Call it the face that launched a thousand goth kids, imitators, and creepy Halloween costumes (not to mention a pro wrestler taking the look), but the grimy, almost commedia dell'arte inspired make up of the Crow is one of the most visually effective signature looks in film. Years of rehashes, reboots, attempts to redefine the look, and adoption by pro-wrestlers have made the Crow a bit played out, but when it comes down to it, that original look still flies.
However, when Wolverine was then chosen as one of the main characters in the All-New, All-Different X-Men to debut in Giant Size X-Men #1, Marvel turned to Gil Kane, who had become a go-to cover artist for Marvel in the mid-1970s, to draw their cover debut. Kane looked at Wolverine's costume and decided to add a cowl to his face mask rather than the whisker look that Romita had on the original costume. Dave Cockrum had drawn the original costume throughout the issue, but after he saw the Kane re-design, he liked it so much that he went back and re-drew it all the way throughout the issue. Almost five decades later, that Romita/Kane design still stands out as Wolverine's most commonly used costume.
Thomas cleverly adapted the concept of the original Fawcett Captain Marvel by making it so that Rick Jones and Captain Marvel change places whenever Rick clangs two Nega Bands together. Kane, meanwhile, re-designed Marvel's costume, giving him a primary color extravaganza. It was bright, it was bold, it was a complete 180 from the drab outfit that Mar-Vell wore before. In recent years, when Carol Danvers took over as the new Captain Marvel, Jamie McKelvie's take on her new outfit adapted the color scheme and a lot of the elements of the original Kane design.

It’s a good thing Wonder Woman is here to watch the little ones, because we’re not sure The Riddler is going to best the best guardian over the young superheroes in training. Batman, Robin , and Catwoman can team up to hit the neighborhood in search of the best treats, but while The Riddler is busy trying to vex the neighbors with tricks and riddles, Wonder Woman can provide a watchful eye over her superheroes in training. When it comes to taking the yearly photo of the group, just let each member bust out their signature moves. Batman and Robin can look like stoic Gotham City residents, even while Catwoman throws her claws up in anticipation of a brand new heist. The Riddler is sure to be laughing, but as for Wonder Woman? Well, she’s the one that holds the group together. (Be it with her motherly instincts or just by keeping the Golden Lasso of Truth handy!)

When Frank Quitely redesigned the character for “New X-Men,” her costume consisted of an impossibly constructed top that had a huge “X” cut out in the front. The exact physics of the costume were never explained, but it’s clear that the artist was trying to emphasize her sexuality. The costume has since been updated, thankfully, but her sex appeal is still front and center, even today. Just searching “Emma Frost” in Google Images shows you exactly how she’s viewed. There aren’t any panels from her appearances in years of comics. Instead, it’s all sexually suggestive pictures.

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So many people love Beyoncé that her appearance, performance, and subsequent announcement that she was pregnant during the 2011 MTV Video Music Awards attracted 12.4 million viewers, making it the most-watched broadcast on MTV since its inception. In addition, her announcement on Instagram this February that she and Jay Z are expecting twins gained 6,335,571 "likes" in just eight hours, breaking the record for the most liked image on Instagram.
Characters like Tony Stark and Diana Prince are more than just good looks, however. When you read the adventures of Captain America, you don’t think about how sexy Steve Rogers is. Well, maybe you do, but that’s not all you care about. Unfortunately, for some characters, their appearance trumps most everything else about them. Let’s take a look at eight male and eight female characters in comics who are viewed as being more “hot” than “hero.”
Black Widow of the Avengers knows a thing or two about kicking butt and taking names, and it doesn’t matter if she’s teaming up with the Cap, Hawkeye, or just striking out solo. When she’s ready to throw down, it’s time to put all villains on notice. Recreate her Captain America: Civil War look with this stunning movie costume ; all you’ll need to complete the style is a wig for her signature long red hair.

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And that's saying nothing of the show's villains. Even with Cesar Romero's ubiquitous mustache, you'd be harder pressed to find a more colorful cadre of costumed crooks that so gleefully and shamelessly embodied the campy, all-for-fun spirit of their medium. the 1966 Batman was, in many ways, like a comic ouroboros, with Batman's printed adventures and his television capers influencing each other in equal measure. All of this came full circle when DC Digital launched Batman '66, putting the show's highly stylized aesthetic under the pen of artists like Mike Allred and Ted Naifeh, and proving its enduring value in the process.

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Unlike Emma Frost, who arguably has a story reason to dress how she does, Psylocke is scantily clad only for the reader’s enjoyment. Sure, you can say that she is supposed to resemble a ninja, but you’d be hard-pressed to find other ninjas outside of the Marvel Universe dressed this way. She’s also a character that was reimagined as a sex symbol. Before her famous outfit, Psylocke was a pretty boring looking character. It wasn’t until she lost her pants and bent over all the time that readers really started to care about the character enough for her to garner enough focus resulting in some true character development. Her costume is so iconic, it’s one of the few costumes featured in the “X-Men” films that is almost completely untouched from its comic book counterpart. Goes to show you how much the costume defines the character.
Starfire might have become the most sexualized character in superhero comics, and that’s saying something. Debuting back in 1980, in “DC Comics Presents” #26, Starfire was always drawn scantily clad. Her orange skin and red hair were the center of attention, with just a few purple strips of fabric covering her body. It’s hard to justify her outfit and sexualization when some of her most famous scenes in comics revolve around her lack of clothing.
The comic book version of Thor has never really been a sex symbol. Sure, he’s incredibly good looking, as the God of Thunder probably should be, but he’s never been viewed as sexier than, say, Wolverine. However, when Thor debuted on the big screen, anyone with eyes saw that Chris Hemsworth’s Thor is most definitely a sex symbol. It’s become so much of an issue that the recent Thor shorts directed by Taika Waititi even poked fun at Thor’s big muscly physique. His looks are so vital to the character that when fans saw his new look in “Thor: Ragnarok,” they obsessed over his haircut more than anything else.

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Catwoman has no shame about her preferred choice of action, stealing and being a top notch catburglar are at the top of her list. But when the times call for a hero, she has no problem standing side-by-side with Batman to team up and defeat the baddies. When she’s on the prowl for precious jewels, though, is sure to be the most opportune time for a quick picture. Once she takes out the vital controls of the security system, she’ll have no problem slipping into the joint and lining her pockets with a little extra cash or whatever she can find in the safety deposit box. Have her show her claws for the picture, and she can smile or look serious—either way this picture is going to be one to remember!
Magneto is, without a doubt, one of the most powerful characters in all the comic universes, since he has the power to stand up against anyone and prevail - even against a god, as we saw in X-Men: Apocalypse. It wouldn't be right to describe Magneto as purely a villain, an anti-hero, or a superhero because we have seen him in all those capacities. However, regardless of what role he is playing, we always find a way of loving him, despite his disgust with human beings and desire for world domination.

Just what is a superhero? Before 1917, there was no such thing; or, at any rate, there was no such word. But there have always been heroes, and some of them have had extraordinary powers or abilities. Ancient mythology has tales of Hercules, Perseus, and Gilgamesh. Medieval folklore has Robin Hood, Beowulf and the knights of King Arthur's Round Table. Then came swashbuckling tales such as The Three Musketeers. The common thread was that the main characters battled against the forces of evil. The evil could take the form of monsters, corrupt or criminal humans, or forces of nature.   

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Over the years, though, in an attempt to lighten the character up, the black of Batman's costume became bluer and bluer and during the 1960s, DC even added a yellow oval behind Batman's bat symbol on his chest. In the 21st Century, however, artists have re-embraced that classic design and gone in the direction that Jim Lee took the costume during "Hush," which is to make it dark and have the chest symbol return to just a black one without the yellow oval, which brought a little too much lightness to the design. Frank Miller famously was initially stuck with the yellow oval look in Dark Knight Returns, but then had Batman shot in the chest. When he fixed the costume, the yellow oval was gone for the rest of the series!

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Years later, John Byrne revamped the costumes slightly to invert the colors a bit, so that the collars were now white and the blue was tinged with black. It is basically the Kirby design, just with a slight edge to it, so it is our pick for the best Fantastic Four outfits, since the bright blue outfits could sometimes seem to be a bit too bold, color-wise.

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