As noted earlier, patriotic-themed heroes were hot in the early 1940s. America was going through a strange period of both isolationism and nationalism at the same time. Americans were really proud of their country, but also didn't want to get involved in the war in Europe. Patriotic-themed heroes captured that feel, by having noble American heroes defeat villains who dared to come over here to mess with us. Things got bolder, though, when Timely Comics introduced Captain America, who broke out of the isolationist viewpoints by having the lead character punch out Adolf Hitler on the cover of the first issue, a full year before the United States actually went to war with Nazi Germany!

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She has continued to give people a reason to make her the subject of discussions everywhere, from trying to break the Internet with nude photos, performing every cosmetic procedure out there, and even marrying Kanye West. However, despite having haters everywhere, we can all confess that those cosmetic procedures have definitely paid off and she looks amazing.
Superman will always be a classic superhero costume, but this cool update based on last year's hit film is worth sporting. This printed fiber-filled jumpsuit has a good sheen on it to look extra slick in your Halloween Instagrams, and it comes with 3D-printed boot tops to complete the look. Our favorite part is the Velcro cape, which you can remove if it starts to be a pest when running around town party-hopping.  

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And that's saying nothing of the show's villains. Even with Cesar Romero's ubiquitous mustache, you'd be harder pressed to find a more colorful cadre of costumed crooks that so gleefully and shamelessly embodied the campy, all-for-fun spirit of their medium. the 1966 Batman was, in many ways, like a comic ouroboros, with Batman's printed adventures and his television capers influencing each other in equal measure. All of this came full circle when DC Digital launched Batman '66, putting the show's highly stylized aesthetic under the pen of artists like Mike Allred and Ted Naifeh, and proving its enduring value in the process.

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This is a tricky one, since Iron Man has technically gone through a number of different designs over the years, as the outfit is always evolving. It is difficult to pinpoint precisely which armor is the best, so we have decided to pull back a bit and note that the more general "yellow and gold" design is what we're going to celebrate here. You see, when Iron Man first debuted, he wore what looked to just be a suit of big, bulky, gray iron. When he became a regular superhero, Marvel tried to fix that design flaw by literally just spray-painting the armor gold. "Oh no, he's hideous!" "Oh, never mind. He's spray-painted gold. It looks great now!" Then Steve Ditko designed a new armor that worked red into the design and it really clicked.

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However, when Wolverine was then chosen as one of the main characters in the All-New, All-Different X-Men to debut in Giant Size X-Men #1, Marvel turned to Gil Kane, who had become a go-to cover artist for Marvel in the mid-1970s, to draw their cover debut. Kane looked at Wolverine's costume and decided to add a cowl to his face mask rather than the whisker look that Romita had on the original costume. Dave Cockrum had drawn the original costume throughout the issue, but after he saw the Kane re-design, he liked it so much that he went back and re-drew it all the way throughout the issue. Almost five decades later, that Romita/Kane design still stands out as Wolverine's most commonly used costume.

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This is a tricky one, since Iron Man has technically gone through a number of different designs over the years, as the outfit is always evolving. It is difficult to pinpoint precisely which armor is the best, so we have decided to pull back a bit and note that the more general "yellow and gold" design is what we're going to celebrate here. You see, when Iron Man first debuted, he wore what looked to just be a suit of big, bulky, gray iron. When he became a regular superhero, Marvel tried to fix that design flaw by literally just spray-painting the armor gold. "Oh no, he's hideous!" "Oh, never mind. He's spray-painted gold. It looks great now!" Then Steve Ditko designed a new armor that worked red into the design and it really clicked.

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Harry George Peter was already 61 years old when he came up with the design for the new female superhero that William Marston was planning for All-American Comics, then called Suprema. This was 1941, when patriotic characters were a big hit in comics, so Wonder Woman definitely had a strong Star Spangled Banner take on her design. In the early 1980s, DC Comics helped create a short-lived Wonder Woman charity, the logo of which was the double W's, which led to Wonder Woman adapting the "WW" on her chest emblem. Other than the emblem, the only thing different from her classic look than in Peter's original design is that he had Wonder Woman wearing a skirt instead of short pants.

Witchblade first appeared in Top Cow Comics – an imprint of Image Comics – in 1995. Witchblade isn't actually a character in itself, so to speak - it's actually a sentient supernatural artifact, in the form of a gauntlet, which bonds to its (strictly) female host (the most well-known being NYPD homicide detective Sara Pezzini), providing said host with a variety of powers and a very skimpy costume (in essence, they become the Witchblade as a result).


By the end of the 1940s, superheroes had lost a lot of their appeal to the public. National Comics (now DC Comics) went from having dozens of superhero titles to only having a handful. Most of the members of the Justice Society of America fell out of sight in the world of National. Flash and Green Lantern went from appearing in multiple titles to not appearing in any books at all!

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