Years later, with Wolfman and Wein now working for Marvel Comics, Wolfman brought the character to Marvel's Art Director, John Romita, who took Wolfman's original design and adapted it into the character that would be known as Nova. Romita reduced the starbursts on the chest to three and added a bit of a starburst onto the helmet. Using bold, primary colors, the Nova armor design was often the most notable thing about the character for years. Even as other characters took over the identity as the main Nova at Marvel, the costume itself remained the same, as it was near impossible to improve on that basic design of Romita/Wolfman. If/when Nova shows up in the Marvel Cinematic Universe, you can bet that this is the costume we will see.
Much of the success of the film's visuals owes to the physical performances of the actors in the suits, but even more of it is thanks to the atmosphere and carefully crafted darkness of the film's entire look. Of course, as more live-action Turtles films debuted, their visual language began to skew ever closer to the hugely popular films, cutting their effectiveness. The Turtles received updated looks in the recent Michael Bay produced reboot to wildly mixed reactions.
By the end of the 1940s, superheroes had lost a lot of their appeal to the public. National Comics (now DC Comics) went from having dozens of superhero titles to only having a handful. Most of the members of the Justice Society of America fell out of sight in the world of National. Flash and Green Lantern went from appearing in multiple titles to not appearing in any books at all!
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