Bomb Queen is actually a villain, but she has her own titular comic book series in Image Comics and, given her ridiculously revealing costume, it would be criminal not to include her. She first appeared as recently as 2006 and has eliminated and banned all superheroes from the fictional city she lives in - New Port City. She rules the city as its dictator and is a popular leader amongst the criminals who reside there.
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Disappointed by Season 2, didn't grip me as much as Season 1, think it tried to do too much and should have focused on the bread and butter, with episode 9 finally getting to the kind of pace the entire series really lacked. The subplot was extremely uninteresting for me because it paled in comparison to what they could be focusing on. In some respects I felt it was an opportunity missed, was looking at my watch too much unfortunately through several episodes. Casting definitely a strong quality as well as the look of the drama, a lot of effort put in there.
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Just what is a superhero? Before 1917, there was no such thing; or, at any rate, there was no such word. But there have always been heroes, and some of them have had extraordinary powers or abilities. Ancient mythology has tales of Hercules, Perseus, and Gilgamesh. Medieval folklore has Robin Hood, Beowulf and the knights of King Arthur's Round Table. Then came swashbuckling tales such as The Three Musketeers. The common thread was that the main characters battled against the forces of evil. The evil could take the form of monsters, corrupt or criminal humans, or forces of nature.
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This version of Poison Ivy by Shay Mitchell looks so good that DC should really think of auditioning her for the role if it comes up in any of their future films. She even has the right color of hair and the right type of shoes for this character. The only difference between Mitchell and the Poison Ivy in the comics and animated series is she is more decently dressed. With her beautiful face and stunning figure, she would find it easy to seduce Batman, even if it were just for a brief moment.
When the great Wallace Wood took over the series early on, he came up with one of the most strikingly simple fixes of a costume in comic book history. He just made the costume red all over and it instantly made it an iconic look. The double-D had already been added before Wood changed the color, but the combination made for a striking costume that comic book artists always seem to eventually default to whenever Daredevil gets a costume change. When it comes to Daredevil costumes, we should always paraphrase Nuke from the classic Daredevil storyline, "Born Again" -- "Gimme a red."
Silly as it may seem, the 1960's Batman TV show had a lot going for it in the costume department. While Adam West's Batman was less a dark knight than a kind of schlubby guy in tights, Burt Ward's Robin was almost a direct translation of the Boy Wonder's classic look, pixie boots and all. Additionally, Yvonne Craig's flashy, sexy Batgirl defined the character's look in a way that is still felt in modern takes on the costume, where it's common place to inject some purple into Batgirl's palette.
Catwoman has no shame about her preferred choice of action, stealing and being a top notch catburglar are at the top of her list. But when the times call for a hero, she has no problem standing side-by-side with Batman to team up and defeat the baddies. When she’s on the prowl for precious jewels, though, is sure to be the most opportune time for a quick picture. Once she takes out the vital controls of the security system, she’ll have no problem slipping into the joint and lining her pockets with a little extra cash or whatever she can find in the safety deposit box. Have her show her claws for the picture, and she can smile or look serious—either way this picture is going to be one to remember!
Not coincidentally, it also featured the best bat-suit yet on film. It may not have looked quite as definitive in close ups as Michael Keaton's outfit, but it moved more fluidly, owing largely to the suit's increased mobility, and especially coupled with its flowing, shadowy cape, cut the best silhouette of any of Batman's onscreen looks -- sorry, Batfleck.
Call it the face that launched a thousand goth kids, imitators, and creepy Halloween costumes (not to mention a pro wrestler taking the look), but the grimy, almost commedia dell'arte inspired make up of the Crow is one of the most visually effective signature looks in film. Years of rehashes, reboots, attempts to redefine the look, and adoption by pro-wrestlers have made the Crow a bit played out, but when it comes down to it, that original look still flies.
However, when Wolverine was then chosen as one of the main characters in the All-New, All-Different X-Men to debut in Giant Size X-Men #1, Marvel turned to Gil Kane, who had become a go-to cover artist for Marvel in the mid-1970s, to draw their cover debut. Kane looked at Wolverine's costume and decided to add a cowl to his face mask rather than the whisker look that Romita had on the original costume. Dave Cockrum had drawn the original costume throughout the issue, but after he saw the Kane re-design, he liked it so much that he went back and re-drew it all the way throughout the issue. Almost five decades later, that Romita/Kane design still stands out as Wolverine's most commonly used costume.
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