Kathy Kane (Batwoman): First introduced as a female counterpart for Batman, Batwoman developed into a romantic partner in the Silver Age, where many Imaginary Stories featuring Kathy and Bruce getting married were published. Batwoman's love for Batman was never reciprocated and he only saw her as a good friend. On Earth-Two, Batwoman resigned to live without Batman's love, and in the Earth-One continuity, Kathy Kane was murdered by the League of Assassins. In the New Earth continuity, Kathy Kane was romantically interested in Batman in a couple of stories by Grant Morrison, who liked to use Silver Age content as reference in his works. 

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Bruce Wayne goes on a date with Selina, who is unaware of the former's identity as Batman, much to the encouragement of his family. The two, along with Thomas Elliot, attend an opera when Harley Quinn arrives and attempts to kill Bruce. In the ensuing struggle, Dr. Elliot is apparently shot dead by Joker. An enraged Batman violently beats Joker who claims that he is innocent, and he is stopped short of killing him by Commissioner James Gordon. Bruce attends Elliot's funeral and deduces Joker's innocence as well that Hush must know his secret identity.
Storylines Batman and Son • Batman Eternal • Batman Incorporated • Batman R.I.P. • Batman Reborn • Battle for the Cowl • The Black Mirror • Blind Justice • Cataclysm • Contagion • The Dark Knight Returns • A Death in the Family • Death of the Family • Endgame • Face the Face • Fugitive • Gotham's Most Wanted • Hush • The Killing Joke • Knightfall • Last Rites • Legacy • A Lonely Place of Dying • The Long Halloween • Night of the Owls • No Man's Land • Officer Down • Prodigal • The Resurrection of Ra's al Ghul • The Return of Bruce Wayne • Strange Apparitions • Tales of the Demon • Tower of Babel • Troika • Under the Hood • War Games • Whatever Happened to the Caped Crusader? • Where Were You On The Night Batman Was Killed? • Year One • Zero Year
After revealing this knowledge to the original Dynamic Duo, Tim argued the need for a Robin to give the Dark Knight hope, especially when faced with a seemingly hopeless and unyielding war on crime. Though reluctant at first, Batman gave Tim the opportunity to prove that he was as good as his word. After months of grueling training, Tim Drake became the third Robin.

Bob made him more insecure, because while he slaved working on Batman, he wasn't sharing in any of the glory or the money that Bob began to make, which is why ... [he was] going to leave [Kane's employ]. ... [Kane] should have credited Bill as co-creator, because I know; I was there. ... That was one thing I would never forgive Bob for, was not to take care of Bill or recognize his vital role in the creation of Batman. As with Siegel and Shuster, it should have been the same, the same co-creator credit in the strip, writer, and artist.[21]
Batman's secret identity is Bruce Wayne, a wealthy American playboy, philanthropist, and owner of Wayne Enterprises. His origin depicts Bruce Wayne as a child, after witnessing the murder of his parents Dr. Thomas Wayne and Martha Wayne, he swore vengeance against criminals, an oath tempered by a sense of justice. Bruce Wayne trains himself physically and intellectually and crafts a bat-inspired persona to fight crime.[6]
1994's company-wide crossover Zero Hour changes aspects of DC continuity again, including those of Batman. Noteworthy among these changes is that the general populace and the criminal element now considers Batman an urban legend rather than a known force. Similarly, the Waynes' killer is never caught or identified, effectively removing Joe Chill from the new continuity, rendering stories such as "Year Two" non-canon.
Jillian Maxwell: In Batman: Legends of the Dark Knight Halloween Special #1, during the beginning of his career, Bruce found himself attracted to a woman who called herself Jillian Maxwell after meeting her at a costume party. However, he later discovered the criminal record of a woman who had used many aliases to seduce young, wealthy men, then later arranged events that led to their deaths so she could claim their wealth. After Alfred told Bruce of this, he was heartbroken, but he kept an eye on the woman. When she used the identity Audrey Marguerite in Brazil, Bruce, as Batman, sent her a note, ordering her to confess all her crimes.
Gay interpretations of the character have been part of the academic study of Batman since psychologist Fredric Wertham asserted in Seduction of the Innocent in 1954 that "Batman stories are psychologically homosexual ... The Batman type of story may stimulate children to homosexual fantasies, of the nature of which they may be unconscious."[199] Andy Medhurst wrote in his 1991 essay "Batman, Deviance, and Camp" that Batman is interesting to gay audiences because "he was one of the first fictional characters to be attacked on the grounds of his presumed homosexuality".[200] Professor of film and cultural studies Will Brooker argues the validity of a queer reading of Batman, and that gay readers would naturally find themselves drawn to the lifestyle depicted within, whether the character of Bruce Wayne himself were explicitly gay or not. He also identifies a homophobic element to the vigor with which mainstream fandom rejects the possibility of a gay reading of the character.[201] In 2005, painter Mark Chamberlain displayed a number of watercolors depicting both Batman and Robin in suggestive and sexually explicit poses,[202] prompting DC to threaten legal action.[203]
Intimidation: It is widely known that Batman has the ability to instill fear in others, even the people that know him best are intimidated by him. Even those who aren't afraid of the likes of Superman fear Batman. His ability to inspire great fear made him eligible for induction into the Sinestro Corps, although he was able to fight off the power ring's control.

Batman keeps most of his field equipment in his utility belt. Over the years it has shown to contain an assortment of crime-fighting tools, weapons, and investigative and technological instruments. Different versions of the belt have these items stored in compartments, often as pouches or hard cylinders attached evenly around it. Batman is often depicted as carrying a projectile which shoots a retractable grappling hook attached to a cable. This allows him to attach to distant objects, be propelled into the air, and thus swing from the rooftops of Gotham City. An exception to the range of Batman's equipment are guns, which he refuses to use on principle, since a gun was used in his parents' murder.

Peak Human Stamina: Bruce's highly trained and developed body generates considerably less fatigue toxins and is much more resistant to fatigue toxins than normal humans, granting him exceptional endurance and lung capacity. His lung capacity is so great that he can hold his breath underwater for over 7 minutes with little strain. In his early days ,he once fought in a gauntlet for 28 hours straight before collapsing from exhaustion. Batman has demonstrated exercising extensively with a rigorous training regime that lasted 1 hour, yet wasn't nearly satisfied. He can exert himself at peak capacity without slowing down for several hours before showing signs of fatigue or began tiring.


Batman meets and regularly works with other heroes during the silver age, most notably Superman, whom he began regularly working alongside in a series of team-ups in World's Finest Comics, starting in 1954 and continuing through the series' cancellation in 1986. Batman and Superman are usually depicted as close friends. As a founding member of the Justice League of America, Batman appears in its first story, in 1960's Brave and the Bold #28. In the 1970s and 1980s, Brave and the Bold became a Batman title, in which Batman teams up with a different DC Universe superhero each month.

This also gave him the first bat suit which wasn’t hindered by the cowl being directly attached to the shoulders and could therefore move his head. Among other new improvements like being able to launch his triangle forearm blades, this version was a force to be reckoned with. Above all else, this is the perfect, most fully functional bat suit that there has been to date.

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Whilst Claire's condition worsened, Batman tracked Psycho Pirate to Santa Prisca, where he discovered he was being used by Bane as a substitute to Venom. At Amanda Waller's suggestion, Bruce put together a team of supervillains to break into the island and recover the Psycho Pirate. Among the teammates was Catwoman, who was serving a life sentence after apparently killing 127 members of a terrorist organization. During the mission, they recoiled their relationship and, during her last night of freedom, Batman learned that she was actually taking the blame for her friend Holly Robinson. When Bane attacked Gotham to recover Psycho Pirate, he employed the entire Bat-Family and Rogues Gallery, to protect him and Claire long enough to cure her of the Pirate's influence.

The original suit worn by Michael Keaton in Tim Burton’s Batman was exactly what one would expect from the time period. Taking the darkness of Tim Burton’s mind, mixing it with Batman and then throwing in Jack Nicholson as the Joker sold the entire set-up. Michael Keaton wore the suit better than just about anyone else who has donned the cape and cowl, becoming the perfect mix of Bruce Wayne and Batman.
The first Batman story, "The Case of the Chemical Syndicate", was published in Detective Comics #27 (May 1939). Finger said, "Batman was originally written in the style of the pulps",[24] and this influence was evident with Batman showing little remorse over killing or maiming criminals. Batman proved a hit character, and he received his own solo title in 1940 while continuing to star in Detective Comics. By that time, Detective Comics was the top-selling and most influential publisher in the industry; Batman and the company's other major hero, Superman, were the cornerstones of the company's success.[25] The two characters were featured side-by-side as the stars of World's Finest Comics, which was originally titled World's Best Comics when it debuted in fall 1940. Creators including Jerry Robinson and Dick Sprang also worked on the strips during this period.
Kane and Finger drew upon contemporary 1930s popular culture for inspiration regarding much of the Bat-Man's look, personality, methods, and weaponry. Details find predecessors in pulp fiction, comic strips, newspaper headlines, and autobiographical details referring to Kane himself.[18] As an aristocratic hero with a double identity, Batman had predecessors in the Scarlet Pimpernel (created by Baroness Emmuska Orczy, 1903) and Zorro (created by Johnston McCulley, 1919). Like them, Batman performed his heroic deeds in secret, averted suspicion by playing aloof in public, and marked his work with a signature symbol. Kane noted the influence of the films The Mark of Zorro (1920) and The Bat Whispers (1930) in the creation of the character's iconography. Finger, drawing inspiration from pulp heroes like Doc Savage, The Shadow, Dick Tracy, and Sherlock Holmes, made the character a master sleuth.[19][20]

In those days it was like, one artist and he had his name over it [the comic strip] — the policy of DC in the comic books was, if you can't write it, obtain other writers, but their names would never appear on the comic book in the finished version. So Bill never asked me for it [the byline] and I never volunteered — I guess my ego at that time. And I felt badly, really, when he [Finger] died.[23]

A playboy billionaire by day, Bruce Wayne’s double life affords him the comfort of a life without financial worry, a loyal butler-turned-guardian and the perfect base of operations in the ancient network of caves beneath his family’s sprawling estate. By night, however, he sheds all pretense, dons his iconic scalloped cape and pointed cowl and takes to the shadowy streets, skies and rooftops of Gotham City.
Batman's batsuit aids in his combat against enemies, having the properties of both Kevlar and Nomex. It protects him from gunfire and other significant impacts. His gloves typically feature three scallops that protrude from long, gauntlet-like cuffs, although in his earliest appearances he wore short, plain gloves without the scallops.[121] The overall look of the character, particularly the length of the cowl's ears and of the cape, varies greatly depending on the artist. Dennis O'Neil said, "We now say that Batman has two hundred suits hanging in the Batcave so they don't have to look the same ... Everybody loves to draw Batman, and everybody wants to put their own spin on it."[122]
Another writer who rose to prominence on the Batman comic series, was Jeph Loeb. Along with longtime collaborator Tim Sale, they wrote two miniseries (The Long Halloween and Dark Victory) that pit an early in his career version of Batman against his entire rogues gallery (including Two-Face, whose origin was re-envisioned by Loeb) while dealing with various mysteries involving serial killers Holiday and the Hangman. In 2003, Loeb teamed with artist Jim Lee to work on another mystery arc: "Batman: Hush" for the main Batman book. The 12–issue storyline has Batman and Catwoman teaming up against Batman's entire rogues gallery, including an apparently resurrected Jason Todd, while seeking to find the identity of the mysterious supervillain Hush.[60] While the character of Hush failed to catch on with readers, the arc was a sales success for DC. The series became #1 on the Diamond Comic Distributors sales chart for the first time since Batman #500 (Oct. 1993) and Todd's appearance laid the groundwork for writer Judd Winick's subsequent run as writer on Batman, with another multi-issue arc, "Under the Hood", which ran from Batman #637–650 (April 2005 – April 2006).

Though not much had changed in regard to terms of costume between films, the difference of the slightly more sleek symbol and the armor makes us think that Batman has decided that he needs to up his game, both in terms of fashion and fighting, and keep up with the kind of criminals that Gotham seems to be producing at an increasingly alarming rate.

Batman reformed the Bat-Family with Batwoman and began training Duke to become another vigilante for Gotham. Whilst saving a falling airplane, Batman received help from two new heroes called Gotham and Gotham Girl, two metahumans with powers similar to Superman. Seeing them as a potential replacement for him, he took the duo under his wing and helped them on the path to becoming Gotham's new superheroes. However, after an encounter with Hugo Strange and the Psycho Pirate, the two were rendered mentally damaged and, when Gotham attacked the city, Batman was forced to fight him until his powers drained his body, killing him. Taking Claire under his wing, Batman, with the help of the rest of the Bat Family, stopped an attack orchestrated by Strange, similar to one of their earliest encounters.
At dawn, the Black Pirate emerges from the cave with Jack Valor. Jack explains that he inherited the "Black Pirate" identity from his grandfather, and is unsure if he will continue with it. As an eclipse starts, the Black Pirate hands back the cloak and gives Jack the task of telling the Wayne family of Gotham what happened this day, as well as a commandment before disappearing: "Don't ever stop fighting."

On the shore of Bristol Bay, the dreaded pirate Edward "Blackbeard" Thatch has just sunk the ship of the vigilante known as the Black Pirate. Two men came out of the drink - a young man who won't speak, and a defiant black-haired fellow. Blackbeard rounds on the black-haired man, accuss him of being the Black Pirat, and demands that he take him to the fabled treasure of the Miagani, in the caves above Gotham Town. When the black-haired man says he is not the Black Pirate, Blackbeard pulls out the accouterments of the Black Pirate, which were also pulled off the ship. At the appeal of the young man, Blackbear,d and the black-haired man agrese to go to the caves.
The "Batman: Hush" storyline introduced Tommy Elliot, a childhood friend of Bruce Wayne's. As Hush, the bandaged villain, Elliot secretly orchestrates constant attacks on the Batman by manipulates many of the Batman's Rogues Gallery's villains. As the manipulations and orchestrations grow so does the sexual tension between Batman and Catwoman, to the point where they actually become romantically involved? to a certain degree. Ultimately, Batman's distrust in Catwoman ends the doomed relationship. Hush tricks Batman into believing that Jason Todd, the second Robin who was killed by the Joker, is actually alive. An angry Jason fights Batman but he is later revealed to be none other than Clayface. In a bizarre twist of writing, the DC creators decided to go ahead and let Jason Todd actually become alive, imagine that, but he arrives in the guise of ? the Red Hood.
In the world of DC, there were really two Batmen if you think about it. One as "the world's greatest detective" who typically fought other non-powered street-level characters like the Joker. The other was a man who defied all odds as a human, and went toe-to-toe with super-powered villains and cosmic threats alongside the Justice League. Loeb and Lee balanced this duality into one series and did the same with the Batsuit as well. It's almost a combination of the classic blue and gray suit we know best from the Adam West series, mixed with a little bit of Frank Miller's Dark Knight Returns suit. The result is a colorful suit that looks at home in the dark alley's of Gotham.

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He's one of DC Comics' greatest creations, and one of the leaders of the Justice League. Batman is undeniably one of the most recognizable superheroes today. He's been portrayed in live-action interpretations, animated features and even LEGO Batman has his own movie. You can look like the Dark Knight, too, with a great costume from Costume SuperCenter!
Over the years, there have been numerous others to assume the name of Batman, or to officially take over for Bruce during his leaves of absence. Jean Paul Valley, also known as Azrael, assumed the cowl after the events of the Knightfall saga.[60] James Gordon donned a mech-suit after the events of Batman: Endgame, and served as Batman in 2015 and 2016.
Kane signed away ownership in the character in exchange for, among other compensation, a mandatory byline on all Batman comics. This byline did not originally say "Batman created by Bob Kane"; his name was simply written on the title page of each story. The name disappeared from the comic book in the mid-1960s, replaced by credits for each story's actual writer and artists. In the late 1970s, when Jerry Siegel and Joe Shuster began receiving a "created by" credit on the Superman titles, along with William Moulton Marston being given the byline for creating Wonder Woman, Batman stories began saying "Created by Bob Kane" in addition to the other credits.
During their first encounters, Talia showed a devotion to the Dark Knight as strong as her love for her father, often saving Batman, but always choosing to remain by her father's side. After several encounters with Ra's, Talia and Bruce eventually had a sexual encounter, from which their son Damian Wayne was born.[8] Over time, Talia became more antagonistic towards Batman, seeking to fulfil her father's goals and rule the world with Batman at her side, and declaring war against him after his refusal.
Bruce Wayne is attending an evening party where he meets Selina Kyle and his childhood friend and renowned brain surgeon Thomas Elliot, until he receives an alert from Alfred about a child kidnapping from Bane. After a brief fight, Batman is confronted by Lady Shiva who tells him an unknown intruder has used the Lazarus Pit and asks for his assistance in identifying them. Batman rescues the child, but Catwoman steals the ransom money. As Batman swings through Gotham City in pursuit of her, a mysterious villain shoots his grapple line and he falls to the ground, fracturing his skull. He is nearly killed by a group of nearby criminals until he is saved by Catwoman and Batgirl. Catwoman delivers the ransom money to Poison Ivy, who is controlling her through a hypnotic kiss.
Batman is often treated as a vigilante by other characters in his stories. Frank Miller views the character as "a dionysian figure, a force for anarchy that imposes an individual order".[92] Dressed as a bat, Batman deliberately cultivates a frightening persona in order to aid him in crime-fighting,[93] a fear that originates from the criminals' own guilty conscience.[94] Miller is often credited with reintroducing anti-heroic traits into Batman's characterization,[95] such as his brooding personality, willingness to use violence and torture, and increasingly alienated behavior. Batman, shortly a year after his debut and the introduction of Robin, was changed in 1940 after DC editor Whitney Ellsworth felt the character would be tainted by his lethal methods and DC established their own ethical code, subsequently he was retconned as having a stringent moral code.[35][96] Miller's Batman was closer to the original pre-Robin version, who was willing to kill criminals if necessary.[97]

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