the injured Batman. A hidden radio reel reveals that Catwoman has a slight grudge towards Batman, though, since he knows her secret identity but she doesn't know his. However, by the time of the events of Batman: Arkham Knight, Selina is aware of Batman's identity as Bruce Wayne, addressing him as such after he rescues her from the Riddler.

The perfect combination of the various Batman costume eras came at the turn of the 21st Century. With "No Man's Land" now over, Batman could get back to being a normal superhero again and he began to fight crime in a costume influenced by Alex Ross's Batman designs. It had a lot of the same feel of the Bronze Age Neal Adams' costume; however, it was much darker than that and did not have the yellow oval on it.

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In the world of DC, there were really two Batmen if you think about it. One as "the world's greatest detective" who typically fought other non-powered street-level characters like the Joker. The other was a man who defied all odds as a human, and went toe-to-toe with super-powered villains and cosmic threats alongside the Justice League. Loeb and Lee balanced this duality into one series and did the same with the Batsuit as well. It's almost a combination of the classic blue and gray suit we know best from the Adam West series, mixed with a little bit of Frank Miller's Dark Knight Returns suit. The result is a colorful suit that looks at home in the dark alley's of Gotham.
Batman is often treated as a vigilante by other characters in his stories. Frank Miller views the character as "a dionysian figure, a force for anarchy that imposes an individual order".[92] Dressed as a bat, Batman deliberately cultivates a frightening persona in order to aid him in crime-fighting,[93] a fear that originates from the criminals' own guilty conscience.[94] Miller is often credited with reintroducing anti-heroic traits into Batman's characterization,[95] such as his brooding personality, willingness to use violence and torture, and increasingly alienated behavior. Batman, shortly a year after his debut and the introduction of Robin, was changed in 1940 after DC editor Whitney Ellsworth felt the character would be tainted by his lethal methods and DC established their own ethical code, subsequently he was retconned as having a stringent moral code.[35][96] Miller's Batman was closer to the original pre-Robin version, who was willing to kill criminals if necessary.[97]

A product from the future of the DC animated universe, Batman Beyond took everything we all loved about Batman: The Animated Series and put a new spin on it. Here we were able to see an old Bruce Wayne who had to give up being Batman once he realized his age was becoming a factor. We soon meet a character by the name of Terry McGinnis who would come to don the flashy new cape and cowl.
This also gave him the first bat suit which wasn’t hindered by the cowl being directly attached to the shoulders and could therefore move his head. Among other new improvements like being able to launch his triangle forearm blades, this version was a force to be reckoned with. Above all else, this is the perfect, most fully functional bat suit that there has been to date.
Batman's batsuit aids in his combat against enemies, having the properties of both Kevlar and Nomex. It protects him from gunfire and other significant impacts. His gloves typically feature three scallops that protrude from long, gauntlet-like cuffs, although in his earliest appearances he wore short, plain gloves without the scallops.[121] The overall look of the character, particularly the length of the cowl's ears and of the cape, varies greatly depending on the artist. Dennis O'Neil said, "We now say that Batman has two hundred suits hanging in the Batcave so they don't have to look the same ... Everybody loves to draw Batman, and everybody wants to put their own spin on it."[122]
Batman was one of the few superhero characters to be continuously published as interest in the genre waned during the 1950s. In the story "The Mightiest Team in the World" in Superman #76 (June 1952), Batman teams up with Superman for the first time and the pair discover each other's secret identity.[38] Following the success of this story, World's Finest Comics was revamped so it featured stories starring both heroes together, instead of the separate Batman and Superman features that had been running before.[39] The team-up of the characters was "a financial success in an era when those were few and far between";[40] this series of stories ran until the book's cancellation in 1986.

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Finger suggested giving the character a cowl instead of a simple domino mask, a cape instead of wings, and gloves; he also recommended removing the red sections from the original costume.[12][13][14][15] Finger said he devised the name Bruce Wayne for the character's secret identity: "Bruce Wayne's first name came from Robert Bruce, the Scottish patriot. Wayne, being a playboy, was a man of gentry. I searched for a name that would suggest colonialism. I tried Adams, Hancock ... then I thought of Mad Anthony Wayne."[16] He later said his suggestions were influenced by Lee Falk's popular The Phantom, a syndicated newspaper comic-strip character with which Kane was also familiar.[17]
This bat suit has gotten quite a bit of flack since it was first shown to the public. While looking an amalgam of Nightowl from Watchmen and the armored suit from Batman: Arkham Knight, this is one of the most odd-looking bat suits on our list. Because the movie has not been released, we can really only speculate at this moment what this “tactical” suit will be used for, but odds are it will have been made for some extremely specific reason. Because Batman.
All Batman origin stories tend to agree that the character was deeply wounded by witnessing the death of his parents at an early age. In many renditions the murderer was simply a mugger. Tim Burton’s film Batman differs in this respect to suggest it was the Joker who killed Batman’s parents. The loss of Bruce’s parents and the corrupt nature of Gotham City where Bruce lives, makes him seek a way of dispatching villains. Gotham City is often depicted as intensely corrupt in almost every aspect of its society. Not even the police force can be trusted, since many of them are on the take.
Weapon Master: Through his martial arts training, he has become an expert on virtually all types of weaponry. He is an exceptional swordsman as evident in his fight with Ra's al Ghul, his proficiency in Jui Jitsu can proclaim his swordsmanship skill. Proficient with most melee weapons because of his mastery of Okinawan Kobudo. He was trained and became extremely proficient in all arms. He soon learned expanded melee weapon techniques and he has learned expanded weapon/device sciences. He still practices during his combat sessions to keep his skills intact, though he prefers unarmed combat. 

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Batman became a popular character soon after his introduction, and eventually gained his own title, "Batman". As the decades wore on, differing takes on the character emerged. The late 1960s Batman television series utilized a camp aesthetic associated with the character for years after the show ended. Various creators worked to return the character to his dark roots, culminating in the 1986 miniseries Batman: The Dark Knight Returns, by writer-artist Frank Miller. That and the success of director Tim Burton's 1989 Batman motion picture helped reignite popular interest in the character. A cultural icon, Batman has been licensed and adapted into a variety of media, from radio to television and film, and appears on a variety of merchandise sold all over the world. The Batman goes by numerous nicknames, such as The Dark Knight, The Caped Crusader, World's Greatest Detective and the Defender of Gotham.
After a lengthy brawl through the skies of Gotham, March is trapped in an explosion intended to kill Bruce; no body is located. Bruce admits to Dick that although he is skeptical of March's claims and believes his parents would have told him had he had a brother, without March's body and a DNA test he is unable to conclusively prove or disprove March's claims. Still, Bruce says that even though the Court tried to destroy everything he believed in, there was one thing the Court could never break: his belief in his parents. Bruce knows that although the Court has been stoppe,d for now, it will return; and he will be ready.
This suit is from an Elseworlds story that puts the recognizable Batman cast of characters into a pirate setting. Several things are changed in addition to giving the costume a classic pirate look. Leatherwing (Batman) is a ship Captain pillaging for King James, but keeping a cut for his crew. A character named Robin Redblade stows away on Leatherwing's ship, The Flying Fox, and alerts Leatherwing about talks of mutiny that he overhears. He is then made buccaneer, regardless of stowing away, and stands beside Leatherwing with Alfredo.

In Batman and Psychology: A Dark and Stormy Knight, Travis Langley argues that the concept of archetypes as described by psychologists Carl Jung and Joseph Campbell is present in the Batman mythos, such that the character represents the "shadow archetype". This archetype, according to Langley, represents a person's own dark side; it is not necessarily an evil one, but rather one that is hidden from the outside and concealed from both the world and oneself. Langley argues that Bruce Wayne confronts his own darkness early in life; he chooses to use it to instill fear in wrongdoers, with his bright and dark sides working together to fight evil. Langley uses the Jungian perspective to assert that Batman appeals to our own need to face our "shadow selves".[207][208] Dr. Travis Langley also taught a class called Batman, a title he was adamant about. "I could have called it something like the Psychology of Nocturnal Vigilantism, but no. I called it Batman," Langley says.[209]


Batman once again becomes a member of the Justice League during Grant Morrison's 1996 relaunch of the series, titled JLA. During this time, Gotham City faces catastrophe in the decade's closing crossover arc. In 1998's "Cataclysm" storyline, Gotham City is devastated by an earthquake and ultimately cut off from the United States. Deprived of many of his technological resources, Batman fights to reclaim the city from legions of gangs during 1999's "No Man's Land".

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While most of Batman's romantic relationships tend to be short in duration, Catwoman has been his most enduring romance throughout the years.[110] The attraction between Batman and Catwoman, whose real name is Selina Kyle, is present in nearly every version and medium in which the characters appear. Although Catwoman is typically portrayed as a villain, Batman and Catwoman have worked together in achieving common goals and are usually depicted as having a romantic connection.

The debut of the Batman television series in 1966 had a profound influence on the character. The success of the series increased sales throughout the comic book industry, and Batman reached a circulation of close to 900,000 copies.[47] Elements such as the character of Batgirl and the show's campy nature were introduced into the comics; the series also initiated the return of Alfred. Although both the comics and TV show were successful for a time, the camp approach eventually wore thin and the show was canceled in 1968. In the aftermath, the Batman comics themselves lost popularity once again. As Julius Schwartz noted, "When the television show was a success, I was asked to be campy, and of course when the show faded, so did the comic books."[48]
Take a moment and think about the most iconic superheroes of our day. Chances are, Batman made the shortlist, which is why we carry a full assortment of Batman costumes for superheroes of every size. Outfit the Bruce Wayne in your family in a Batsuit that fits just right. Measurements (chest, waist, hips, height, weight) are the best way to find the perfect fit; consult with the costume’s size chart to ensure you’re choosing the right size. We recommend ordering up a size if you’re in for a chilly Halloween and think you’ll need to wear long underwear underneath your costume. 
The Silver Age of Comic Books in DC Comics is sometimes held to have begun in 1956 when the publisher introduced Barry Allen as a new, updated version of The Flash. Batman is not significantly changed by the late 1950s for the continuity which would be later referred to as Earth-One. The lighter tone Batman had taken in the period between the golden and silver ages led to the stories of the late 1950s and early 1960s that often feature many science-fiction elements, and Batman is not significantly updated in the manner of other characters until Detective Comics #327 (May 1964), in which Batman reverts to his detective roots, with most science-fiction elements jettisoned from the series.

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