Pick a random issue of “Witchblade” prior to the last year or so of its run and you’d be hard-pressed to find a cover that didn’t feature the main character sexualized. Obviously, the biggest reason for the sexual nature of the covers is the fact that the character’s costume is basically the most unrealistic armor ever seen. Basically just enough armor to cover her arm, her nipples and only the bare minimum below the belt, Sara Pezzini’s costume is pretty ridiculous. It’s no surprise when most people would define the character based on her appearance than on her actual heroics.
The former former fashion model and actress, Rebecca Alie Romijn, best known for her role as Mystique in the X-Men films, and for her recurring role as Alexis Meade on the television series Ugly Betty. In 2000’s X-Men Romijn had her first major movie role as Mystique; she returned to the role in 2003’s sequel X2: X-Men United, and again for X-Men: The Last Stand (2006). In these movies her costume consisted of blue wakeup and some strategically placed prosthetics on her otherwise nude body. In X2: X-Men United she shows up in a bar in one scene in her “normal” look, and also in X-Men: The Last Stand, she appears as a dark-haired “de-powered” Mystique.
Call it the face that launched a thousand goth kids, imitators, and creepy Halloween costumes (not to mention a pro wrestler taking the look), but the grimy, almost commedia dell'arte inspired make up of the Crow is one of the most visually effective signature looks in film. Years of rehashes, reboots, attempts to redefine the look, and adoption by pro-wrestlers have made the Crow a bit played out, but when it comes down to it, that original look still flies.
Years later, John Byrne revamped the costumes slightly to invert the colors a bit, so that the collars were now white and the blue was tinged with black. It is basically the Kirby design, just with a slight edge to it, so it is our pick for the best Fantastic Four outfits, since the bright blue outfits could sometimes seem to be a bit too bold, color-wise.
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Let’s play a game. Think of one thing about Lady Death other than her looks. Do you know her real name? Do you know her backstory involving witchcraft and her evil father? Statistically, if you're reading this, you probably just know that she has large breasts, hardly any clothes, and each cover has her posing in a suggestive way. The truth is most comic book fans have seen Lady Death, but maybe haven’t read her series. She is one of the prime examples of the excessively sexualized female characters of the ‘90s.
That said, like some other cliches, the sashes kept being used because they really do work. When Chris Claremont and Dave Cockrum took over X-Men, one of their goals was to revamp Marvel Girl, Jean Grey, and make her a bigger character. One of the ways they were going to do this was to give her a new costume and a new codename to replace the outdated "Marvel Girl" one. Cockrum went through a wide variety of looks for Jean before coming up with this excellent costume that also worked well when John Byrne changed the color scheme to make her Dark Phoenix. Cockrum's design for Ms. Marvel deserves a note here. It didn't make the list as it was a bit too skimpy of a costume, but otherwise, it was a great look (and of course, it also had a sash).
Thor, Captain America, and even Hulk and Iron Man all got new looks for Marvel's groundbreaking blockbuster, and while the characters all looked great in their own films, they never looked better than when they finally came together under and unified aesthetic. From Cap's streamlined look, to Hawkeye's subtly comic-influenced S.H.I.E.L.D. garb, the Avengers were most visually powerful as a unit, where their comic book essence was captured nearly flawlessly by pitch-perfect visual cues.
Also, Loki. What else needs to be said? At this point, many would consider Tom Hiddelston's brash, playful take on the God of mischief as essential to the Avengers' onscreen presence as his counterpart Chris Hemsworth's muscles or RDJ's snark, and the character was perfectly embodied by regal looking Asgardian robes and even smart, keenly designed suits as called for by the scene. Not only that, but it's hard to argue with the absolute best take on the Hulk in film yet, or the perfection of Samuel L. Jackson's embodiment of the Ultimate Nick Fury, who actually borrowed Jackson's countenance years before the character even appeared on film.
Jennifer Lawrence, the winner of multiple awards and titles, including an Oscar is a well-known actress for doing challenging yet brilliant roles in the movies. She is also known for her role as Mystique in the X-Men Series. For Jennifer Lawrence to become the hot marvel comics superhero character Mystique, she had some carefully placed prosthetics and complete blue make-up on her otherwise nude body. All three movies in which she played a role of Mystique, was a blockbuster and broke records.
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Bomb Queen is actually a villain, but she has her own titular comic book series in Image Comics and, given her ridiculously revealing costume, it would be criminal not to include her. She first appeared as recently as 2006 and has eliminated and banned all superheroes from the fictional city she lives in - New Port City. She rules the city as its dictator and is a popular leader amongst the criminals who reside there.
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A superhero’s costumes should be able to immediately tell you who they are and what they’re about just by looking at them. From the utterly simple to the overly complicated, the best superhero costumes take a regular person and make them an icon. They should inspire readers and evildoers alike. They must conjure specific words in our heads when we think of them, like heroic, scary, or even more simply, cool.
Star Sapphire is the name of several characters in DC Comics - most notably Carol Ferris - who often cross the line between being both superheroines and villains. They wear violet-coloured rings that are essentially the same as the green ones worn by Green Lanterns, which provide wielders with powers like flight, energy blasts, the ability to augment their physical statistics and the ability to create powerful constructs of anything they can think of.
In 1974, Marvel Editor-in-Chief Roy Thomas decided that there should be a Canadian superhero, so he asked Incredible Hulk writer Len Wein to come up with one and either call him the Badger or Wolverine. Wein read up about wolverines and decided to use that name. When the character concept was developed by Wein, Marvel's Art Director, John Romita, was brought in to then give the character a look. Romita essentially designed a costume that made the character look like an animal. That was fine for his first appearance.
So many people love Beyoncé that her appearance, performance, and subsequent announcement that she was pregnant during the 2011 MTV Video Music Awards attracted 12.4 million viewers, making it the most-watched broadcast on MTV since its inception. In addition, her announcement on Instagram this February that she and Jay Z are expecting twins gained 6,335,571 "likes" in just eight hours, breaking the record for the most liked image on Instagram.
When the Silver Age began, there were two particular types of characters who were seen as really cool that no longer get treated the same way in popular fiction -- scientists and test pilots. Scientists were the heroes of every other science fiction comic book from DC and Marvel in the 1950s and 1960s. Reed Richards being a cool scientist was a totally normal thing at the time. Similarly, test pilot Chuck Yeager was one of the most admired heroes in the United States in the 1950s due to his skills as a test pilot. You need to keep those things in mind when you realize how modeling Hal Jordan after guys like Yeager defined the character so much in the late 1950s.
Silly as it may seem, the 1960's Batman TV show had a lot going for it in the costume department. While Adam West's Batman was less a dark knight than a kind of schlubby guy in tights, Burt Ward's Robin was almost a direct translation of the Boy Wonder's classic look, pixie boots and all. Additionally, Yvonne Craig's flashy, sexy Batgirl defined the character's look in a way that is still felt in modern takes on the costume, where it's common place to inject some purple into Batgirl's palette.
Everyone, especially in America, loves Captain America. This character, unlike all others in Marvel, was created during the Second World War period to fight against the Axis powers in the comics. Towards the end of the war, Captain America fell through ice and remained trapped and in suspended animation until the military found and revived him decades later. Captain America is one of the leaders of the Avengers and is an amazing soldier, disciplined, and committed to protecting human beings at all costs.
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Hot and gorgeous Anne Hathaway played cat-woman in ‘The Dark Knight Rises’- the last installment of the Christopher Nolan’s Dark Knight Trilogy. For this challenging role, she went through a lot of physical fitness and martial arts sessions as needed to look perfect, which she did. Though, she didn’t have a major role in the movie but managed to steal many hearts with her performance and sexy kitty looks.
It didn't innovate, and it didn't try to, but the original film's Superman costume faithfully and lovingly recreated the colorful, larger than life look that every kid - and most adults - love about Superman, from his shameless trunks, to his flowing, flying red cape, to his perfect spit curl, this was Superman given life, and it paved the way for every superhero film since. Recently, Man of Steel saw a much more stylized take on DC's Krytptonian hero, and while that look had its merits, Reeve's original look is still the definitive take on Superman on film.
Harley is one of the most entertaining villains Batman has to fight occasionally, second only to the Joker. She is the Joker's lover and partner in crime, although their relationship is weird on so many levels. Harley used to be a normal psychiatric intern in Arkham Asylum, where she met the Joker and then turned into the crazy person she is today.
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Unlike Emma Frost, who arguably has a story reason to dress how she does, Psylocke is scantily clad only for the reader’s enjoyment. Sure, you can say that she is supposed to resemble a ninja, but you’d be hard-pressed to find other ninjas outside of the Marvel Universe dressed this way. She’s also a character that was reimagined as a sex symbol. Before her famous outfit, Psylocke was a pretty boring looking character. It wasn’t until she lost her pants and bent over all the time that readers really started to care about the character enough for her to garner enough focus resulting in some true character development. Her costume is so iconic, it’s one of the few costumes featured in the “X-Men” films that is almost completely untouched from its comic book counterpart. Goes to show you how much the costume defines the character.
Spider Woman a.k.a. Spider-Gwen might be from an alternate universe, but with her stylish look we think she’d be right at home on any planet. With this costume’s sleek hoodie and dynamic color scheme we’re sure you’re going to love pretending you’re the one who got bit by a radioactive spider. Give this cool costume a try to bring this up-and-coming superhero to life!
And that's saying nothing of the show's villains. Even with Cesar Romero's ubiquitous mustache, you'd be harder pressed to find a more colorful cadre of costumed crooks that so gleefully and shamelessly embodied the campy, all-for-fun spirit of their medium. the 1966 Batman was, in many ways, like a comic ouroboros, with Batman's printed adventures and his television capers influencing each other in equal measure. All of this came full circle when DC Digital launched Batman '66, putting the show's highly stylized aesthetic under the pen of artists like Mike Allred and Ted Naifeh, and proving its enduring value in the process.
Much of the success of the film's visuals owes to the physical performances of the actors in the suits, but even more of it is thanks to the atmosphere and carefully crafted darkness of the film's entire look. Of course, as more live-action Turtles films debuted, their visual language began to skew ever closer to the hugely popular films, cutting their effectiveness. The Turtles received updated looks in the recent Michael Bay produced reboot to wildly mixed reactions.