As we noted in the introduction, when Jerry Siegel and Joe Shuster sat down to come up with the very first superhero costume, it is not that they did not have any influences to work with. In fact, it is quite evident that their super-strong hero's initial costume was modeled after the outfit that a circus strongman would wear. However, beyond the powerful primary colors used for the costume -- the blue in Superman's costume is literally the darkest shade of the traditional blue used for comic book coloring -- the costume also evoked a sense of wonder that was so unusual in comics of the time.
Also, Loki. What else needs to be said? At this point, many would consider Tom Hiddelston's brash, playful take on the God of mischief as essential to the Avengers' onscreen presence as his counterpart Chris Hemsworth's muscles or RDJ's snark, and the character was perfectly embodied by regal looking Asgardian robes and even smart, keenly designed suits as called for by the scene. Not only that, but it's hard to argue with the absolute best take on the Hulk in film yet, or the perfection of Samuel L. Jackson's embodiment of the Ultimate Nick Fury, who actually borrowed Jackson's countenance years before the character even appeared on film.
When the great Wallace Wood took over the series early on, he came up with one of the most strikingly simple fixes of a costume in comic book history. He just made the costume red all over and it instantly made it an iconic look. The double-D had already been added before Wood changed the color, but the combination made for a striking costume that comic book artists always seem to eventually default to whenever Daredevil gets a costume change. When it comes to Daredevil costumes, we should always paraphrase Nuke from the classic Daredevil storyline, "Born Again" -- "Gimme a red."
There were some slight changes from Ditko's armor to the one featured here, mostly with the face mask, but since those changes were made, that basic design has been fairly consistent. Now, Iron Man's armor has obviously been altered in other ways as technology has changed, but the basic yellow and gold design has been used almost exclusively since then. No matter how fancy the armor gets otherwise, the yellow and gold set-up is a catchy design.
If you ask a comic book fan to name the first thing they would say to describe Emma Frost, odds are it’ll be a physical attribute. Emma Frost’s sexuality has been at the forefront of the character since her early appearances. Before she turned hero and became one of the central X-Men, her stint as the White Queen featured the character in very revealing white lingerie. Even when the character joined the good guys, her “assets” were still on display for all to see.
Years later, John Byrne revamped the costumes slightly to invert the colors a bit, so that the collars were now white and the blue was tinged with black. It is basically the Kirby design, just with a slight edge to it, so it is our pick for the best Fantastic Four outfits, since the bright blue outfits could sometimes seem to be a bit too bold, color-wise.
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When the Fantastic Four were introduced, Marvel was unsure if it was really prepared to transition from doing science fiction and horror comics to doing superhero comics, so the Fantastic Four originally wore just normal clothes. Even in their second issue, the team is decked out in normal outdoor wear. When the series received a tremendous response from the fans, though, Marvel knew that it had a superhero hit on their hands and so with the third issue, so creators and execs decided to give them costumes. However, they wanted to stick with the basic idea that these were not ordinary superheroes. These were sort of explorers more than traditional superheroes, and as a result, Jack Kirby came up with an awesome sort of utilitarian design for their jumpsuits. Famously, the costumes originally had masks but they decided to drop them.
Bomb Queen is actually a villain, but she has her own titular comic book series in Image Comics and, given her ridiculously revealing costume, it would be criminal not to include her. She first appeared as recently as 2006 and has eliminated and banned all superheroes from the fictional city she lives in - New Port City. She rules the city as its dictator and is a popular leader amongst the criminals who reside there.
Being a superhero doesn’t give you a ton of down time, but if you find your kids have a few moments to spare, it’s likely an opportune time for a candid shot. You’ve worked on making sure they know to look serious while they’re in costume, so let them show their stares towards the camera while they have their hands against their hips. The bold logos featured on the chest of the boy’s costume will be on full display and any onlookers will feel a surge of reassurance when they see that this trio of heroes are on the scene and ready for action!
The red and blue webbed costume that Ditko came out was one of the most unusual superhero costumes ever designed, but despite it not really looking all that much like a spider, it really did fit the character well. Although artists sometimes differed on whether to give him webbing under the arms and artists like Todd McFarlane have certainly differed with how big the eyes on his mask are, the basic costume design has remained the same for over 50 years.
However, when Wolverine was then chosen as one of the main characters in the All-New, All-Different X-Men to debut in Giant Size X-Men #1, Marvel turned to Gil Kane, who had become a go-to cover artist for Marvel in the mid-1970s, to draw their cover debut. Kane looked at Wolverine's costume and decided to add a cowl to his face mask rather than the whisker look that Romita had on the original costume. Dave Cockrum had drawn the original costume throughout the issue, but after he saw the Kane re-design, he liked it so much that he went back and re-drew it all the way throughout the issue. Almost five decades later, that Romita/Kane design still stands out as Wolverine's most commonly used costume.