Superman stops the confrontation and asks to be arrested for Light's murder. Afterwards, Superman is taken to the A.R.G.U.S. complex and is placed in a cell. There, he asks Batman about the man he killed and Batman proceeds to tell him about Doctor Light and his family. Batman also tells Superman that Cyborg and Martian Manhunter are doing an autopsy to prove his death was not Superman's fault. Wonder Woman enters the cell and tells Batman about what happened with Pandora and her box. Batman believes the best help for Superman is through science to which Wonder Woman believes the answer is with the mythical box she believes is fact.
Shondra Kinsolving: Shondra was a psychic and the half-sister of Benedict Asp. She had a brief love affair with Batman, having been brought in to help him when Bane broke his back. Before Bruce could officially commit to her, Benedict kidnapped her and turned her abilities to evil use. Batman eventually defeated Benedict, but the damage to Shondra's mind was too great. As she healed Bruce's lingering injuries, Shondra's psyche regressed back into childhood. Bruce paid for her care at a psychiatric institution, ensuring she received the best treatment for the rest of her life.
While the "New Look" costume was still broad like the Golden Age costume, Adams' version slimmed everything down. He also exaggerated everything, with the bat-ears becoming longer, the scallops on the glove getting longer and, perhaps most importantly, the cape getting longer. This was the costume that Batman would wear for the next two decades. Over the years, artists slightly darkened the colors of the costume, but that seemed to be more a matter of lighting than anything else.
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By 1942, the writers and artists behind the Batman comics had established most of the basic elements of the Batman mythos. In the years following World War II, DC Comics "adopted a postwar editorial direction that increasingly de-emphasized social commentary in favor of lighthearted juvenile fantasy". The impact of this editorial approach was evident in Batman comics of the postwar period; removed from the "bleak and menacing world" of the strips of the early 1940s, Batman was instead portrayed as a respectable citizen and paternal figure that inhabited a "bright and colorful" environment.
While looking for information, Bruce used the stapler to act like a gun to scare Gordon and before leaving tells him to look for his sign to know when he’d be around. Although only used in one scene, it took an otherwise forwardly dramatic movie and gave us a slight sense of levity to imagine batman with a stapler. Later on, the look became an evolutionary tale of the suit itself, showcasing elements that would stick around while also showing how much would later be adapted for both form and function.
On the shore of Bristol Bay, the dreaded pirate Edward "Blackbeard" Thatch has just sunk the ship of the vigilante known as the Black Pirate. Two men came out of the drink - a young man who won't speak, and a defiant black-haired fellow. Blackbeard rounds on the black-haired man, accuss him of being the Black Pirat, and demands that he take him to the fabled treasure of the Miagani, in the caves above Gotham Town. When the black-haired man says he is not the Black Pirate, Blackbeard pulls out the accouterments of the Black Pirate, which were also pulled off the ship. At the appeal of the young man, Blackbear,d and the black-haired man agrese to go to the caves.
Lorna Shore: In the Batman Confidential story Lovers & Madmen, Bruce met museum curator Lorna Shore during the beginning of his career. It was love at first sight as Bruce was able to find peace when he was with her for the first time since his parents' murder. However, after his encounter with the Joker and realizing that there would be more enemies like him, he broke off their relationship to protect Lorna. Lorna later left the city, feeling that Gotham wasn't safe anymore because of Batman and The Joker.
The debut of the Batman television series in 1966 had a profound influence on the character. The success of the series increased sales throughout the comic book industry, and Batman reached a circulation of close to 900,000 copies. Elements such as the character of Batgirl and the show's campy nature were introduced into the comics; the series also initiated the return of Alfred. Although both the comics and TV show were successful for a time, the camp approach eventually wore thin and the show was canceled in 1968. In the aftermath, the Batman comics themselves lost popularity once again. As Julius Schwartz noted, "When the television show was a success, I was asked to be campy, and of course when the show faded, so did the comic books."
Seeking retaliation for Ivy's manipulation, Catwoman offers information on her whereabouts to Batman in exchange for a kiss and a tenuous romance blooms between them. Batman and Catwoman follow Poison Ivy to Metropolis. Batman finds Lex Luthor, now a probationary member of the Justice League, and asks for information on a delivery list of an ethylene compound to track down Ivy's location. There they find Ivy has taken control of Superman and she commands the Man of Steel to kill Batman and Catwoman. Batman observes that Superman is subconsciously resisting Ivy's influence, holding back on his attempts to kill both of them. Using knuckledusters made from Kryptonite, Batman stalls Superman while Catwoman lets Lois Lane fall from the Daily Planet building. Superman breaks free of Ivy's control to save Lois. Batman, Superman, and Catwoman work together to capture Ivy, who reveals that she was being manipulated by a mysterious foe called Hush.
With that in mind, there seems to be a decent chance that Batman having purple gloves when he debuted in "Detective Comics" #27 was just a weird screw-up by whomever colored the comic book. Coloring of comic books were particularly lax back in the day. Sometimes creators wouldn't even know what color their character would be until they saw the printed comic book. Whether that is the case or not, the end result is a weird-looking design for a character from the shadows.
While most of Batman's romantic relationships tend to be short in duration, Catwoman has been his most enduring romance throughout the years. The attraction between Batman and Catwoman, whose real name is Selina Kyle, is present in nearly every version and medium in which the characters appear. Although Catwoman is typically portrayed as a villain, Batman and Catwoman have worked together in achieving common goals and are usually depicted as having a romantic connection.