Mike Zeck came up with the actual look and it is a stunning piece of design. All black except for the prominent white spider. Rick Leonardi also did some tweaks to the costume and it soon became the most controversial, yet surprisingly popular costume change in comic book history. Fans were aghast at first but then really started to enjoy the new look. Eventually, the design was adapted for the villain Venom, with Spider-Man returning to his classic look. It is popular enough, though, that it still makes occasional comebacks.

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Over the years, though, in an attempt to lighten the character up, the black of Batman's costume became bluer and bluer and during the 1960s, DC even added a yellow oval behind Batman's bat symbol on his chest. In the 21st Century, however, artists have re-embraced that classic design and gone in the direction that Jim Lee took the costume during "Hush," which is to make it dark and have the chest symbol return to just a black one without the yellow oval, which brought a little too much lightness to the design. Frank Miller famously was initially stuck with the yellow oval look in Dark Knight Returns, but then had Batman shot in the chest. When he fixed the costume, the yellow oval was gone for the rest of the series!
The comic book version of Thor has never really been a sex symbol. Sure, he’s incredibly good looking, as the God of Thunder probably should be, but he’s never been viewed as sexier than, say, Wolverine. However, when Thor debuted on the big screen, anyone with eyes saw that Chris Hemsworth’s Thor is most definitely a sex symbol. It’s become so much of an issue that the recent Thor shorts directed by Taika Waititi even poked fun at Thor’s big muscly physique. His looks are so vital to the character that when fans saw his new look in “Thor: Ragnarok,” they obsessed over his haircut more than anything else.
There were some slight changes from Ditko's armor to the one featured here, mostly with the face mask, but since those changes were made, that basic design has been fairly consistent. Now, Iron Man's armor has obviously been altered in other ways as technology has changed, but the basic yellow and gold design has been used almost exclusively since then. No matter how fancy the armor gets otherwise, the yellow and gold set-up is a catchy design.

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When Frank Quitely redesigned the character for “New X-Men,” her costume consisted of an impossibly constructed top that had a huge “X” cut out in the front. The exact physics of the costume were never explained, but it’s clear that the artist was trying to emphasize her sexuality. The costume has since been updated, thankfully, but her sex appeal is still front and center, even today. Just searching “Emma Frost” in Google Images shows you exactly how she’s viewed. There aren’t any panels from her appearances in years of comics. Instead, it’s all sexually suggestive pictures.
There have been many injustices in the world of comic books. Heck, the late, great Len Wein got paid more money for creating Lucius Fox than he ever did for creating, you know, Wolverine. So the treatment of H.G. Peter is perhaps not quite as egregious as that faced by other creators, but the simple fact that that guy who came up with Wonder Woman's costume cannot even get a "thanks" in the credits of Wonder Woman is a true shame.

Pretty much every superhero in comic books has a superpower that isn’t really mentioned. Sure, some billionaire genius could, theoretically, learn how to build powerful metal suit and fight crime similar to Iron Man. However, that person still won’t have all the superpowers of Tony Stark. You see, Tony Stark is a ridiculously attractive man. Wonder Woman, in addition to being a badass warrior that could pretty much dominate any foe, is also incredibly beautiful. Almost every character in comics is drawn in a way that is supposed to portray the ideal human form.

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