It's debatable whether Brandon Lee's portrayal of James O'Barr's tragic anti-hero would have gone down in history as quite so legendary if the young actor hadn't lost his life during filming, but The Crow's visual influence can never be denied. Translating O'Barr's striking make-up pattern and leather-clad intensity almost directly off the page, The Crow's look was simply so effective as to be almost shocking.
It has been proven in the short-lived “Witchblade” TV series and more recent comics that the character of Sara Pezzini can wield the Witchblade without losing her clothes. Unfortunately, most of the comic book version of the character has never really had this as an option. Eventually, without fail, Sara finds herself in a state of undress. When your main character is almost nude throughout the series, it’s not surprising that readers would associate her with her looks instead of her actions.
Spider Woman a.k.a. Spider-Gwen might be from an alternate universe, but with her stylish look we think she’d be right at home on any planet. With this costume’s sleek hoodie and dynamic color scheme we’re sure you’re going to love pretending you’re the one who got bit by a radioactive spider. Give this cool costume a try to bring this up-and-coming superhero to life! 

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Harley is one of the most entertaining villains Batman has to fight occasionally, second only to the Joker. She is the Joker's lover and partner in crime, although their relationship is weird on so many levels. Harley used to be a normal psychiatric intern in Arkham Asylum, where she met the Joker and then turned into the crazy person she is today.

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Artist Dave Cockrum had already famously re-designed most of the members of the Legion of Super-Heroes, giving them modern revamps to their rather staid older costumes. His Lightning Lad re-design was particularly good, as while many of the character got later revamps over the years, Cockrum's Lightning Lad look became a standard one for the character for decades. Essentially, Cockrum was so far ahead of the game that when the team was revamped in the 1990s, his early 1970s design fit right in. While working on the Legion, Cockrum designed a new team of heroes called the Outsiders who were set to team up with the Legion. DC passed on the concept.

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Call it the face that launched a thousand goth kids, imitators, and creepy Halloween costumes (not to mention a pro wrestler taking the look), but the grimy, almost commedia dell'arte inspired make up of the Crow is one of the most visually effective signature looks in film. Years of rehashes, reboots, attempts to redefine the look, and adoption by pro-wrestlers have made the Crow a bit played out, but when it comes down to it, that original look still flies.
There have been many injustices in the world of comic books. Heck, the late, great Len Wein got paid more money for creating Lucius Fox than he ever did for creating, you know, Wolverine. So the treatment of H.G. Peter is perhaps not quite as egregious as that faced by other creators, but the simple fact that that guy who came up with Wonder Woman's costume cannot even get a "thanks" in the credits of Wonder Woman is a true shame.

This version of Poison Ivy by Shay Mitchell looks so good that DC should really think of auditioning her for the role if it comes up in any of their future films. She even has the right color of hair and the right type of shoes for this character. The only difference between Mitchell and the Poison Ivy in the comics and animated series is she is more decently dressed. With her beautiful face and stunning figure, she would find it easy to seduce Batman, even if it were just for a brief moment.
This is a tricky one, since Iron Man has technically gone through a number of different designs over the years, as the outfit is always evolving. It is difficult to pinpoint precisely which armor is the best, so we have decided to pull back a bit and note that the more general "yellow and gold" design is what we're going to celebrate here. You see, when Iron Man first debuted, he wore what looked to just be a suit of big, bulky, gray iron. When he became a regular superhero, Marvel tried to fix that design flaw by literally just spray-painting the armor gold. "Oh no, he's hideous!" "Oh, never mind. He's spray-painted gold. It looks great now!" Then Steve Ditko designed a new armor that worked red into the design and it really clicked.

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Also, Loki. What else needs to be said? At this point, many would consider Tom Hiddelston's brash, playful take on the God of mischief as essential to the Avengers' onscreen presence as his counterpart Chris Hemsworth's muscles or RDJ's snark, and the character was perfectly embodied by regal looking Asgardian robes and even smart, keenly designed suits as called for by the scene. Not only that, but it's hard to argue with the absolute best take on the Hulk in film yet, or the perfection of Samuel L. Jackson's embodiment of the Ultimate Nick Fury, who actually borrowed Jackson's countenance years before the character even appeared on film.
Similarly, Gil Kane going for a sleek sort of flight suit look for the Green Lantern Corps costume was a brilliant decision in the late 1950s. Kane's simple but striking design has been so good that it continues to be used by Green Lanterns over five decades later and no one seems prepared to go to a different design any time soon, at least as the base look (many lanterns diversify and personalize their looks now). Scientists and test pilots might not be treated like the heroes they were in the 1950s, but this costume remains timeless.

Black Widow of the Avengers knows a thing or two about kicking butt and taking names, and it doesn’t matter if she’s teaming up with the Cap, Hawkeye, or just striking out solo. When she’s ready to throw down, it’s time to put all villains on notice. Recreate her Captain America: Civil War look with this stunning movie costume ; all you’ll need to complete the style is a wig for her signature long red hair.


Many people claim Megan Fox gets movie roles only because she's hot, a conclusion which might not necessarily be true. We have seen her acting in movies such as Transformers, Jennifer's Body, Teenage Mutant Ninja Turtles, and in other franchises, and she is okay. However, we can never have an argument about whether she's hot or not, because she is undoubtedly one of the hottest women in Hollywood today.

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You won't find a more perfectly adapted, visually definitive adaptation of a superhero on film than with Marvel's Iron Man. While Robert Downey, Jr.'s snarky, nuanced Tony Stark practically rewrote the character's entire comic persona, his armor was equally influential on its source material, proving that fans were willing to accept and embrace a hot-rod inspired, nuts'n'bolts'n'circuitboards take on the iron Avenger.
Vampirella is a character that is almost entirely defined by her looks. While she has been in comic book series regularly since her debut in “Vampirella” #1 in 1969, the character has largely been known for her incredibly skimpy outfit. Even in her very first comic, the cover is drawn by the legendary Frank Frazetta and shows Vampirella front and center with her legs spread and one hand placed suggestively on her hip.

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Also, like Nightwing’s booty, Power Girl’s boobs have been the subject of many, many in-continuity jokes. From characters shaming her for her costume to Power Girl even acknowledging the fact that most males tend to look down at her chest instead of up at eye-level. No matter the controversy surrounding the infamous boob window, in many readers’ minds, Power Girl is defined by her chest. Hopefully, at some point in the future, she will get that chest symbol that she has been searching for.
Everyone loves a crime-fighting superhero (and a good supervillain; think Mysterio). So why not dress as one for your next Halloween get-together? Relive your childhood memories by sporting one of these costume ideas. Bonus: they also make for perfect Instagram bait. From Marvel to DC Comics and everything in between, here are some of the best adult superhero costumes on the market now.
And that's saying nothing of the show's villains. Even with Cesar Romero's ubiquitous mustache, you'd be harder pressed to find a more colorful cadre of costumed crooks that so gleefully and shamelessly embodied the campy, all-for-fun spirit of their medium. the 1966 Batman was, in many ways, like a comic ouroboros, with Batman's printed adventures and his television capers influencing each other in equal measure. All of this came full circle when DC Digital launched Batman '66, putting the show's highly stylized aesthetic under the pen of artists like Mike Allred and Ted Naifeh, and proving its enduring value in the process.
Like most things in this world, superhero costumes did not just pop into this world out of thin air. There was a long history of costumes that predated them and influenced their creation. There was the colorful armor that knights wore in the Middle Ages. There were the fantastical outfits that some of the characters in pulp fiction novels and adventure comic strips wore. Perhaps most notably, there was the over-the-top attire that circus performers wore in the many traveling shows of the early 20th century. All of these previous ideals helped to influence the direction of superhero costumes in comic book history.
Years later, John Byrne revamped the costumes slightly to invert the colors a bit, so that the collars were now white and the blue was tinged with black. It is basically the Kirby design, just with a slight edge to it, so it is our pick for the best Fantastic Four outfits, since the bright blue outfits could sometimes seem to be a bit too bold, color-wise.

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But some female heroes haven’t been so lucky as to get more practical makeovers. Take for example Elizabeth Olsen's cleavage-baring Avengers: Infinity War look, which Olsen says isn't exactly her personal cup of tea for a character wading into battle with Mad Titans. Even she'll admit it's a step up from Wanda's comic book look, but in her words costumes like hers aren't "representing the average woman."

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In the comics, Hercules’ sex appeal has been on display numerous times. One of the most clear examples of this is in “Hercules: Fall of an Avenger” #1, when four separate female heroes all speak of their sexual conquests with Hercules. It’s even hinted that Northstar, an openly gay character, hints that he slept with Hercules. The characters even go on to talk about how he’s a sexist pig. Recently, the Internet went nuts when the recent Hercules series was announced. Not because of any particular story, but because the character looked hot with a man bun and hairy chest.
Also, Loki. What else needs to be said? At this point, many would consider Tom Hiddelston's brash, playful take on the God of mischief as essential to the Avengers' onscreen presence as his counterpart Chris Hemsworth's muscles or RDJ's snark, and the character was perfectly embodied by regal looking Asgardian robes and even smart, keenly designed suits as called for by the scene. Not only that, but it's hard to argue with the absolute best take on the Hulk in film yet, or the perfection of Samuel L. Jackson's embodiment of the Ultimate Nick Fury, who actually borrowed Jackson's countenance years before the character even appeared on film.

Mike Zeck came up with the actual look and it is a stunning piece of design. All black except for the prominent white spider. Rick Leonardi also did some tweaks to the costume and it soon became the most controversial, yet surprisingly popular costume change in comic book history. Fans were aghast at first but then really started to enjoy the new look. Eventually, the design was adapted for the villain Venom, with Spider-Man returning to his classic look. It is popular enough, though, that it still makes occasional comebacks.
Comic book artists quite often have the same sort of elements pop up in their costume designs. Jim Lee, for instance, is well known for how much he likes to use collars, either high collars or chokers. One of the all-time great costume designers, Dave Cockrum, used so many sashes on his costume designs that he even ended up drawing a cartoon mocking his own overuse of sashes by having a few of his characters pointing out the similarity in their costumes.

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