When the supreme edition armored batman costume just doesn’t cut it for you, there’s the screen-accurate made-to-measure version from buyfullbodyarmors.com.  Made from polyurethane plastic and an aluminum framework, the armored Batsuit uses automotive grade paint and primer to give the plating that battle-ready look.  The detailed segments go on in pieces and take two people 30 mins to fully assemble.  The price increases to $2876 when bundled with optional extras like a voice-morpher and height increasing shoe pads.

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Diana and Bruce briefly dated[17] but nothing came of their relationship and the two decided it would be best to remain friends.[18] However, they still care deeply about one another, and this is evidenced by Wonder Woman's love for Batman allowing her to become a member of the Star Sapphire Corps in Blackest Night. Their relationship is echoed in the Justice League Animated Series, where producers decided to pair Diana with Bruce.
In most interpretations, Batman has a moral code against killing or maiming his enemies, believing that doing so will make him no better than the criminals he fights. Some storylines have also depicted him losing his sanity after "breaking" this rule, including the Batman: Red Rain trilogy. This has also lead to him not using firearms within his operations, though likely due to their involvement in his parent's murder.

Starting in 1969, writer Dennis O'Neil and artist Neal Adams made a deliberate effort to distance Batman from the campy portrayal of the 1960s TV series and to return the character to his roots as a "grim avenger of the night".[49] O'Neil said his idea was "simply to take it back to where it started. I went to the DC library and read some of the early stories. I tried to get a sense of what Kane and Finger were after."[50]

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After his apparent death, James Gordon would leave the role of Commissioner and become a new Batman, albeit one officially supported by the GCPD. Bruce Wayne was eventually discovered, having survived when exposed to Dionesium during his time burried, he suffered from amnesia, causing him to forget his entire life. Though he found Alfred and discovered his life after his parents' deaths, Bruce was not told of his life of vigilantism and seemed to remain ignorant of it, instead deciding to settle down and find a life of happiness with his old flame, Julie Madison.

Starting in 1969, writer Dennis O'Neil and artist Neal Adams made a deliberate effort to distance Batman from the campy portrayal of the 1960s TV series and to return the character to his roots as a "grim avenger of the night".[49] O'Neil said his idea was "simply to take it back to where it started. I went to the DC library and read some of the early stories. I tried to get a sense of what Kane and Finger were after."[50]

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For the most part, Batman's family and friends come to believe that Bruce Wayne is indeed dead. The only exception to this is Bruce's adopted son Tim Drake, who believes firmly that Bruce is still alive. After having the Robin identity taken from him by Dick Grayson, the new Batman, and giving it to Bruce's son, Damian, Tim takes on the identity of Red Robin, and begins searching the world for signs that Bruce Wayne is still alive. While searching in Baghdad, Tim finds a wall painting of the Bat emblem that was painted by Bruce upon the passing of Anthro. Tim realizes that Bruce is not dead, but rather lost in time.
Many fans of Batman seem to like this design from Frank Miller with it's simple gray and black color scheme, short ears, and bulky utility belt. It was worn by a Batman from a future time where he and many other staple DC heroes had gone into retirement. Of course Bruce Wayne had the hardest time with this. Wayne's reasons for waging a war on crime didn't come from a Boy Scout inspired directive to good. The motivations of Bruce Wayne were personal; it was his way of avenging the death of his parents at the hands of street criminals. At age 55, Wayne comes out of retirement to fight crime in a world that doesn't have the respect for him it once did.
Bruce Wayne goes on a date with Selina, who is unaware of the former's identity as Batman, much to the encouragement of his family. The two, along with Thomas Elliot, attend an opera when Harley Quinn arrives and attempts to kill Bruce. In the ensuing struggle, Dr. Elliot is apparently shot dead by Joker. An enraged Batman violently beats Joker who claims that he is innocent, and he is stopped short of killing him by Commissioner James Gordon. Bruce attends Elliot's funeral and deduces Joker's innocence as well that Hush must know his secret identity.
By 1942, the writers and artists behind the Batman comics had established most of the basic elements of the Batman mythos.[36] In the years following World War II, DC Comics "adopted a postwar editorial direction that increasingly de-emphasized social commentary in favor of lighthearted juvenile fantasy". The impact of this editorial approach was evident in Batman comics of the postwar period; removed from the "bleak and menacing world" of the strips of the early 1940s, Batman was instead portrayed as a respectable citizen and paternal figure that inhabited a "bright and colorful" environment.[37]
Pamela Isley (Poison Ivy): Poison Ivy is a villain who often relies on seduction and the manipulation of pheromones to drive men around her to obey. This is no different with Batman, who initially confused the lust and desire caused by Ivy's methods for love.[13][14] Ivy has a somewhat love/hate relationship with Batman; on some occasions she claims to love him and desires his affection, while on others she is more than willing to kill him. Bruce and Pamela had a brief but genuine romantic relationship after he helped to cure her of her condition, but this came to an end when Pamela seemingly died in an attempt to turn herself back into Poison Ivy.[15]
One day I called Bill and said, 'I have a new character called the Bat-Man and I've made some crude, elementary sketches I'd like you to look at.' He came over and I showed him the drawings. At the time, I only had a small domino mask, like the one Robin later wore, on Batman's face. Bill said, 'Why not make him look more like a bat and put a hood on him, and take the eyeballs out and just put slits for eyes to make him look more mysterious?' At this point, the Bat-Man wore a red union suit; the wings, trunks, and mask were black. I thought that red and black would be a good combination. Bill said that the costume was too bright: 'Color it dark grey to make it look more ominous.' The cape looked like two stiff bat wings attached to his arms. As Bill and I talked, we realized that these wings would get cumbersome when Bat-Man was in action and changed them into a cape, scalloped to look like bat wings when he was fighting or swinging down on a rope. Also, he didn't have any gloves on, and we added them so that he wouldn't leave fingerprints.[17]

Sasha Bordeaux: Assigned as Bruce Wayne's bodyguard, Sasha deduced that Bruce was Batman and briefly fought at his side. She was framed for the murder of Bruce's girlfriend Vesper Fairchild and later joined Maxwell Lord's Checkmate organization. In The OMAC Project, Bordeaux was turned into a cyborg OMAC, but this incident was later resolved. While Sasha and Batman kissed near the end of The OMAC Project, their relationship seemed to have passed on.

The end result was a character who looked like he would fit right along famous pulp heroes like the Shadow, with a distinct-looking cowl and a cape that still managed to maintain some of its wing-like approach. This was the type of character that you would take one glance at and think, "Yeah, this dude wouldn't mind snapping a neck or two to get the job done." That fit the early style of Batman stories perfectly.
One day I called Bill and said, 'I have a new character called the Bat-Man and I've made some crude, elementary sketches I'd like you to look at.' He came over and I showed him the drawings. At the time, I only had a small domino mask, like the one Robin later wore, on Batman's face. Bill said, 'Why not make him look more like a bat and put a hood on him, and take the eyeballs out and just put slits for eyes to make him look more mysterious?' At this point, the Bat-Man wore a red union suit; the wings, trunks, and mask were black. I thought that red and black would be a good combination. Bill said that the costume was too bright: 'Color it dark grey to make it look more ominous.' The cape looked like two stiff bat wings attached to his arms. As Bill and I talked, we realized that these wings would get cumbersome when Bat-Man was in action and changed them into a cape, scalloped to look like bat wings when he was fighting or swinging down on a rope. Also, he didn't have any gloves on, and we added them so that he wouldn't leave fingerprints.[17]

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